childhood
Theatre Lockdown Special 12: An American rarity, a British savoury, and fresh ApplesThursday, 02 July 2020
Can this weekly lineup really now be three months old? As we move towards at least some degree of relaxation on the social restrictions that have long been in place, the offerings of theatre online continue to afford many a reason not to leave... Read more... |
Artemis Fowl review - flash bang nothingSaturday, 13 June 2020
It’s taken over 18 years for Artemis Fowl to reach the big screen, with Miramax originally buying the rights in 2001. Finally, Disney have brought the world’s youngest criminal mastermind to life, but was it worth the wait? Well, the fact it’s... Read more... |
Treasure Island, National Theatre at Home review - all aboard this thrilling adventure storyFriday, 17 April 2020
Swaggering pirates, X marks the spot, a chattering parrot, “Yo-ho-ho and a bottle of rum”? All present and correct. But Bryony Lavery’s winning 2014 adaptation of Robert Louis Stevenson for the National, directed by Polly Findlay, also features... Read more... |
Jane Eyre, National Theatre at Home review - a fiery feminist adaptationFriday, 10 April 2020
The National Theatre’s online broadcasts got off to a storming start with One Man, Two Guvnors – watched by over 2.5 million people, either on the night or in the week since its live streaming, and raising around £66,000 in donations. Let’s hope... Read more... |
Rumpelstiltskin, Sadler's Wells Digital Stage review - spins an engaging yarn for young audiencesMonday, 06 April 2020
The latest in Sadler’s Wells’ Digital Stage programme – an impressively assembled online offering to keep audiences entertained during the shutdown – is balletLORENT’s family-friendly dance-theatre production Rumpelstiltskin. It was... Read more... |
Four Kids and It review – a family friendly yarn that needs more magicThursday, 02 April 2020
With over one hundred books to her name and several hugely popular TV spin-offs, including the Tracy Beaker adventures, Jacqueline Wilson takes a no-nonsense approach to children’s fiction that reflects the realities of jigsaw families, mental and... Read more... |
System Crasher review – a compelling portrait of childhood violence and painThursday, 26 March 2020
Benni, the central character in German writer-director Nora Fingscheidt's haunting new film, has a life of tragedy and violence. She’s the product of a dysfunctional family and an abusive childhood that has left her rage-ridden and incapable of... Read more... |
I and You, Hampstead Theatre review - now streaming online, this YA play is oddly pertinentTuesday, 24 March 2020
The way that theatres and other arts institutions have leapt into action over the past week, providing a wealth of material online and new ways to connect with audiences, has been truly inspirational. Yesterday, the Hampstead Theatre re-released on... Read more... |
Onward review - do you believe in magic?Friday, 06 March 2020
Welcome to New Mushroomton: a fantasy land that’s forgotten itself. This is how we’re introduced to Pixar’s Onward, which is set in a Dungeons & Dragons daydream of suburbia. Director Dan Scanlon’s film is a tribute to his late father, but it... Read more... |
Sex Education, Series 2, Netflix review - the teen sex show we deservedFriday, 14 February 2020
Netflix’s Sex Education has returned to our screens and streams. The show made waves last year for its refreshing take on the teen comedy-drama. It took on abortion, consent and female pleasure — subjects strikingly absent from our actual high... Read more... |
Brighton Festival 2020 launches with Guest Director Lemn SissayTuesday, 11 February 2020
This morning the largest annual, curated multi-arts festival in England launched and announced its programme of events. With Guest Director, British and Ethiopian poet-playwright-broadcaster Lemn Sissay, MBE, at the helm, Brighton Festival 2020 is... Read more... |
Dolittle review - a star is boredSunday, 09 February 2020
“I knew I shouldn’t have let monkeys read the contract,” Dolittle (Robert Downey Jr.) mutters. The star should have read the script of his first post-Marvel vehicle more closely, too, before taking on the role which previously sank Rex Harrison’s... Read more... |
