Dvořák
Isserlis, LPO, Elder, Southbank Centre online review – songs of life and deathThursday, 15 April 2021
The Southbank Centre automatically stuck the trusty “Bohemian Rhapsodies” headline on this London Philharmonic Orchestra concert of Czech music streamed from the still-deserted Royal Festival Hall. Given Janáček’s presence on the bill, they should... Read more... |
Kaleidoscope Collective, Wigmore Hall online – playing with panache, as if to a live audienceWednesday, 19 August 2020
If it all comes across as vividly as this on screen, imagine what it would have been like to witness in person. Which quite a few of us very nearly did, until we had to be disinvited owing to changed government guidelines. Hopefully the move back to... Read more... |
Czech Philharmonic Benefit Concert online review – profound musicianship in sombre masked fundraiserWednesday, 01 April 2020
Less than six months ago Prague’s most prestigious concert hall, the neo-Renaissance Rudolfinum, was all glittering lights and packed, smartly dressed audience for the Czech Philharmonic’s hot ticket first performance there for 49 years of its... Read more... |
Classical CDs Weekly: Coates, Dvořák, Martinů, PeñalosaSaturday, 30 November 2019
Eric Coates: Orchestral Works, Vol. 1 BBC Philharmonic/John Wilson (Chandos)One reason to love Eric Coates and his music is discovering that his compositional routine involved waiting “until he was properly dressed in the morning, complete... Read more... |
London Symphony Orchestra and Chorus, Ono, Barbican review - feet on the ground, eyes to the skiesMonday, 21 October 2019
We have John Eliot Gardiner to thank for an unconventional diptych of Czech masterpieces in the London Symphony Orchestra's current season. He had to withdraw from last night's concert - he conducts Dvořák's Cello Concerto and Suk's "Asrael"... Read more... |
Classical CDs Weekly: Brahms, Bright, Dvořák, Gipps, RotaSaturday, 05 October 2019
Brahms: Symphony No 3, Dvořák: Symphony No 8 Bamberger Symphoniker/Jakub Hruša (Tudor)Brahms 3 and Dvořák 8 make for an interesting pairing: Brahms at his most autumnal and introspective coupled with Dvořák in ebullient mood. There's a useful... Read more... |
Prom 2, Bell, Bamberg Symphony Orchestra, Hrůša review – Bohemian rhapsody, and refinementSunday, 21 July 2019
Eighty years ago this summer, Neville Chamberlain’s indifference to the peoples of Czechoslovakia – “a quarrel in a far away country between people of whom we know nothing” – reaped its harvest of total war. These days, we have no excuses for not... Read more... |
Prom 1, BBCSO, Canellakis review - space-age First NightSaturday, 20 July 2019
A new commission, a Romantic tone poem and a choral spectacular – standard fare for the First Night of the Proms. Traditionally, the First Night sets out the themes for the season ahead, but the rationale behind much of this programme was paper-thin... Read more... |
Rusalka, Glyndebourne Festival review - away with the distressed fairiesMonday, 01 July 2019
When you think of the extravagant, violent, super grown-up subject-matter that stalked the operatic stage round about 1900 - the Toscas and the Salomes, the Cavs, the Pags and the rest of the verismo pack - you might find it strange to contemplate... Read more... |
Goodyear, Chineke! Orchestra, Marshall, Symphony Hall, Birmingham Review - engaging and upliftingMonday, 17 June 2019
Having played their first concert just four years ago, the Chineke! Orchestra gave a rousing, exuberant performance for an ensemble still in its infancy. It’s a young orchestra, not just in the sense of only being founded a few years ago, but one... Read more... |
10 Questions for Cellist Raphael WallfischMonday, 13 May 2019
Cellist Raphael Wallfisch thinks outside of the box. His concert repertoire spans the popular concerto choices – the Elgar, the Dvořák – but he doesn’t stop there, and makes a point of seeking out the lesser-known and the little-heard. He has a... Read more... |
Faust, Matthews, LSO, Haitink, Barbican review - glimpses of heavenFriday, 15 March 2019
Vibrant rustic dancing to conclude the first half, a heavenly barcarolle to cast a spell of silence at the end of the second: Bernard Haitink's 90th birthday celebrations of middle-European mastery wrought yet more magic in Dvořák and Mahler after... Read more... |
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