Baroque
Rodelinda, Britten Theatre, Royal College of MusicMonday, 14 March 2011
A highlight of the London Handel Festival’s annual season is the opera, generally chosen from one of the dustier, more spidery corners of the composer’s repertoire. What a surprise then to see Rodelinda taking its turn this year. An undisputed... Read more... |
Retrospect Trio, Julia Doyle, Wigmore HallTuesday, 15 February 2011
Their record label describes them rather laboriously as “a Baroque super-group of four superstar Baroque instrumentalists”, but the Retrospect Trio don’t need any fancy titles to prove their quality. Bringing together violinists Sophie Gent and... Read more... |
The Fairy Queen, Queen Elizabeth HallFriday, 11 February 2011
Something of a bad boy in the Baroque world, Philip Pickett can generally be relied on to provoke discussion. Whether it’s by teaming up with one of Rolling Stone magazine’s Greatest Guitarists of All Time, or restaging Purcell’s The Fairy Queen... Read more... |
La Serenissima, Cadogan HallFriday, 04 February 2011
According to the wit of either Dallapiccola or Stravinsky (history is divided), Vivaldi was responsible for writing not 600 concertos, but the same concerto 600 times. It’s a joke that has lingered stubbornly in the popular imagination. Had the... Read more... |
Magdalena Kožená, Private Musicke, Wigmore HallWednesday, 02 February 2011
The Wigmore Hall, with its laboriously marbled and gilded period interior, doesn’t exactly scream “rebellion”. Yet for the second time in as many months its conservative classical crowd saw recital conventions discarded like the too-tight bow tie... Read more... |
Steven Isserlis, Academy of Ancient Music, Wigmore HallThursday, 27 January 2011
No self-mutilation or incest, but plenty of daddy issues at the Wigmore Hall last night in a musical glance through the Bach family album. Carefully keeping Johann Sebastian out of the way (presumably lest he show everyone else up and spoil the fun... Read more... |
Rameau's Castor et Pollux, Theater an der WienMonday, 24 January 2011
For us Ramistes the brilliance came as no surprise. But did the genius come across to the uninitiated? This new production of Castor et Pollux, one of Rameau's finest tragédie en musique, was the Baroque composer's Austrian stage premiere.... Read more... |
Iestyn Davies, Richard Egarr Wigmore HallThursday, 13 January 2011
Not a lot of swooning goes on at the Wigmore Hall. Nor does it seem the kind of institution to endorse rapturous wailing, beating of the breast, or the throwing of either flowers or underwear. All of which leaves one with the problem of how to... Read more... |
Year Out/Year In: Classical Music and OperaFriday, 31 December 2010
Earlier this month, George Osborne, Vince Cable and Jeremy Hunt were spotted in a Royal Opera House box surveying the country's most expensive artistic patrimony. What they thought - and how they and the Arts Council might wield their axe - will... Read more... |
Scholl, Jaroussky, Ensemble Artaserse, BarbicanWednesday, 08 December 2010
The egos and rivalries of the great castrati – of Senesino, Carestini, Farinelli – are legendary. Too few arias, too unheroic a role, or just too little virtuosity (Handel’s beautiful “Verdi prati” was almost lost to us when Senesino rejected its... Read more... |
Sandrine Piau, Les Talens Lyriques, Wigmore HallSunday, 05 December 2010
Who was a greater composer of words: Schubert or Purcell? A toss-up, I think, after a revelatory concert at the Wigmore Hall by Les Talens Lyriques with the French soprano Sandrine Piau on Saturday. The sheer quality of the poetry Purcell set in his... Read more... |
Handel's Alcina, BarbicanSunday, 05 December 2010
Classical music does not get any cooler than mezzo Vesselina Kasarova. She jived. She grooved. She shuffled. She shimmied. She possessed the Barbican stage last night, an awesome black jumpsuit hanging off her rangy, kinetic figure, her neck... Read more... |
