thu 12/12/2024

avant-garde

CD: The Residents - The Ghost of Hope

The Residents' famous fusion of Fred Astaire’s most dapper top hat’n’tails look with a giant eyeball head is a masterpiece of surreal imagery. The subversive California outfit, who’ve been going for over 40 years, have regularly veered into other...

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CD: Wire - Silver/Lead

Although Wire have regularly fired out albums, ever since their inimitable strain of angular punk first exploded into the Seventies, their later efforts have never quite reached the same coveted cult status as 1977’s Pink Flag or 1978’s Chairs...

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French Touch, Red Gallery

Un Voyage Á Travers Dans Le Paysage Électronique Français, the French subtitle, goes further. French Touch is the first exhibition to celebrate and dig into France’s electronic music heritage: exploring the lineage which laid the ground for the...

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theartsdesk in Bergen: Questions upon questions at Borealis Festival

There comes a point in any experimental music festival when you have to accept the silliness and go with it. And at Borealis, that point comes very early. Only a couple of hours off the plane in Bergen and we're in a pedestrian tunnel under the bus...

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CD: Laurie Shaw - Felted Fruit

Christmas came, and brought with it the usual silly-season headlines. "Vinyl outsells digital downloads" came the cries, bringing with them a vision of a plastic phoenix rising from the ashes. The truth was, of course, much more prosaic – digital...

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CD: Xam Duo - Xam Duo

Everything about Xam Duo’s debut album, out earlier this month on Sonic Cathedral, has a wonderful sense of self-indulgence: from the freeform, experimental feel, the stretched-out tones and resulting melodies that exist almost by implication, to...

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Gaga for Dada: The Original Art Rebels, BBC Four

If you’ve had half an eye on BBC Four’s conceptual art week, you’ll have noticed that the old stuff is where it’s at, with Duchamp’s urinal making not one but two appearances, equalled only by Martin Creed, that other well-known, conceptual stalwart...

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theartsdesk in Bilbao: The School of Paris at the Guggenheim Museum

Painted during his first trip to Paris in 1900, Picasso’s Le Moulin de la Galette is an outsider’s view of an exotic and intimidating new world. Men and women are seen as if through some strange distorting lens, their blurred, mask-like faces...

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Franciszka & Stefan Themerson, Camden Arts Centre

Bertrand Russell’s History of the World is a charming little booklet that carries a chilling message: “Since Adam and Eve ate the apple, man has never refrained from any folly of which he is capable.” A line drawing shows Adam and Eve sharing a...

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theartsdesk at Tectonics Festival, Adelaide

The Tectonics festival concept began in Iceland, 2012, created by the Israeli conductor Ilan Volkov. Although, loosely speaking, it’s concerned with a modern classical programme, there’s a peculiar aspect to Volkov’s orientation that lends a special...

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Delacroix and the Rise of Modern Art, National Gallery

Art exhibitions hardly seem comparable with battery farming, and yet just as our insatiable appetite for cheap meat gives rise to some troubling consequences, so too does the demand for definitive exhibitions that require vulnerable works of art to...

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10 Questions for Jazz Quartet Empirical

Described by Courtney Pine as "the most exciting jazz band to come out of the UK" and hailed in the press as the new young lions, Empirical broke cover in 2007, topping album of the year charts with their self-titled debut and picking up wins at the...

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