Nazis
Foam, Finborough Theatre review - fascism and f*cking in a Gentlemen's Lavatory that proves short of gentlemenThursday, 28 March 2024
In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet), a lad is shaving his head. He’s halfway to the skinhead look of the early Seventies, but he hasn’t... Read more... |
Nachtland, Young Vic review - German black comedy brings uneasy humour and discomfiting relevanceThursday, 29 February 2024
If Mark Twain thought that a German joke was no laughing matter, what would he make of a German comedy? That quote came to mind more than once during Patrick Marber’s production of Marius von Mayenburg’s 2022 play, Nachtland. I know it’s... Read more... |
The Most Precious of Goods, Marylebone Theatre review - old-fashioned storytelling of an all-too relevant taleTuesday, 30 January 2024
As last week’s news evidenced, genocide never really goes out of fashion. So it’s only right and proper that art continues to address the hideous concept and, while nothing, not even Primo Levi’s shattering If This Is a Man, can capture the scale of... Read more... |
1984, Hackney Town Hall review - Room 101 shapeshifts into 2023, but remains as terrifyingly plausible as everTuesday, 31 October 2023
The day after I saw the show, as went about the mundanities of domestic life, I wondered how long it would take to come across a reference to 1984. My best bet was listening to an LBC phone-in concerning next week’s conference at Bletchley Park on... Read more... |
A different angle on the Anne Frank story in 'A Small Light'Wednesday, 03 May 2023
The Diary of Anne Frank became a Broadway play and has formed the basis of a lengthy catalogue of films and TV series, but the name of Miep Gies is rather less well-known. Yet without Gies the Anne Frank story might never have reached the wider... Read more... |
Watch on the Rhine, Donmar Warehouse review - Lillian Hellman's 1940 play is still asking awkward questionsWednesday, 11 January 2023
We’re reminded, in a grainy black and white video framing device, that, as late as the summer of 1941, the USA saw World War II as just another European war. As brilliantly illustrated in Phillip Roth’s The Plot Against America, not only was such... Read more... |
Charlotte review - the story of artist Charlotte Salomon, murdered in AuschwitzTuesday, 13 December 2022
“Only by doing something mad can I hope to stay sane,” says Charlotte Salomon (voiced by Keira Knightley) to her lover, Alexander Nagler (Sam Claflin). “I feel it inside me, the same demon that’s haunted so many in my family.”Both are Jewish... Read more... |
My Neighbour Adolf review - this queasy comedy is not what the world needs just nowMonday, 07 November 2022
How many excellent comedies involving the Nazis are there? To Be or Not To Be, The Great Dictator and perhaps The Producers, but Jojo Rabbit was a mess and My Neighbour Adolf is no better.And it’s also hard to... Read more... |
Good, Harold Pinter Theatre review - brilliant but half-bakedThursday, 13 October 2022
“The bands came in 1933.” So begins C P Taylor’s Good, a play that tries its hardest to resist being Googled. It was first performed by the RSC in 1981; this production, starring David Tennant as a mild-mannered German professor who gradually... Read more... |
Olivier Guez: The Disappearance of Josef Mengele review - the Nazi who was never foundThursday, 01 September 2022
Bringing Olivier Guez’s novel The Disappearance of Josef Mengele on a beach holiday may seem like an odd choice (such is the lot of a reviewer). This incongruity transformed into something stranger, however, when I learned that the Nazi doctor Josef... Read more... |
Blu-ray: The Last MetroTuesday, 14 June 2022
The Last Metro (Le dernier métro), from 1980, is without doubt one of François Truffaut’s best films: a story beautifully told, strong on character, sometimes funny and always profoundly moving. Most of the credit has gone to Truffaut and co-stars... Read more... |
The Misfortune of the English, Orange Tree Theatre review - don't fret, boys, it's only deathFriday, 06 May 2022
“We all make history, one way or another.” But some of us make more history than others, and a group of 27 English schoolboys who got lost in Southern Germany in 1936 haven’t made much, unfortunately. Scottish playwright Pamela Carter has brushed... Read more... |
- 1 of 9
- ››
