Dublin
Album: U2 - Songs of SurrenderFriday, 17 March 2023
U2 are better than their many critics make out. Their Stakhanovite work ethic in creating huge sonics, not-a-bolt-out-of-place songwriting and stagecraft that could reach every corner of the biggest venues long before the days of giant LED screens... Read more... |
The New Electric Ballroom, Gate Theatre, Dublin review - fantasy and memory hauntingly interwovenThursday, 09 March 2023
Commuting between London and Dublin has its fascinations.10 days ago, I saw for the first time at the Southwark Playhouse’s Elephant Theatre, heart in mouth during most of it, Enda Walsh’s The Walworth Farce, his first Edinburgh Festival Fringe... Read more... |
Ulysses, Abbey Theatre / The Tin Soldier, Gate Theatre, Dublin review - peerless Joyce marathon, Andersen squashedFriday, 17 June 2022
A pot plant on a stand, two tables with glasses of water, two chairs – one plush, one high – are all the props needed on the stage of the Abbey’s second theatre, the Peacock, for the ultimate complete reading of James Joyce’s Ulysses in its 100th... Read more... |
theartsdesk at the Dublin International Chamber Music Festival - extraordinary women to the foreThursday, 16 June 2022
The organisation now proudly and legitimately re-named the Dublin International Chamber Music Festival may be half a century old – of its 52 seasons, those of the two lockdown years can be lopped off the live reckoning – but its outlook is youthful... Read more... |
Kang, National Symphony Orchestra, Bihlmaier, National Concert Hall, Dublin review - hats off, another top conductorSaturday, 09 April 2022
Dublin is feted as the city of the word, peaking on Bloomsday, 16 June, in celebration of Ulysses’ centenary. Yet its concert and opera scene is broadening in brilliance. Had I known before yesterday that the vivacious Peter Whelan and his Irish... Read more... |
Rose Plays Julie review - a sombre story of rape, adoption and a search for identitySaturday, 18 September 2021
Rose (Ann Skelly; The Nevers) is adopted. The name on her birth certificate is Julie and the possibility of a different identity – different clothes, different hair, different accent - beckons. If she could embrace this second life, she thinks, she... Read more... |
Citizen Lane review - fascinating dramadoc about Irish arts benefactorFriday, 16 April 2021
On first sight, Citizen Lane's appeal may seem limited to those with an Irish connection or an interest in fine art. But director Thaddeus O'Sullivan turns what could have been a dry documentary into a witty and fine-looking docudrama about Hugh... Read more... |
Album: Fontaines DC – A Hero's DeathThursday, 30 July 2020
Be careful what you wish for. Turns out the dream that most bands yearn for isn't all it's cracked up to be. Fontaines DC's debut album, Dogrel went large (and won a Mercury Prize nomination and BBC 6 Music's Album of the Year). They toured like... Read more... |
EP: Imelda May - Slip of the TongueMonday, 08 June 2020
Dublin’s Imelda May, who made her name as a superlative performer of high-energy rockabilly in a way that reflected the music’s partly Irish roots, has just released her first poetry recordings: nine punchy, moving, sometimes humourous and well-... Read more... |
Hilary Fannin: The Weight of Love review – unravelling knotty livesSunday, 15 March 2020
The relationship between Joe, Robin and Ruth is far from your average love triangle. On the face of it, Robin loves Ruth, but after introducing her to his charismatic friend Joe – an artist and renegade – their affair reroutes all of their lives... Read more... |
Album: Aoife Nessa Frances - Land of No JunctionThursday, 16 January 2020
What a lovely surprise. A debut album with its own sensibility that’s come out of the blue. Aoife Nessa Frances is from Dublin and the terrific Land of No Junction – the title comes from a mistaken hearing of Llandudno Junction – signals the arrival... Read more... |
The Intelligence Park, Linbury Theatre review - baroque to the point of obscurityThursday, 26 September 2019
Could Gerald Barry's first opera really be as enervating in the Royal Opera House's Linbury Theatre as it seemed nearly 30 years ago at its Almeida Music Festival premiere? Since then we've become accustomed to wonder at, even love, the Barry style... Read more... |
