BBC Four
Adam Sweeting
The first series of The Sinner in 2017 starred Jessica Biel as a disturbed woman who seemingly inexplicably stabbed a man to death on a beach, then could remember nothing about the crime. This second season on BBC Four finds Biel on board as executive producer, but this time the story is of a young boy who seemingly inexplicably poisons a couple, and admits to doing it.The common thread is detective Harry Ambrose, who’s called in to help out on the new case by Heather Novack (Natalie Paul), the daughter of Harry’s old police buddy Jack Novack (Tracy Letts). Last time around we saw Harry Read more ...
Jasper Rees
Ken Burns is the closest American television has to David Attenborough. They may swim in different seas, but they both have an old-school commitment to an ethos that will be missed when it’s gone – the idea that television is a place to communicate information with a sober sense of wonder. Burns’s field is American history in all its breadth and depth. Last time round it was a lapidary decalogue of documentaries about the Vietnam War. That had such an impact that, for his latest, BBC Four have promoted his name to the title to create a forgivable misnomer: Country Music by Ken Burns.The Read more ...
Adam Sweeting
This year marks the 50th anniversary of Ken Loach’s film Kes, and the 51st of A Kestrel for a Knave, the Barry Hines novel it was based on. The story of Barnsley boy Billy Casper who finds an escape from his painful home life and brutal schooling by training a wild kestrel has resonated down the decades, and the film is regarded as a classic of British cinema, even if the Americans couldn’t understand its Yorkshire accents. According to Greg Davies, English teacher turned comic, it feels even more vital today, in an increasingly divided and inequitable world.For this BBC Four film, Davies Read more ...
India Lewis
Gillian Wearing’s Arena documentary Everything is Connected (BBC Four) is a quietly innovative biography of an author whose works still resonate with their readers and the country within which she wrote. Wearing and George Eliot are a sympathetic match, both playing with a multiplicity of voices, delighting in the layman’s opinion as well as that of the expert. We see Eliot’s intellectuals, but also the modern version of her farmers, priests, and wayward sons. Wearing puts her words in their mouths, allowing them at times to slip into one another, blurring the boundaries between the speakers Read more ...
Adam Sweeting
Who won the Cold War? Nobody, according to comedian Rich Hall in this 90-minute film for BBC Four. His theory is that after the symbolic fall of the Berlin Wall 30 years ago, Russia and America merely “flipped ideologies”. The US government now rules by lies and intimidation, while Russia embraced gangster-capitalism and became “a gas station with a bunch of rusty nukes out back.”Resembling an old outlaw who’d been dragged into town tied to the back of somebody’s horse, Hall cast a caustic eye over the neurotic decades after World War Two, as East and West stockpiled missiles and pushed the Read more ...
Tom Baily
Half a billion dollars is what the top five most lucrative estates of deceased musicians earned last year. The figure represents the cunning work of a few people to turn “legacy” into its own immortal industry. To watch a program on this theme is to peek through the keyhole of a locked cabinet. How does the “RIP business” work? How much – so goes another question – are we really allowed to see?Host Ana Matronic guides us through five case studies in posthumous wealth management. Some are success stories, others cautionary tales. Elvis was the King. The fan stardom that has accumulated since Read more ...
Adam Sweeting
This terrifying but gripping BBC Four series about Northern Ireland’s savage sectarian war reached its conclusion with a meticulously detailed account of how hostilities were eventually brought to a close by the Good Friday Agreement, which came into effect in December 1999. In the end, it resulted from a combination of politics, compromise and a realisation that the interminable violence was an obstacle to change rather than a way to achieve itAmerican senator George Mitchell, who chaired the all-party peace negotiations, declared: “This agreement proves that democracy works. We can say to Read more ...
Adam Sweeting
And welcome back to our favourite French cop show – perhaps our favourite cop show from anywhere, in fact – which has raced into its seventh series (on BBC Four) with some typically grimy storylines about death and lowlife in a very de-romanticised Paris. If you catch a glimpse of landmarks like the Eiffel Tower, it’s only in the far distance across drab expanses of rain-soaked rooftops. The action in Spiral is frequently shot with pavement-level actualité, as if it’s been hastily assembled from home-made documentary footage found in a discarded fast-food container.Last week’s opening episode Read more ...
joe.muggs
If there was ever a documentary that needed you to have good speakers on your TV setup – or good headphones if you're watching on computer or tablet – this is it. It maybe goes without saying that reggae needs good bass reproduction to appreciate, and in the case of this one the constant pulse of classics and obscurities was absolutely vital to the structure of the piece. It is such a well constructed film that it almost works as a piece of music in its own right, the basslines interweaving with endless bravura Jamaican anecdotalising to create a steady, intoxicating flow of impressions and Read more ...
Adam Sweeting
“The Troubles” is a polite euphemism for the ferocious storm of sectarian violence and political chaos which convulsed Northern Ireland for 30 years, before being brought to a close by 1998’s Good Friday Agreement. Irish journalist Darragh MacIntyre fronts this seven-part history of those fearful days, and the first instalment of Spotlight on The Troubles: A Secret History (BBC Four) took us from the first stirrings of Catholic versus Protestant conflict in the mid-Sixties to the full-blown horrors of murders, bombings, mass internment and the British Army’s increasingly bloody involvement.It Read more ...
Tom Baily
Cindy Sherman predicted the selfie, so goes the claim. From our current standpoint, it is all too easy to analyse her many hundreds of photographic self-portraits made since the late 1970s as cultural forebears of the digital medium. What this BBC Arena film opens up, alongside that bold claim, is a question about the mystery of Sherman as a person: who is she and why has she done what she’s done? Always reclusive, refusing public appearances, and elusive about her work, Sherman seems to have designed the enigmatic tone with which she is publicly discussed. Here, a small but rewarding effort Read more ...
Adam Sweeting
This final episode of BBC Four's Looking for Rembrandt, exploring the life and work of the Netherlands’ greatest painter, was a mini-masterpiece in itself. We rejoined the story in the mid-1650s, when Rembrandt found that his days of popular acclaim and patronage by heads of state and the nobility were behind him. Instead, he had discovered to his horror that “my pupils are more popular than me and I’m fodder for the gossips.”It was an inspired move to hire Toby Jones as the voice of the artist. Resisting any urge towards thespian grandstanding, Jones conveyed the varied facets of the painter Read more ...