adaptation
India Lewis
Director Charlie McDowell's The Summer Book is a beautiful, somewhat wistful film that follows the residents of a tiny Finnish island (daughter, father, grandmother) over a summer. The father (Anders Danielsen Lie, of The Worst Person in the World and Sentimental Value) is mourning the death of his wife, whilst his mother (Glenn Close) provides brisk, no-nonsense comfort, and his daughter, Sophia (Emily Matthews), struggles to come to terms with her new life and the loss it involves.The film is adapted from Tove Jansson’s book of the same name and shares much of its episodic nature, as well Read more ...
Gary Naylor
What would ol’ Shakey think of such liberties? Two plays that may or may not be a single narrative, which may or may not have a missing middle section, stitched together with a bit of text added here and a bit there. Then staged outside a toffs' school on Richmond Hill, far from the spit and sawdust of Southwark in every sense.I'd conjecture - and maybe it’s wishful thinking, but The Bard certainly wasn’t precious with his work - that he’d have two questions above all others. Was the box office decent? Did the laughs land? Both would be answered to the actor-manager’s satisfaction.No Read more ...
Gary Naylor
Popular culture includes both will-o'-the-wisp confections, gone in 900 seconds pace Warhol’s aphorism, but can also creates a shorthand that conveys more than a lengthy monograph in The London Review of Books. Long before he was Prime Minister, Andy Burnham was dubbed the "King of the North", and nobody felt the need to explain. That was the kind of cut-through achieved by Game of Thrones on page and screen.So it’s a surprise to learn that in 30 years since George RR Martin introduced Ned Stark to the world and 15 since he lined up with his family in the cold on TV, that he had never Read more ...
Helen Hawkins
Dismemberment is a key motif in the writer-director Simon Stone’s The Oresteia. It reflects the treatment of two of the piece’s several dead bodies, as is hinted at when their killer is asked where he buried them. “Many places,” he replies coolly. And it’s what Stone himself has done with his ancient source material,As the play’s publicity materials announce, it is “after Aeschylus and others”. But the trilogy Aeschylus left us (actually, a tetralogy, according to a programme essay by an eminent classicist: a lost satyr play was the fourth part) is like a rock formation that’s only visible Read more ...
Adam Sweeting
One sometimes finds oneself wondering whether Harlan Coben is an author or a set of AI procedures designed to manufacture plots of ludicrous twistiness. Whatever he or it is, it’s managed to infatuate Netflix and Prime Video, who can’t stop turning this stuff into TV wallpaper (The Stranger, The Woods, Shelter etc). Richard Armitage quite often stars in them.Armitage isn’t in I Will Find You, but most of the usual Coben-esque traits are in evidence. There are frequent enigmatic flashbacks to past events which have paved the way for the present-day action, there are missing persons and altered Read more ...
Matt Wolf
The parade of stage musicals borne from films continues with Pride, which takes the open-hearted, small-scale 2014 movie of the same name and brings it to the stage with many of the film's creatives (director Matthew Warchus and writer Stephen Beresford) along for the ride. The unbridled appeal to the emotions will be familiar to those who know Billy Elliot and Kinky Boots, two other musicals sourced in sweet indie English films that acquired a full-throttle theatrical life of their own. (Like Billy Elliot, this show, too, reserves musical pride of place for a song devoted to solidarity, Read more ...
Graham Rickson
You’d watch Hamnet for the visuals alone, director Chloé Zhao and cinematographer Łukasz Żal flooding the screen with lush greens and browns, 16th century rural England brought to physical life with an eye-popping attention to detail. We first meet Jessie Buckley’s Agnes in dense woodland gathering plants, a gift for falconry signalling her otherness. Though the locals whisper that she’s the daughter of a witch, she proves irresistible to glove maker and Latin tutor William (Paul Mescal). He charms her with his storytelling abilities and she reciprocates by reading his palm, hinting at a Read more ...
Gary Naylor
About two hours into this big, brash Beetlejuice, the door to Hell opens up, and I felt a sudden desire to rush the stage, dash through and take my chances. Well, perhaps not on press night, when it's poor form to leave before the end.Reflecting further (and this is one of those shows in which something is always happening, but everything is said at least twice, so you can take a time out) I realised that I was breaking one of my Golden Rules. This is a musical adaptation of an 80s blockbuster movie and has a wild-eyed, leering man with green hair as its marketing image, so what did I expect Read more ...
Gary Naylor
In the 70s, a science-inclined schoolboy like me was directed to young adult oriented biographies of Thomas Edison, of which there were many. They left out the more problematic aspects of his life, the dubious business practices and some of his more Victorian approaches to demonstrating the power of electricity (don’t Google it). Instead, they favoured the legend of a lone genius beating the odds to, quite literally, enlighten the world.The iconography of his story runs deep in the human soul. But there’s always an Icarus to warn us of the dangers of hubris, lurking on our left shoulder and Read more ...
Gary Naylor
The USA was still months short of Pearl Harbour’s shove into World War II when Bertholt Brecht wrote The Resistible Rise of Arturo Ui. It was many years into a Cold War by the time it was first staged in 1958. It will need a historian of the future to draft the next sentence, the one that heralds its revival at the RSC in 2026. But we were all thinking, and worrying about what exactly it would say – as Brecht intended.After a prologue and some banners (the more intrusive Brechtian stylings mercifully largely left behind after that) we’re introduced to the fat cats of the Chicago cauliflower Read more ...
Adam Sweeting
Fans of Call the Midwife (which is currently “taking a break” after the conclusion of Series 15) will no doubt recall, with a nostalgic tear, Ella Bruccoleri’s performance as Sister Frances, which she sustained from 2018-2022. Some said she was nuts to walk away from such a well-loved show, but Ms Bruccoleri sensed that it was time to strike out for pastures new.She has also previously appeared in The Last Kingdom, Bridgerton, Bookish, Down Cemetery Road and Agatha Christie’s Seven Dials, but her career is about to go up a gear or two. Viewers will be able to see why when she appears in Read more ...
Gary Naylor
Settling into my seat in this most intimate of houses, I realised that I had never seen a play written by Nobel Laureate and Academy Award winner, George Bernard Shaw. Nor did I know what his very own adjective, Shavian, connoted with any certainty. Nor did I know why an actress chose to go by the distracting stage name, Mrs Patrick Campbell.Partly that speaks to the limitations of my own experience (though when lines were read from the proto-script of Pygmalion, I was word-perfect, albeit from My Fair Lady) but it also speaks to the fact that Shaw has long fallen out of favour. His outspoken Read more ...