fri 25/09/2020

Dvořák

Kaleidoscope Collective, Wigmore Hall online – playing with panache, as if to a live audience

If it all comes across as vividly as this on screen, imagine what it would have been like to witness in person. Which quite a few of us very nearly did, until we had to be disinvited owing to changed government guidelines. Hopefully the move back to...

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Czech Philharmonic Benefit Concert online review – profound musicianship in sombre masked fundraiser

Less than six months ago Prague’s most prestigious concert hall, the neo-Renaissance Rudolfinum, was all glittering lights and packed, smartly dressed audience for the Czech Philharmonic’s hot ticket first performance there for 49 years of its...

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Classical CDs Weekly: Coates, Dvořák, Martinů, Peñalosa

 Eric Coates: Orchestral Works, Vol. 1 BBC Philharmonic/John Wilson (Chandos)One reason to love Eric Coates and his music is discovering that his compositional routine involved waiting “until he was properly dressed in the morning, complete...

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London Symphony Orchestra and Chorus, Ono, Barbican review - feet on the ground, eyes to the skies

We have John Eliot Gardiner to thank for an unconventional diptych of Czech masterpieces in the London Symphony Orchestra's current season. He had to withdraw from last night's concert - he conducts Dvořák's Cello Concerto and Suk's "Asrael"...

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Classical CDs Weekly: Brahms, Bright, Dvořák, Gipps, Rota

 Brahms: Symphony No 3, Dvořák: Symphony No 8 Bamberger Symphoniker/Jakub Hruša (Tudor)Brahms 3 and Dvořák 8 make for an interesting pairing: Brahms at his most autumnal and introspective coupled with Dvořák in ebullient mood. There's a useful...

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Prom 2, Bell, Bamberg Symphony Orchestra, Hrůša review – Bohemian rhapsody, and refinement

Eighty years ago this summer, Neville Chamberlain’s indifference to the peoples of Czechoslovakia – “a quarrel in a far away country between people of whom we know nothing” – reaped its harvest of total war. These days, we have no excuses for not...

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Prom 1, BBCSO, Canellakis review - space-age First Night

A new commission, a Romantic tone poem and a choral spectacular – standard fare for the First Night of the Proms. Traditionally, the First Night sets out the themes for the season ahead, but the rationale behind much of this programme was paper-thin...

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Rusalka, Glyndebourne Festival review - away with the distressed fairies

When you think of the extravagant, violent, super grown-up subject-matter that stalked the operatic stage round about 1900 - the Toscas and the Salomes, the Cavs, the Pags and the rest of the verismo pack - you might find it strange to contemplate...

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Goodyear, Chineke! Orchestra, Marshall, Symphony Hall, Birmingham Review - engaging and uplifting

Having played their first concert just four years ago, the Chineke! Orchestra gave a rousing, exuberant performance for an ensemble still in its infancy. It’s a young orchestra, not just in the sense of only being founded a few years ago, but one...

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10 Questions for Cellist Raphael Wallfisch

Cellist Raphael Wallfisch thinks outside of the box. His concert repertoire spans the popular concerto choices – the Elgar, the Dvořák – but he doesn’t stop there, and makes a point of seeking out the lesser-known and the little-heard. He has a...

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Faust, Matthews, LSO, Haitink, Barbican review - glimpses of heaven

Vibrant rustic dancing to conclude the first half, a heavenly barcarolle to cast a spell of silence at the end of the second: Bernard Haitink's 90th birthday celebrations of middle-European mastery wrought yet more magic in Dvořák and Mahler after...

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Oelze, Oakes, Gould, BBC Philharmonic, Gnann, Bridgewater Hall, Manchester review - trio of surprises

Best laid plans and all that … this concert was originally to have been conducted by the late Oliver Knussen, and of course things had to change after his death. In the end the more recently advertised Ryan Wigglesworth was unable to conduct either...

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