Berlin
David Nice
Punching well above their weights, population-wise, on the international music scene, Estonia, Latvia and Lithuania are celebrating, and being celebrated, in style over the year of their 100th birthdays. Berlin has just finished a 10-day "Festival Baltikum" at the fabulously recreated, Schinkel-designed Konzerthaus in the old city centre, in which championship of a massive Estonian oratorio finally reached Germany's current capital of musical culture. Leipzig, its second in terms of size, if not ambition - where the composer Rudolf Tobias first conducted the disastrous 1909 premiere of the Read more ...
Graham Rickson
Bach: Brandenburg Concertos 1-6 Berliner Barock Solisten/Reinhard Goebel (Sony)This set’s arrival sent me scurrying back to listen again to Reinhard Goebel's 1985 DG set of Bach’s Brandenburgs with Musica Antiqua Koln: hyperactive, sharp-edged performances which still sound disarmingly fresh. The issue back then was Goebel’s propensity to adopt speeds on the edge of playability: I'm showing my age in remembering that I could squeeze his set onto a single C90 cassette. Happy days. The Third Concerto was the jaw-dropper, its second movement improbably, ludicrously swift. This new set Read more ...
Graham Fuller
The German director Ernst Lubitsch (1892-1947) is best known for the insouciant screwball comedies he made in Hollywood. Many who haven’t seen his films will have heard of “the Lubitsch Touch” – at its most basic, his winking way of signifying sexual activity was afoot without breaking the censorious Production Code. A form of visual evasiveness, it reminds us Lubitsch was the slyest of sophisticates.The six films included on Masters of Cinema’s Lubitsch in Berlin are packed with moments of deftness that seldom require the imprimatur of sex. Having said that, the comedy Ich möchte kein Mann Read more ...
Owen Richards
Sky Atlantic’s German import is an intoxicating mix of intrigue and betrayal, set in the excessive days of the Weimar Republic. Gripping stories and extravagant production meet in the opening two episodes of this brilliantly promising Euro-noir.Babylon Berlin lays its cards on the table from the opening moments – a montage in reverse of gun fights, riots and war, no doubt all to come in the show’s upcoming eight episodes. It’s tense, engaging, and a serious marker that Germany is ready to carve its place in the television landscape.Inspector Gereon Rath is a recent transfer from Cologne, Read more ...
Tom Birchenough
There’s an intriguing combination of style and atmosphere in Berlin Syndrome, one that proves that, although director Cate Shortland has embraced genre with conviction, she certainly hasn’t left the arthouse roots that she established with her first two films, her debut Somersault and the much-acclaimed Lore from five years ago, behind. Whether the result finally and fully convinces may be another mattter, especially over a rather protracted length of nearly two hours, but it’s certainly a curious journey.It begins in laid-back mode, as we encounter heroine Clare (Teresa Palmer, intense) Read more ...
Jasper Rees
Robert Harris’s first book about Hitler told the story of the hoax diaries which seduced Rupert Murdoch and Hugh Trevor-Roper. After Selling Hitler (1986) came Fatherland (1992), another fake story about the Führer. In that alternative history the Third Reich had stuck to a non-aggression pact with Britain and expanded unopposed into the lebensraum of the Soviet Union. One founding fact of the thriller was that at Munich in September 1938, Britain and Germany made a commitment to peace in our time.That infamous piece of paper has lured Harris back to Nazi Germany after 25 years. This time he Read more ...
Maggie Bain
When director Bruce Guthrie first gave me the script for Man to Man by Manfred Karge, I was immediately mesmerised by the language, each of the 27 scenes leapt off the page. Some are a few short sentences, other pages long; every one a perfectly formed fragment from a unique and potentially broken mind, flipping from prose to poetry. There are no stage directions, no character description.The script Bruce handed me was a photocopy of a typewriter copy he had been emailed by the National Theatre Literary Department; faded, smudged and with some of the bottom lines cut off, I had to Read more ...
Nick Hasted
Bowie’s “Cat People (Putting Out Fire)” plays as Charlize Theron’s Lorraine Broughton makes her entrance. She’s the last Cold War super-spy, a female Bond sent to Berlin as the Wall crumbles. “Killer Queen”, prominent on early trailers, would have done just as well. Daniel Craig in Casino Royale is the last time an action star made such a startling bow.We meet Broughton before her post-Berlin debrief from suspicious spooks including her harassed MI6 boss Eric Gray (Toby Jones) and CIA counterpart Kurzfeld (John Goodman). As she immerses her bruised body in an ice-bath which she scoops to put Read more ...
David Nice
"Weary Death" – "Destiny", the English-language title, is weak by comparison – settles in a small German town, an impressive simulation constructed on a back lot of the Babelsberg Studio outside Berlin. He buys a plot in the churchyard, builds himself a dwelling with an impenetrable wall around it and casts his blight over a young betrothed couple, hoping that the young woman can conquer him and bring him respite from his wretched duty.This is the gist of Fritz Lang's early (1921) "German folksong in six verses", but its format allows for three stories-within-a-story casting far and wide in Read more ...
Joe Muggs
OK, the title could be offputting, suggesting as it does the crassest of adversarial politics. But this record is something far deeper, far subtler and far more enjoyable than that. Yes, the Russia-born, Israel-raised, Berlin-based singer-songwriter Mariya aka Mary Ocher things to say about authoritarianism, xenophobia, and gender and sexual politics – but there is so much more to her expression.This record is produced by Hans Joachim Irmler of Krautrock and international psychedelic scene mainstays Faust, and features a variety of other German legends including long-standing electro- Read more ...
David Nice
Hated the Schaubühne Hamlet (same lead actor, same director as this latest Shakespeare auf Deutsch); loved Ivo van Hove's Toneelgroep Kings of War, with Hans Kesting's Richard III on the highest level alongside the Henrys V and VI. Thomas Ostermeier's Berlin ensemble is nowhere near as vivid overall as van Hove's Dutch team, but everything that didn't work for me about Lars Eidinger's Prince of Denmark turns to fool's gold in his brilliant take on the bunch-back'd dissembler turned mass-murderer. It's a performance which takes you further than you thought possible.And the stage - in Jan Read more ...
David Nice
Prolific, fitfully great Austrian writer Stefan Zweig's two biggest popular biographies, Marie Antoinette: The Story of an Average Woman and Mary Stuart, would be a gift for any screenwriter, given their fully realised dramatic scenes. His best-known and most substantial novel, Beware of Pity (its German title translates as "The Heart's Impatience"), seems less adaptable, given the revealing consciousness of its first-person narrator, an officer describing his disastrous relationship with a crippled girl brought to an end by the First World War. It did in fact become a 1946 movie, and now Read more ...