BBC One
Jasper Rees
The Village got its commemoration in early. While the First World War has been on every broadcaster’s to-do list 100 years on, Peter Moffat’s portrait of rural life covered 1914-18 in 2013. The first series was not, it may be safely contended, a lot of fun. So all-encompassing was the miserablism that after six hours you weren’t sure whether to swallow a bottle of anti-depressants or throw a brick at a mansion.The good news is the war is over and things may just be looking up. In one giant stride The Village has caught up with Downton Abbey and entered the roaring Twenties. You know the sort Read more ...
Jasper Rees
No one knows better than Kay Mellor that people from all walks are brought together by common experience. Being on the game in Band of Gold. Wanting to lose weight in Fat Friends. And no experience is more common than pregnancy. Hence In the Club, a new series focused on an ante-natal class.When Mellor was pregnant, you can guess her cravings. Drama. Lashings of it. Huge great ice cream scoops on burnt toast with extra toppings. We’ve been going for only an hour and we’ve already had a bank robbery, a possibly fatal car crash, unexpected twins, not to mention an unexpected birth, plus a Read more ...
Adam Sweeting
There's a bit of Gene Hunt revisited in Peter Bowker's new three-part drama. Philip Glenister returns to the Manchester stomping grounds he patrolled in Life on Mars, and he even drives an Audi (though it isn't Hunt's celebrated Quattro). But this time he's not a cop.It's 15 June 1996, the Euro 96 football championships are just swinging into action, and the Stone Roses and New Order are on the soundtrack. Glenister plays successful businessman Daniel Cotton, doing his best to patch up a poisonous family rift between his father Samuel (Bernard Hill, pictured below) and wayward, wastrel Read more ...
Adam Sweeting
For some reason this year's telly-Baftas felt a bit flat and weary. Host Graham Norton seemed to labouring for laughs (when he wasn't moaning about his own show not winning anything), and anything resembling a surprise was thin on the ground. When Aaron Paul, Breaking Bad's Jesse Pinkman, stepped onstage to present the Comedy and Comedy Entertainment award (one of the ones Graham Norton didn't win, since it went to A League of Their Own), at least you knew B Bad was going to win something. This turned out to be the International award, which was by far the strongest category of the night Read more ...
Adam Sweeting
After a tentative start, and several episodes of insipidity, Sarah Phelps's World War One nursing drama started to hit its straps just as series one reached its conclusion. The pace accelerated, the characters flung off their camouflage of tepid blandness, and suddenly everyone was struggling with crises, guilt and dark secrets.At heart The Crimson Field is a soap in uniform, with its manufactured climaxes and blithe leaps from implausible event to absurd coincidence, but it's powered along by a formidable cast whose acting has grown stronger by the TV hour. The final episodes were dominated Read more ...
Adam Sweeting
This had all the makings of a celebrity backslapathon of nauseous proportions, but it turned out to be a painfully touching exploration of the fragility of fame. Not that this means we have to feel sorry for filthy-rich pop stars and happy-chappy light entertainers, but it does mean we have to grudgingly accept that some of them may be human after all.Corden and Barlow made an improbably well-contrasted pair. Corden came on like a chubby labrador puppy, almost peeing himself with delight at the chance to spend quality time with his favourite pop idol. Barlow remained laconic and slightly Read more ...
Adam Sweeting
"Oi felt a darrrkness creepin' overrr me," said Mary Yellan's voice-over as we launched into the second night of the BBC's festival of contraband, squalor and smuggling. Mary, ensconced in the stygian titular dwelling on Bodmin Moor with her subhuman uncle and cowering aunt, had been having another of her nightmares about drowning, flailing helplessly as towering green waves crashed over her. "Whateverr innocence oi 'ad left would soon be lorst," Mary lamented.This was true, though it's fortunate that Mary (Jessica Brown Findlay, sorely lacking guidance in elocution and deportment from Read more ...
Tom Birchenough
The BBC is going to reap a rich harvest from The Crimson Field. Sarah Phelps’s drama impresses for a whole number of reasons that will score with viewers: there's the closed community and class elements we know so well from the likes of Downton, as well as rather more room for fermentation of youthful hormones, male and female alike, among a shapely cast.Most of all though it has the sheer emotionally powerful drama of war, with its stories of life and death that will be resounding throughout this “commemorative” year. The timeline of this opening episode was June 1915, the casualties of Read more ...
Adam Sweeting
In a hectic writing career spanning theatre, radio, film and TV, Sarah Phelps can lay claim to such milestone moments of popular culture as both the return of Den Watts to EastEnders and his subsequent demise in 2005, and writing the screenplay for BBC One's adaptation of Dickens's Great Expectations at Christmas 2011, which starred Ray Winstone and Gillian Anderson. Her work for the stage includes Angela Carter at the Bridewell Theatre (an adaptation of a brace of Carter's stories) and Tube at Manchester Royal Exchange (which won her an Arts Council Award), while her armful of TV credits Read more ...
Veronica Lee
If anybody is daft enough to argue that the television licence fee isn't worth it, then just usher them before this superb mockumentary, brought to you by the team behind Twenty Twelve.Now that the Olympics are but a pleasant memory, London 2012 head of deliverance Ian Fletcher (Hugh Bonneville, again mastering the art of suppressed exasperation) has been appointed as head of values at the BBC. It's a job - as David Tennant's languid commentary informs us – that was created in the wake of “recent learning opportunities at the Corporation” (a beautifully subtle reference to the Jimmy Savile Read more ...
Andy Plaice
Crime drama at its best not only offers a satisfying mystery and characters with whom we want to spend time, but a strong sense of place, a location that captures our imagination and makes us want to know more. Little wonder then that the BBC snapped up the rights to Ann Cleeves’s Shetland Quartet of novels featuring Detective Inspector Jimmy Perez, the Scottish cop with the Spanish ancestor. With its authentic Shetland locations, Raven Black (the first of three two-part stories) was beautiful to look at.It's the middle of summer and nobody can sleep. It's making the locals crazyFrom the Read more ...
Veronica Lee
It may seem strange that something we do every day of our lives – talking – is an incredibly difficult thing to put in a televisual setting, and the list of those who have tried to do a chat show and failed to make an impact is long. Davina McCall, Gaby Roslin, Ruth Jones, to name just a few - despite having real talent in broadcasting and comedy – have crashed and burned when given a sofa and a bunch of people they've never met before to have a natter with.And so Michael McIntyre, who reckons he's a natural for the job, is the latest to be given a shot at the genre - following in the wake of Read more ...