tue 26/11/2024

Canada

Memory Box review - exquisitely made drama set in Lebanon

Memory Box is that rare thing, a glimpse into a lost world from its traumatised inhabitants. Made by the Lebanese artist-filmmakers, Joana Hadjithomas and Khalil Joreige (a husband and wife team), it’s an intergenerational drama split between Beirut...

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How to Survive an Apocalypse, Finborough Theatre review - millenarian millennials

Despite its painfully relevant title, How To Survive An Apocalypse was written in 2016. If only Canadian playwright Jordan Hall knew, eh? The end times aren’t just creeping but hurtling towards us, these days. Luckily for those weary of Covid...

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Album: BADBADNOTGOOD - Talk Memory

Jazz’s most popular expressions today stand on or just over its borders: Thundercat’s rubbery bass virtuosity and dreamy laptop soul, Robert Glasper’s improv R&B, Squarepusher’s spontaneous electronica, Snarky Puppy’s jam-band anthems, GoGo...

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Mouthpiece review - double entendre in Toronto

Cassandra and her sister – or perhaps they’re friends or lovers – seem extraordinarily in tune. Like choreographed dancers, they move precisely in unison, down to tripping over their scarves at the same moment or flopping drunkenly into bed together...

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Album: The Besnard Lakes - The Besnard Lakes Are The Last Of The Great Thunderstorm Warnings

The title is in keeping with those of previous portentously handled albums from the Montréal art-rockers. There was their breakthrough 2007 set The Besnard Lakes Are The Dark Horse and 2010’s The Besnard Lakes Are The Roaring Night. The latter’s...

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Blu-ray: Polytechnique

The French Canadian director Denis Villeneuve is best known for mainstream films like Sicario, Arrival, and Blade Runner 2049, stylishly expressive in their harnessing of alienating terrains, notably deserts and plains. Their claustrophobic...

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Classical CDs Weekly: Brahms, Anna Höstman, Mozart, Mark Simpson

 Brahms: Symphonies 3 & 4 Australian Chamber Orchestra/Richard Tognetti (ABC Classic)Why these live performances from 2015 and 2013 have waited so long for release is a mystery; this is the best Brahms symphony disc I’ve heard in ages....

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Possessor review - death by virtual reality

Many have struggled to bring a new slant to the horror genre, but writer-director Brandon Cronenberg has managed it with Possessor, his second full-length feature. Being the son of David Cronenberg, a pioneer of so-called “body horror”, obviously...

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The Lie review - icily intriguing until it isn't

Moral reckonings don't come much more serious than the one that propels The Lie, in which a family must deal with a murder perpetrated by their daughter. Will Jay (a weary-looking Peter Sarsgaard) and Rebecca (the wonderful Mireille Enos) hand...

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Bach’s The Art of Fugue, Angela Hewitt, Wigmore Hall – the many voices of humanity

How do they do it? Bach and Angela Hewitt, I mean, transfixing and focusing the audience in the Wigmore Hall – at home, too, hopefully, thanks to the livestreaming– through 13 and three-quarter fugues and four canons, all starting in the same key...

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Ian Williams: Reproduction review - a dazzling kaleidoscope of life's tragicomedy

Ian Williams’s writing is always in motion. For his 2012 poetry collection Personals, and since, he has composed little circular poems, similar (in style though not sentiment) to the posies you sometimes find inscribed on the inside of rings. He...

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Album: This Dream of You – Diana Krall

“Produced by Tommy LiPuma.” That phrase has appeared on just about every Diana Krall album since the summer of 1995, when the Cleveland-born mogul arrived at the GRP label – it would be his sixth and last music industry affiliation –...

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