mon 30/11/2020

adaptation

Artemis Fowl review - flash bang nothing

It’s taken over 18 years for Artemis Fowl to reach the big screen, with Miramax originally buying the rights in 2001. Finally, Disney have brought the world’s youngest criminal mastermind to life, but was it worth the wait? Well, the fact it’s...

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I Know This Much Is True, Sky Atlantic review - riding a carousel of catastrophe

Adapted by writer-director Derek Cianfrance from Wally Lamb’s 1998 novel, this HBO production (on Sky Atlantic) presents a huge canvas for Mark Ruffalo, who plays the twin brothers Dominick and Thomas Birdsey. He had a particular interest in I Know...

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Frankenstein, National Theatre at Home review – creature discomforts

So far, it could be said that the National Theatre is having a good lockdown. Every week, this flagship streams one of its stock of NT Live films, which are always a welcome reminder of the range of its output over the past decade or so. This week...

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Normal People, BBC One review – adaptation of Sally Rooney’s novel evokes the deep cut of first love

Sally Rooney’s 2018 novel, which was long-listed for the Man Booker Prize, was a psychologically rich, emotive journey into the psyches of two Irish teenagers who fall in love. Only two years on from publication, it has been turned into a 12-part...

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Treasure Island, National Theatre at Home review - all aboard this thrilling adventure story

Swaggering pirates, X marks the spot, a chattering parrot, “Yo-ho-ho and a bottle of rum”? All present and correct. But Bryony Lavery’s winning 2014 adaptation of Robert Louis Stevenson for the National, directed by Polly Findlay, also features...

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Who You Think I Am review - Juliette Binoche dazzles as she wrestles with dual identities

With influences as diverse as Hitchcock’s Vertigo to 2010’s Catfish, Safy Nebbou’s genre-splicing French-language feature, starring Juliette Binoche, comes loaded with a heady mix of cheap thrills and surprising psychological depth....

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Jane Eyre, National Theatre at Home review - a fiery feminist adaptation

The National Theatre’s online broadcasts got off to a storming start with One Man, Two Guvnors – watched by over 2.5 million people, either on the night or in the week since its live streaming, and raising around £66,000 in donations. Let’s hope...

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Rumpelstiltskin, Sadler's Wells Digital Stage review - spins an engaging yarn for young audiences

The latest in Sadler’s Wells’ Digital Stage programme – an impressively assembled online offering to keep audiences entertained during the shutdown – is balletLORENT’s family-friendly dance-theatre production Rumpelstiltskin. It was...

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Four Kids and It review – a family friendly yarn that needs more magic

With over one hundred books to her name and several hugely popular TV spin-offs, including the Tracy Beaker adventures, Jacqueline Wilson takes a no-nonsense approach to children’s fiction that reflects the realities of jigsaw families, mental and...

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Director Marjane Satrapi: ‘The real question is do you like everyone? No? So, why should everyone like you?’

Marjane Satrapi, the Iranian-born French filmmaker, has a reputation that precedes her. Her upbringing was the subject of the acclaimed films Persepolis (2007) and Chicken With Plums (2011). Persepolis won the Cannes Jury Prize, two César awards and...

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Penance, Channel 5 review - lust, disgust and mistrust in Kate O'Riordan's thrilller

Adapted by Kate O’Riordan from her own novel, Penance is a taut little thriller spread over three consecutive nights. It’s not going to rock the planet off its axis, but there’s enough twisty and salacious intrigue to keep you coming back.There’s a...

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Calm with Horses review - a stirring debut

Nick Rowland marks his breakout from TV drama with this very competent feature, an adaptation of Colin Barrett’s short story. Set in a bleak, rural Ireland, Cosmo Jarvis plays Arm, an ex-boxer with an estranged girlfriend, a non-verbal,...

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