Cannes
Sweet BeanWednesday, 03 August 2016
Sweet Bean is one of those slow, gentle Japanese fables that one either loves or finds infuriatingly sentimental. Directed by documentarian Naomi Kawase, a film festival favourite whose features rarely make it to the UK, it played in Cannes’ Un... Read more... |
P'tit QuinquinThursday, 09 July 2015
When least expected, comedy has come stumbling into the work of French auteur Bruno Dumont. In his seven films to date, from the Cannes-winning Humanité of 1999 through to the stark Camille Claudel 1915 from two years ago, the director, frequently... Read more... |
DVD: Sofia's Last AmbulanceSunday, 26 October 2014
There are moments in observational documentary that sometimes seem to rise to the drama of fictional cinema, and Ilian Metev’s Sofia’s Last Ambulance (Poslednata lineika na Sofia) has plenty such. They come when the viewer becomes in some way so... Read more... |
Manuscripts Don't BurnWednesday, 10 September 2014
Iranian director Mohammad Rasoulof’s Manuscripts Don’t Burn will raise many questions for its viewers, not least the practical one: just how was it made at all?Rasoulof has had plenty of problems with the regime in his native country over the years... Read more... |
The Golden DreamWednesday, 25 June 2014
You can almost feel the dust on your skin in Spanish director Diego Quemada-Diez’s debut feature The Golden Dream. It’s the dust of the precarious journey from Central America towards the US, undertaken by four teenage Guatemalan kids intent on... Read more... |
Cannes 2014: Maps to the StarsFriday, 23 May 2014
There is a very old joke about a Hollywood actor, waiting to hear whether he has landed a plum role in an upcoming production, who gets a call from his agent. "I’ve got some bad news for you," says the agent. "Your mother has just died." "Oh, thank... Read more... |
Cannes 2014: Two Days, One NightThursday, 22 May 2014
Any synopsis of Two Days, One Night is bound to make it sound like a worthy, sub-Loachian drama: A young mother, Sandra (Marion Cotillard), recently off work with depression, is made redundant from a small factory. In her absence, 14 of her 16... Read more... |
Cannes 2014: The HomesmanMonday, 19 May 2014
For decades, film audiences have known the craggy-faced Tommy Lee Jones as an actor, mostly playing pugnacious, oddball, characters, way beyond the borders of respectability. Here, in his second film as a director, consolidating his credentials as a... Read more... |
Stranger by the LakeThursday, 20 February 2014
The lakeside beach that is the only scene of action in Alain Guiraudie’s Stranger by the Lake is a concentrated crucible of desires. The sense of languid summer and the limpid beauty of the lake itself, beautifully and compellingly caught throughout... Read more... |
Seduced and AbandonedMonday, 04 November 2013
The 65th Cannes film festival acts as the backdrop for this compelling, if somewhat misguided documentary from James Toback. Accompanied by Alec Baldwin, Toback sets out to shame Hollywood for its decision to continually churn out megabuck... Read more... |
Beyond the HillsMonday, 11 March 2013
The Romanian New Wave continues producing cinema with a visceral power that’s hard to match anywhere in Europe, though to say it was alive and well would hit the wrong note, given the bleakness of the world it goes on depicting. Cristian Mungiu won... Read more... |
AmourMonday, 12 November 2012
In the 1960s the Kiwi cartoonist Kim Casali started the comic strip Love is… which mawkishly defined love in a series of statements like, “Love is…being able to say you are sorry” - messages still printed on Valentine’s cards to this day. In... Read more... |
