LGBT+
Graham Fuller
As Janis Pugh’s semi-autobiographical Chuck Chuck Baby draws to a close, the camera fondly plays around the smiling faces of some of its voiceless female characters – careworn middle-aged workers in a Welsh chicken processing factory. They're cheered by finally seeing something good happen to one of their number. It’s the romantic musical drama’s most loving visual aside – the poultry packers’ ingrained pain and disappointment momentarily forgotten.The woman in question is Helen (Louise Brealey), at the start a near-broken drudge, pushing 40 and consigned to domestic misery, her only Read more ...
joe.muggs
The noise in the international mainstream in recent years might be about dance-pop, hip hop beefs and the serious balladry of Taylor, Billie and Lana – yet at the same time, R&B has been strange, brilliant, ultra-popular, but generated a tiny fraction of the column inches and “discourse”.Jhene Aiko, Tinashe, SZA, H.E.R., Mahalia: these are radical artists, each making fascinating music that generates billions of streams, yet certainly in the UK they’re generating micro-fractions of the column inches that their contemporaries in other genres are. The reaction to SZA’s Glastonbury Read more ...
Ismene Brown
Times change, people don't. Does a knighthood sit well on a man who shags anonymous strangers in the Blue Lion out of hours? Emlyn Williams played his own fruity lead when his play Accolade premiered in 1950 - Bill Trenting, a hugely successful writer of seamy bestsellers who (improbably) is about to be knighted and (still more improbably) won the Nobel Prize for Literature, but who will be publicly exposed for his double life enjoying promiscuous stranger-sex in Rotherhithe bars, if he doesn't pay his blackmailer. Sir William, as everyone must now get used to calling him, is on arguably Read more ...
Kieron Tyler
Jon Savage's The Secret Public How The LGBTQ+ Aesthetic Shaped Pop Culture 1955-1979 accompanies the titular author/historian/journalist’s book of almost the same name. The Secret Public: How LGBTQ Resistance Shaped Popular Culture (1955–1979) and this 41-track double CD each track exactly what their titles say, drilling into what has often paralleled or underlain yet repeatedly influenced a constantly evolving mainstream.Little Richard is seen on the cover of the book and the compilation. Other figures crop up twice on the CD set: British producer and songwriter Joe Meek (with Joe Meek Read more ...
Jane Edwardes
Who is Sappho? What is she? Not much is known about the influential Greek poet who was born some 2500 years ago. Her poetry was celebrated during her lifetime, but very little has survived. Those fragments that do exist speak of love, passion and longing. Her name lives on, not just because of her poetry, but because both she and Lesbos, the island she lived on, have given their name to the love of one woman for another. And so Wendy Beckett’s glitzy, short comedy celebrates the life of the poet through the prism of gay love today.Although most of the cast are dressed in Greek tunics of the Read more ...
Heather Neill
In Shakespeare's day theatre was regarded as "wanton" by those of a Puritan disposition who feared boys dressed as girls could engender wicked thoughts of same-sex love in players and audience. But such ideas are, of course, part of the story, especially in comedies such as As You Like It and Twelfth Night. Director Owen Horsley here celebrates the queerness rather than leaving it to the perception of the audience.There are pluses and minuses to this idea. The action now takes place in a queer café, designed by Basia Bińkowska and named for the diva who owns it, Olivia, and bearing her name Read more ...
Justine Elias
Somewhere along a desert highway in the American Southwest, where there's not much to do besides get drunk, shoot guns, and pump iron, a stranger comes to town.In Love Lies Bleeding, a smart, sexy neo-noir, the drifter is a weightlifter named Jackie (Katy M O’Brian), who’s out to score a short-time cash gig to fund her way to bodybuilding competition in Las Vegas. On Jackie’s first night training at the local gym, though, there’s trouble: she fights off a handsy jock’s advances, preferring to lock eyes with the gym’s lonely manager, Lou (Kristen Stewart). This is New Mexico, 1989: two women Read more ...
graham.rickson
Beautiful Thing’s opening scene plays out like a sweary take on Bill Forsyth’s Gregory’s Girl, Meera Syal’s potty-mouthed PE teacher lambasting her Year 11 pupils with language that would now have her hauled up in front of a professional conduct panel.Originally a stage play, writer Jonathan Harvey’s screenplay drew upon his own experiences as an English teacher in South East London, and the banter, as funny as it’s cruel, struck me as painfully accurate. 1996 seems like another world – a time when Clause 28 forbade local authorities from "promoting" homosexuality, and the age of consent for Read more ...
Sarah Kent
Yihao is a disaffected 20 year old living in Chengdu, capital of Sichaun Province. A thriving centre for business and commerce, Chengdu looks like any other modern city. You could mistake it for downtown Chicago except that, apart from the Walmart logo, the signage is in Chinese.Yihao isn’t interested in making money, though. Having dropped out of school, he performs as a drag queen at Funky Town, a gay bar that welcomes young people who feel alienated from society. But the venue is earmarked for demolition to make way for a new subway station and Ben Mullinkosson’s documentary is a loving Read more ...
Hugh Barnes
The movies haven’t been kind to Pyotr Ilyich Tchaikovsky. The Nutcracker Suite was a highlight of Walt Disney’s Fantasia (1940) perhaps, but the 1969 Soviet biopic directed by Igor Talankin was tedious and Ken Russell’s The Music Lovers, released two years later, worse than that.Tchaikovsky’s Wife, written and directed by the talented Russian filmmaker Kirill Serebrennikov, tells the story of Antonina Miliukova, who married Tchaikovsky in 1877 and then went mad because she couldn’t reconcile herself to the composer’s homosexuality.It should have been obvious to the smitten Miliukova (Alyona Read more ...
Markie Robson-Scott
“I had sex with a woman. Can I tell you about it, please?” says film director Tomas (Franz Rogowski) to his husband Martin (Ben Whishaw), a printmaker. Tomas is full of excitement about his night with Agathe (Adèle Exarchopoulos); Martin is resigned, pale, doesn’t want the details. This always happens when you finish a film, he says. Take a nap, relax. But Tomas has thrown their relationship into crisis.Relaxing is not something that comes easily to Tomas, who’s driven by his impulses and expects everyone to be endlessly indulgent of his mercurial desires. When they’re not, he crashes. He Read more ...
Adam Sweeting
They called Noël Coward “The Master”, and Barnaby Thompson's 90-minute documentary marking 50 years since his death reminded us why. Though there was nothing here in the way of hitherto unknown revelations, the tale of how a boy who left school at nine and had no musical training yet became one of the world’s most prolific playwrights and composers undoubtedly has something fantastical about it.With a commentary by Alan Cumming, quotations from Coward’s own writings voiced by Rupert Everett and bags of time-travelling period footage, the film pieced together the story of this son of an out-of Read more ...