BBC One
Adam Sweeting
Now promoted to the exhilarating landscapes of BBC One as a reward for previous good behaviour, Line of Duty set off at a scorching pace into the murky shadowland where crime, punishment, ambition and corruption mingle treacherously. Stretching back to Lennie James’s DCI Gates in the first series, the show has a great tradition of hiring guest stars and then treating them very badly indeed. For this fourth season, it’s Thandie Newton as DCI Roz Huntley, who’s been looking for a breakthrough in an ongoing investigation called Operation Trapdoor.So far this has encompassed one dead woman and Read more ...
Adam Sweeting
In the end, SS-GB promised more than it could deliver, but it still left us with some memorable images (not least in the cleverly-crafted opening titles) and several excellent performances. The ending even dangled the faintest hint of a sequel, though presumably not one written by the author of the original book, Len Deighton.What this dramatisation did best was to plant chilling glimpses of what it might have been like to be occupied by the Third Reich, and it did so without resorting too much to the familiar cliches of the way Nazism is usually portrayed. Beatings and torture were used more Read more ...
Adam Sweeting
At the end of last year’s third series of Line of Duty, we saw the back of the reprehensible Dot “The Caddy” Cottan, and with the much-abused Keeley Hawes consigned to the show’s morgue of deceased leading characters it felt as though important matters had come to a close. I was dubious about LoD when it began in 2012, but what has gradually become apparent is that its mastermind Jed Mercurio (pictured below) has been playing a long, labyrinthine game. Now the fourth series is upon us – promoted to BBC One from BBC Two – and judging by the first episode, it has the potential to be another Read more ...
Adam Sweeting
Can women have it all? (Stop me if you’ve already heard this one). This is the premise of Joe Ahearne’s new three-part drama, set in the offices of a successful firm of architects in Glasgow. But he’s a bloke, what would he know about it? Anyway, just as Ellen (Morven Christie) had joyously celebrated being appointed an associate, she found she was pregnant and would have to recruit somebody to cover for her in her absence.The pregnancy seemed to be as much of a surprise to Ellen as it was to everybody else, and she was only too well aware that her timing was not perfect. Nonetheless, her Read more ...
Adam Sweeting
“What if the Germans had won the war?” has been a recurring theme in fiction, from Noel Coward’s Peace in Our Time to Philip K Dick’s The Man in the High Castle and Robert Harris’s Fatherland. There was even a predictive pre-war “future history” version, in the form of Katherine Burdekin’s 1937 novel, Swastika Night.In SS-GB, tellified from Len Deighton’s novel by writers Neal Purvis and Robert Wade (who’ve written all the recent Bond movies), it’s November 1941. The RAF’s famous “Few” having failed to stem the Nazi onslaught – the blackly-ironic opening sequence showed us a Spitfire flown by Read more ...
Jasper Rees
Guilty or not guilty? Dum dum, dum dum. No, it was not just in your imagination. As the axe hovered over the neck of Yvonne Carmichael at the climax of Apple Tree Yard, and the madam forewoman waited to deliver the jury’s verdict, there was an entirely synthetic and deeply irritating pause for dramatic effect. Guilty of the murder or manslaughter of George Selway? Dum dum. Dum dum. Or innocent? Dum dum. Perhaps Mrs Carmichael also found herself cursing Simon Cowell as the hideous grammar of his talent show bled into the doings of courtroom drama. Dum dum, dum dum. Over on ITV they’d have Read more ...
Jasper Rees
Science has yet to determine whether thespians are the product of genetic predetermination. We all know about the Foxes and Redgraves, myriad self-spawning dynasties of actors bred of actors wed to actors, while there are plenty of others who go about their fathers’ and mothers’ business. But we also know that there will never be another McKellen. Sir Ian is the last in the line, while he has always supposed that he was also the first in the family to act. Then he was persuaded to hop aboard BBC One’s Who Do You Think You Are?The programme is a two-trick pony. One trick is to show a celebrity Read more ...
Mark Sanderson
Only the final 60 seconds of this first episode of Apple Tree Yard could have been described as a psychological thriller. We know Dr Yvonne Carmichael is in the dock – the genetic scientist was shown handcuffed in a prison van right at the start – but we don’t know what she is supposed to have done. The remaining 55 minutes comprised a familiar tale of middle-class adultery and low-lit longing. Seen from the viewpoint of the female protagonist (who provides the voiceover) this is very much “one for the ladies”.Dr Carmichael (Emily Watson) has just finished addressing a Select Committee at the Read more ...
Adam Sweeting
The arrival of this oppressively atmospheric 19th-century historical drama is being trailed as the BBC's bold attempt to break the Saturday night stranglehold of soaps and talent shows. No doubt they were encouraged by the success of all those Saturday night Scandi dramas on BBC Four, and if Taboo falls short it won't be because of a lack of stellar names.Front and centre is Tom Hardy, starring as the previously-presumed-dead James Keziah Delaney who suddenly reappears in London in 1814 at his father's funeral. Hardy is also co-creator (with his dad Chips) and co-producer of Taboo with his Read more ...
Matthew Wright
Yorkshire-born screenwriter Sally Wainwright has carved a distinguished niche for herself as chronicler of that brooding, beautiful region’s social and familial dramas. After the romance of Last Tango in Halifax and the gritty panorama of Happy Valley, she has settled on perhaps the quintessential troubled Yorkshire family, with awesome bleakness on the side: the Brontës.Despite a difference of 150 years in setting, To Walk Invisible is not only a seamless progression from Wainwright’s previous work, but the story comes, ready-made, both achingly sad and also driven by a passion that can’t Read more ...
Jasper Rees
A year ago to the day the BBC laid on a festive slaughter of Agatha Christie characters. And Then There Were None had the look of a well-dressed abattoir as her victims toppled like ninepins at the hands of an invisible slayer. The scriptwriter Sarah Phelps has returned to the queen of crime for this year’s two-part Christmas murder mystery. The source for The Witness for the Prosecution is a mere 23-page story in which there’s really only house room for one corpse. It belongs to the unfortunate Emily French (Kim Cattrall), a hot-to-frot society dame of a certain vintage who has a weakness Read more ...
Lisa-Marie Ferla
The best thing about a year without Doctor Who? It’s been a year since we last heard people (adults) complain that the show’s increasingly labyrinthine, convoluted plots were too complex for children.But the best thing about this year’s Christmas special? It was a self-contained, fast-paced hour which perfectly captured the childlike wonder and good fun that has always been at the heart of a show about a time-travelling space alien.Everything else was present and correct for this festive feastIn what was perhaps a nod to the show’s ever-increasing popularity on BBC America, The Return of Read more ...