Dvořák
Rusalka, Glyndebourne Festival review - away with the distressed fairiesMonday, 01 July 2019
When you think of the extravagant, violent, super grown-up subject-matter that stalked the operatic stage round about 1900 - the Toscas and the Salomes, the Cavs, the Pags and the rest of the verismo pack - you might find it strange to contemplate... Read more... |
Goodyear, Chineke! Orchestra, Marshall, Symphony Hall, Birmingham Review - engaging and upliftingMonday, 17 June 2019
Having played their first concert just four years ago, the Chineke! Orchestra gave a rousing, exuberant performance for an ensemble still in its infancy. It’s a young orchestra, not just in the sense of only being founded a few years ago, but one... Read more... |
10 Questions for Cellist Raphael WallfischMonday, 13 May 2019
Cellist Raphael Wallfisch thinks outside of the box. His concert repertoire spans the popular concerto choices – the Elgar, the Dvořák – but he doesn’t stop there, and makes a point of seeking out the lesser-known and the little-heard. He has a... Read more... |
Faust, Matthews, LSO, Haitink, Barbican review - glimpses of heavenFriday, 15 March 2019
Vibrant rustic dancing to conclude the first half, a heavenly barcarolle to cast a spell of silence at the end of the second: Bernard Haitink's 90th birthday celebrations of middle-European mastery wrought yet more magic in Dvořák and Mahler after... Read more... |
Oelze, Oakes, Gould, BBC Philharmonic, Gnann, Bridgewater Hall, Manchester review - trio of surprisesWednesday, 13 March 2019
Best laid plans and all that … this concert was originally to have been conducted by the late Oliver Knussen, and of course things had to change after his death. In the end the more recently advertised Ryan Wigglesworth was unable to conduct either... Read more... |
Classical CDs Weekly: Brahms, Dvořák, Higginson, ZenderSaturday, 02 March 2019
Brahms: Symphony No 4, Dvořák: Symphony No 9 Bamberg Symphony Orchestra/Jakub Hrůša (Tudor)Brahms became a close friend and mentor to Dvořák, the two men first meeting in 1877 after Brahms had helped the younger composer win a scholarship.... Read more... |
Kremer, CBSO, Wellber, Symphony Hall Birmingham review - supercharged DvořákThursday, 13 September 2018
A shrewd orchestra maintains a strong subs bench. One of the major discoveries in Birmingham during the interregnum between Andris Nelsons’s premature departure and the appointment of Mirga Gražinytė-Tyla was the young Israeli conductor Omer Meir... Read more... |
Edinburgh Festival 2018 review: Zimerman, LSO, Rattle - fizzing chemistrySaturday, 11 August 2018
It was Simon Rattle’s first visit to the Edinburgh International Festival for – well, really quite a few years. And the first of his two concerts with the London Symphony Orchestra drew, perhaps predictably, a capacity crowd in the Usher Hall, for... Read more... |
Martín, SCO, Ticciati, Usher Hall, Edinburgh review - farewell to the best of chief conductorsSaturday, 24 March 2018
The Scottish Chamber Orchestra’s final season concert conducted by Robin Ticciati, who leaves his post as chief conductor of the SCO for the Deutsches Symphonie-Orchester Berlin, was bound to be an emotional occasion. Spanning a decade, the... Read more... |
Weilerstein, Czech Philharmonic, Netopil, Bridgewater Hall, Manchester review - drama and feelingTuesday, 13 February 2018
The Czech Philharmonic on tour are a familiar sight, and they have built a following appreciative of their particular qualities, since they are an orchestra with a sound of their own – the way European orchestras used to be, in some respects. A... Read more... |
Capuçon, Philharmonia, Järvi, RFH review - Dvořák in blazing focusFriday, 02 February 2018
You can't have too much Dvořák in a single evening, at least not when the works in question operate at the highest level of volatility and melodic abundance like last night's overture, concerto and symphony. "Febrile centrists" might look like an... Read more... |
Schubert Ensemble, Kings Place review - spot-on introductions, dazzling performancesFriday, 10 November 2017
To demonstrate what makes chamber masterpieces tick and then to play them, brilliantly, is a sequence which ought to happen more often. Perhaps too many musicians think their eloquence is confined to their instruments. Not violinist Simon Blendis... Read more... |
