biography
Adam Sweeting
Jazz enthusiast Clint Eastwood, who co-produced this film with the BBC's Arena, clearly harbours a particular regard for songwriter, singer, impresario and record company mogul Johnny Mercer. When Eastwood made his film of John Berendt's book Midnight in the Garden of Good and Evil, which was set in Mercer's home town of Savannah, Georgia and partly shot in Mercer House, built by Johnny's grandfather, the accompanying soundtrack was a newly recorded collection of some of Mercer's most celebrated songs.Happily, where Midnight in the Garden... was, even in the most rose-tinted view, a grotesque Read more ...
Ismene Brown
The spy out in the cold, the alienated Heathcliff of ballet, rough-hewn, moody and a little frightening - this is an image that’s commonly paraded of the choreographer Kenneth MacMillan. His ballets stand up that image, staging barely watchable sexual urges (The Judas Tree, My Brother, My Sisters), accusing polite society as a force for evil (Mayerling, Las Hermanas), smashing the porcelain in ballet’s china cupboard. Even his two most popular and conventional achievements, Romeo and Juliet and Manon, take the classical ballet model and shake it hard into a modern world of rebellious sex that Read more ...
Joe Muggs
Tim Lawrence is an author and academic, whose musical studies have led him from the dance scene of the 1990s to researching New York's disco scene – his Love Saves the Day was the first and remains the definitive history of the music, history and politics of disco – and then to the singular figure of Arthur Russell. A cellist, singer, songwriter, producer, composer and electronic artist, Russell existed both within and without disco and many other scenes in a period of cultural ferment in New York when many of the sounds that form the fabric of popular culture were being first created.Russell Read more ...