thu 12/12/2019

Edinburgh Fringe

Edinburgh Fringe 2019 review: Birth

Physical theatre company Theatre Re are virtually Fringe royalty these days, with a several-year history of fine shows under their belts, plus success internationally and at the London Mime Festival. And judging by their assured and richly resonant...

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Edinburgh Fringe 2019 reviews: Nick Helm/ Just These Please/ Anna Drezen

Nick Helm Pleasance Dome ****What a pleasure it is that Nick Helm has returned to the Fringe after six years away after appearing in television comedies Uncle and The Reluctant Landlord.That’s the straightforward reason he has been a stranger...

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Edinburgh Fringe 2019 review: Crocodile Fever

Chekhov famously pronounced that if you’re going to bring a gun on stage, you’ve got to use it. Is the same true for a chainsaw? To discover the answer, just head along to Meghan Tyler’s wild, over-the-top, gruesome Crocodile Fever at the...

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Edinburgh International Festival 2019 review: La reprise

Who’d have thought a play about a homophobic hate crime could be so much fun? Well, maybe that’s overstating things a little. But there are certainly lighter moments in La reprise, provocative Swiss-born director Milo Rau’s production with his...

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Edinburgh Festival 2019 review: Rich Kids - A History of Shopping Malls in Tehran

You can’t question Javaad Alipoor’s ambition. Ancient Mesopotamian empires, geological layers of chicken bones, the half-life of polysterene cups, Thomas Gainsborough, Susan Sontag, Iranian political history, gold iPhones, mallwave – all that and...

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Edinburgh Fringe 2019 reviews: Josie Long / Snort / Sara Barron

Josie Long The Stand ★★★★ It has been five years since Josie Long performed a full run at the Fringe, and in the meantime she has experienced a momentous event. She has had a daughter – whom she welcomed into the world, she tells us, with an...

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Edinburgh Festival 2019 reviews: Below the Blanket / Samson Young: Real Music

Below the Blanket ★★★★  There’s a deep vein of melancholy running through Glasgow producing house Cryptic’s promenade installation Below the Blanket, which currently occupies several sites across Edinburgh’s Royal Botanic Garden....

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Edinburgh Festival 2019 reviews: Enough / Spliced

Enough ★★★★   Immaculately turned out in winning smiles, navy and nylon, cabin crew Jane and Toni dispense comforting reassurance and flirty glances to passengers at 30,000 feet. Down on the ground, though, they’re juggling kids...

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Edinburgh Fringe 2019 reviews: Ciaran Dowd/ Tom Parry/ Suzi Ruffell, Pleasance Courtyard

 Ciaran Dowd ***At the Fringe last year, Ciaran Dowd won the Edinburgh Comedy Award for best newcomer for his show Don Rodolfo. Now he’s back with the follow-up, Padre Rodolfo. In this tall tale Don Rodolfo has stopped being the guy who puts “...

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Best of 2018: Comedy

The highlight of 2018 for me was the return of two mighty sets of talents – Flight of the Conchords and The League of Gentlemen – and it was heartwarming to see that they had lost none of their sharpness, wit or love of performing in front of a live...

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Edinburgh Festival 2018 reviews: Home / The Prisoner

 Home ★★★★   Philadelphia-based theatre artist Geoff Sobelle has scored highly with two previous Edinburgh Fringe shows. Flesh and Blood & Fish and Fowl, way back in 2010, imagined the natural world wreaking ruthless...

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Edinburgh Festival 2018 review: Benedetti, Baltimore SO, Alsop - puzzlingly tame

The Edinburgh International Festival scored quite a coup in securing the services of Bernstein protégée Marin Alsop and the Baltimore Symphony Orchestra on the very day of the great composer/conductor’s centenary – and for the festival’s penultimate...

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