adultery
Nineteen Gardens, Hampstead Theatre Downstairs review - intriguing, beautifully observed two-hander tilts power this way and thatSaturday, 11 November 2023
A middle-aged man, expensively dressed and possessed of that very specific confidence that only comes from a certain kind of education, a certain kind of professional success, a certain kind of entitlement, talks to a younger woman. Despite the fact... Read more... |
Adam Sisman: The Secret Life of John le Carré review - tinker, tailor, soldier, cheatThursday, 12 October 2023
This book is quite a sad read. I had been looking forward to it, as a posthumous supplement to Adam Sisman’s 2015 biography of John le Carré/David Cornwell, which, at the time, quite clearly drew a discreet veil over his later private life. But the... Read more... |
Infamous, Jermyn Street Theatre review - Lady Hamilton challenges the patriarchy and losesThursday, 14 September 2023
Towards the end of the 18th century, Lady Emma Hamilton (like so much in this woman's life, hers was a title achieved as much as bestowed) was the “It Girl” of European society.They’ve always been around – women who have the combination of... Read more... |
Closer, Lyric Hammersmith review - still sordid and sexy 25 years onFriday, 22 July 2022
Drama is writing in thin air, its content instantly spirited away into unreliable memory, so if a play is to be revived a quarter century on from its first run, it has to say something substantial about the human condition. Patrick Marber's Closer... Read more... |
The Forest, Hampstead Theatre review - puzzling world premiere from Florian ZellerWednesday, 16 February 2022
If Florian Zeller isn’t a Wordle fan, I’d be very surprised. As with the hit online game, the French playwright likes to offer up a puzzle for the audience to solve, clue by clue, before the curtain falls. His latest play, The Forest, which had its... Read more... |
Tessa Hadley: Free Love review - the Sixties, the suburbs and the hippie dreamTuesday, 25 January 2022
Free Love opens in 1967 and remains within that heady era throughout; no flashbacks, no spanning of generations as in Hadley's wonderful novels The Past or Late in the Day. Phyllis, aged 40, is a suburban housewife, C of E, deeply apolitical and a... Read more... |
Drive My Car review - talk therapy on the roadSaturday, 20 November 2021
In the first 35 minutes of Hamaguchi Ryūsuke’s three-hour Drive My Car, which the Japanese director adapted with Oe Takamasa from a story in Murakami Haruku’s Men Without Women collection, the successful actor Kafuku Yūsuke (Nishijima Hidetoshi)... Read more... |
Berlinale 2020: Never Rarely Sometimes Always review - raw and unflinching abortion drama hits homeFriday, 28 February 2020
Back in 2017, writer-director Eliza Hittman won over audiences with her beautiful coming-of-age drama Beach Rats. Her latest film, Never Rarely Sometimes Always, is a more quietly devastating drama, shifting the focus away from sexual... Read more... |
Nora: A Doll's House, Young Vic review - Ibsen diced, sliced and reinvented with poetic precisionWednesday, 12 February 2020
Ibsen's Nora slammed the door on her infantilising marriage in 1879 but the sound of it has continued to reverberate down the years. In 2013, Carrie Cracknell directed Hattie Morahan in an award-winning performance at this theatre, last year Tanika... Read more... |
Falsettos, The Other Palace review - affecting search for the new normalFriday, 06 September 2019
William Finn and James Lapine’s musical – which combines two linked one-acts, March of the Falsettos and Falsettoland, set in late 1970s/early 1980s New York – picked up Tony Awards in 1992 for its book and score, and was nominated again in... Read more... |
Betrayal, Harold Pinter Theatre review - Tom Hiddleston anchors a bold, brooding revivalThursday, 14 March 2019
The grand finale of Jamie Lloyd’s remarkable Pinter at the Pinter season is this starry production of one of the writer’s greatest – and certainly most personal – works, inspired by his extramarital affair with Joan Bakewell. The 1978 play is... Read more... |
DVD/Blu-ray: The TouchTuesday, 24 April 2018
The touch is not always light here. Swathes of clunking, cliché-ridden English dialogue threaten to make the star-crossed lovers look ridiculous, and one of them (Elliott Gould) can be a wooden actor at times. But Ingmar Bergman's first major film... Read more... |
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