dance music
Reissue CDs Weekly: Cumbia Cumbia 1 & 2, Etienne de Crecy, The O'JaysSunday, 15 April 2012
Various: Cumbia Cumbia 1 & 2 Peter CulshawThese totally irresisitible compilations were originally issued as separate albums in 1989 and 1993, and were for many (including me) a first taste of this loping, vivacious sound, which originated... Read more... |
UK Festivals Guide 2012Thursday, 05 April 2012
The Queen's given everyone an extra bank holiday, so while you rest up over the Easter holidays, start planning your next downtime with theartsdesk's definitive clickable festival guide for the summer. We have headline listings and links for all the... Read more... |
Plastician returns to grimeMonday, 26 March 2012In a surprise move, DJ/producer Plastician (real name Chris Reed) has unveiled a new self-produced release due on his own Terrorhythm record label at the end of this month, consisting of two tracks of retro grime rhythms.In the early days of dubstep... Read more... |
CD: Mouse On Mars - ParastrophicsSaturday, 03 March 2012
Jan St Werner, half of German duo Mouse On Mars, recently held forth on their inspirations, citing the tension between metrical freedom and metronomic funk in the work of Sun Ra and Funkadelic as their key motivator. And while it might seem odd to... Read more... |
Sbtrkt, KokoFriday, 02 March 2012
A mea culpa from me: I never gave Sbtrkt's records the attention they deserved. I always thought they were a capitulation, a softening of the radical developments of the post grime and dubstep generation with more traditional musicality and indie... Read more... |
theartsdesk video exclusive: BlacksmifTuesday, 28 February 2012
Londoner Yemi Olagbaiye is the model of a new generation musician for whom the dissolution of genre categories means not homogenisation but an opportunity for greater individuality. Olagbaiye grew up playing guitar music, then moved on to drum'n'... Read more... |
Justice, Brixton AcademySaturday, 11 February 2012
Justice – pronounce it “Joosteece”, for they are as French as they come – deconstruct the opposition between style and substance. Everything about them is preposterous, from the hipster facial hair via the rock-pig antics in their A Cross The... Read more... |
Manchester Rising: Celebrating the City's Vibrant Club SceneFriday, 27 January 2012
I first heard Zed Bias's Biasonic Hot Sauce – Birth of the Nanocloud last autumn. He may have been one of the key players in the London-centric sound of UK garage, but he was never of that scene. Based in Milton Keynes through the first phase of his... Read more... |
CD: Wiley - Evolve or be ExtinctWednesday, 11 January 2012
It's become a fairly common trope for herbally enhanced rappers to hype up their individuality by referring to themselves as an “alien”, but with Wiley you could believe it. In “Can I Get a Taxi”, the odd extended skit that forms the centrepiece of... Read more... |
2011: Tintin, Tallinn and a Year of SurprisesTuesday, 27 December 2011
The surprises linger longest. The things you’re not prepared for, the things of which you’ve got little foreknowledge. Lykke Li’s Wounded Rhymes was amazing, and she was equally astonishing live, too. Fleet Foxes's Helplessness Blues was more than a... Read more... |
Red Bull Music Academy: a caffeine boost for the music industry?Tuesday, 06 December 2011
I almost feel duty bound to make a declaration of interest here. I have done several pieces of paid writing for the Red Bull Music Academy, including a piece of course material for this year's Academy, and a few days ago I went to Madrid to see the... Read more... |
Little Dragon, Shepherds Bush EmpireMonday, 05 December 2011
About a year ago, when I saw Gorillaz’ sensational show at the O2 Arena in London, one of the highlights of the evening was “To Binge”, the duet between Damon Albarn and Yukimi Nagano, the Swedish-Japanese singer with the Swedish band Little Dragon... Read more... |
