Christmas
Jasper Rees
To just about everyone, the name will mean absolutely nothing. "I'm a jobbing actor," he says, and for most of the year it is true. He does little bits of telly, the odd tiny film role, a certain amount of provincial theatre. Every Christmas, though, Berwick Kaler strides forward into the spotlight of the ravishing, intimate York Theatre Royal and bids welcome to a fanatical army of devotees. The majority are local, but some cross continents, cross oceans, to see him transmogrify each year into the longest-serving pantomime dame in the business."I'm the only one in the theatre who remembers Read more ...
Thomas H. Green
This is an unexpectedly wonderful album. A five-star rating might seem a bit much but then judging music in the same way as sport or exams is a bit crap anyway. So let’s say 5/5 compared to other Christmas albums and, yes, this is at the very summit. Ever. Then again, it’ll be useless from 2 January until next December.Making a Christmas album is like writing haikus or cooking soufflé - it follows a precise formula, absolutely requiring key elements that are incredibly hard to quantify correctly and, most especially, make even faintly original.The backstory here is that smashingly affecting Read more ...
David Nice
You know what to expect from an audience with Dame Edna Everage. The London-loving Merry Widow of Moonie Ponds can be trusted to hurl her gladdies, patronise the paups in the cheap seats, dish out tough love to a lesser suburban housewife and lead a paean to her "niceness". But this is not a panto which simply grovels at the feet of her colonial highness. Another dame (lower case this time) who’s also the writing and directing genie of the show, a jaw-achingly funny stand-up and everybody else consummate in their proper panto places and against pretty sets all give the global gigastar a run Read more ...
theartsdesk
Whether it's via the Disc of the Day column or our eclectic mix of overnight live reviews, on theartsdesk we try to traverse as much of the world of New Music as we possibly can. As Christmas swings around we consider it our duty to help guide readers through the thicket of music DVDs. They can be a tricky proposition: with live concert films it's notoriously hard to retain the sense of occasion while also somehow rising above it, while documentaries are often either exercises in fan-only arcana or ego-fuelled attempts to build a personality cult. We’ve tried to select releases that transcend Read more ...
theartsdesk
Over the year we have reviewed many a new film and television drama in theartsdesk's Disc of the Day slot. As our series of DVD recommendations comes round to the movies, we have chosen to concentrate not on individual titles but box sets. For completists we suggest everything from Harry Potter to Ken Loach, The Avengers to Tarkovsky. If you want more Chaplin or Eisenstein in your life, here, too, is a good place to start. These collections and collations are a worthwhile investment for serious and playful fans of film and drama alike. The great thing about a box set - be it three discs of Read more ...
Ismene Brown
Here’s a mindboggling statistic. By my calculation, some 330,000 seats are going to be offered for sale in London and Birmingham for just one ballet this Christmas - that’s live seats, not counting the three (yes, three) cinema screenings of foreign Nutcrackers being beamed into the UK on a lot of holiday dates. So the dance industry reckon to sell up to half a million Nutcracker seats mostly in London in a bit over a month?I’m tallying up Royal Ballet (20 performances), Birmingham Royal Ballet (28), English National Ballet (35) and Matthew Bourne (47) live, not to mention New York City Read more ...
Russ Coffey
Christmas albums are often a time to forget about the other 11 months of the year and get stuck into some festive silliness. Not for Kate Rusby. On this, her second volume of carols inspired by the South Yorkshire tradition, she’s still doggedly plying her trade, recasting some well-known and other unfamiliar Christmas melodies as simple hearth-side folk songs. The result may not be the sort of thing Jim Royle would open presents to, but it’s sure Christmassy in a soft, poignant and delicately beautiful way.While Mortals Sleep’s mix of folk, Yorkshire and Christmas is never better Read more ...
graham.rickson
Unlike audio recordings, classical DVDs can only be properly taken in if you're sitting down for 80 minutes, ideally in the same seat. So they have to be pretty special to warrant repeated viewings. So much depends on the production and direction; how to make interesting the sight of a middle-aged bloke waving a stick at a sea of other middle-aged blokes, many of them looking as if they'd rather be somewhere else. Here's a selection of things which have lodged in my conciousness over the past year, including a couple of seasonal discs.A Concert for New York: Mahler Read more ...
Thomas H. Green
In truth this probably deserves one star rather than two but it’s all about expectations, isn’t it. A Yuletide outing from the professional bumpkins who hit big in 1976 with "I've Got a Brand New Combine Harvester", replete with a dopey-eyed cartoon cow angel floating on the cover and Christmas dinner on the CD itself, is hardly claiming to be vanguard art. If you buy this, you know what you’re getting – daft yokelised versions of creaky Christmas perennials. And they really are all the most predictable songs imaginable, with the possible exception of orchestral pop composer Leroy Anderson’s Read more ...
Veronica Lee
Tommy Tiernan Crooked Man (Pias Comedy)Tommy Tiernan is a well-kept Irish secret. He won the Perrier Award at the Edinburgh Fringe in 1998 and until recently confined his touring mostly to his native Ireland and America, but now thankfully the UK has lately been added to his regular schedule. This DVD was filmed in Cork and has much Ireland-related material, such as the comic's time as an altar boy, the joys of discovering sex in a religious country and living in a post-Celtic Tiger world. He's a man frightened by facts, and too much rationalism, he explains, is bad for the soul; in a Read more ...
alexandra.coghlan
That a tale confronting society’s most pernicious evils, giving poverty a human face and desperation a voice, should become a cornerstone of the British festive experience is perhaps unexpected: testimony either to the moral deviance of the general public, or alternatively to Charles Dickens’s peerless skill as a writer. Personally I’m inclined toward the latter, and judging by the massed hordes at the Arts Theatre on Saturday for Simon Callow’s new staging of A Christmas Carol, I’m not alone.Dickens didn’t write his story with performance in mind, but when he started his public readings (the Read more ...
aleks.sierz
Loneliness is hard to put on stage. There is something about the feeling of unwanted urban solitude which is so repetitive and, let’s face it, boring, that writing a play about it risks sending the audience into the night before the story is properly over. So the first thing to say about Lucinda Coxon’s play, which was first staged in Bath a year ago and now makes a welcome appearance in London, is that it is compelling and never boring. In fact, it has that strange kind of intensity that leaves you feeling completely shell-shocked at the end of the evening.Set in a single room somewhere in Read more ...