adaptation
Crazy For You, Gillian Lynne Theatre review - high-kicking heavenWednesday, 05 July 2023
Who says you can't go home again? As proof that you can, and to giddy and gorgeous results, along comes the current West End revival of Crazy for You, which reunites Broadway name Susan Stroman with the Gershwin-inspired title that launched this... Read more... |
42nd Street, Sadler's Wells review - musical extravaganza will knock your socks offThursday, 15 June 2023
There are better musicals in town, but can you find me a more spectacular show in a more comfortable theatre? I doubt it. Not that Jonathan Church's new production at Sadler's Wells is flawless. It's a 90-year-old blockbuster so, for all its... Read more... |
Carmen review - curio from choreographer turned director Benjamin MillepiedSaturday, 03 June 2023
The inspirations for the directing debut of Benjamin Millepied, choreographer and dancer in Black Swan, are cited as Merimée’s novella Carmen and Pushkin’s narrative poem The Gypsies, the former better known as an opera guaranteed to raise the... Read more... |
Bleak Expectations, Criterion Theatre review - popular radio comedy takes to the stageFriday, 02 June 2023
We all need a break from time to time, especially now given the grim state of the world. So it’s not surprising that comedy is making something of a comeback in the West End: Operation Mincemeat; The Unfriend seen recently at this theatre; The Play... Read more... |
Anna Karenina, Lyceum Theatre, Edinburgh review - nimble, sweary staging of Tolstoy's iconic novelSaturday, 20 May 2023
How do you cram a thousand-page novel, a cast of dozens and profound philosophical ponderings on love, fidelity, class and freedom into a two-and-a-half hour stage show? If you’re Lesley Hart – adapter of Tolstoy’s Anna Karenina at Edinburgh’s... Read more... |
Jules and Jim, Jermyn Street Theatre review - a bohemian love triangle ends badlyFriday, 28 April 2023
It’s apt that this new play, with characters moving in and out of Paris either side of World War I, is staged at this intimate theatre, one that always has the ambience of a below-ground oubliette. These bohemians are not penniless and cold as were... Read more... |
Betty Blue Eyes, Union Theatre review - musical revival pigs out on nostalgiaFriday, 07 April 2023
People can’t find the food they want in the shops. Nobody has enough money. Public services are under pressure. And there’s a big Royal occasion to take our minds off things.England 2023? Nah, England 1947, as rationing applies to meat and fruit... Read more... |
DVD/Blu-ray: LivingMonday, 20 March 2023
Mr Williams (a wonderfully restrained, Oscar-nominated Bill Nighy) is taking time off work from his job in the Public Works department at County Hall in London. It’s the early Fifties and office life is very proper, with bowler hats and a strict... Read more... |
Allelujah review - Alan Bennett put through the blenderMonday, 20 March 2023
I'm proffering just a tad less than three cheers for Allelujah, the film version of Alan Bennett's 2018 Bridge Theatre play that is also that rare screen adaptation of Bennett not to be shepherded to celluloid by his longtime friend and collaborator... Read more... |
Fleishman Is in Trouble, Disney+ review - mid-life crises in ManhattanWednesday, 01 March 2023
As films and television series based in New York City tend to do, Fleishman Is in Trouble opens with an aerial shot of Manhattan – except, significantly, this sequence is presented upside down. To the celestial sound of tinkling arpeggios, the slim... Read more... |
Oklahoma!, Wyndham's Theatre review - radical reimagining adds plenty but achieves lessWednesday, 01 March 2023
It is, perhaps, important to note that this production was first staged in London at the Young Vic, a venue noted for shows possessed of a rather harder edge than that usually connoted by the description "West End musical".On leaving the theatre... Read more... |
Blu-ray: The Queen of SpadesTuesday, 14 February 2023
If post-war baroque cinema had been a school or movement rather than a style, its male icon would have been Anton Walbrook. Before Max Ophüls cast the suavely menacing Austrian actor as the master of ceremonies in La Ronde (1950) and as King Ludwig... Read more... |
