electropop
Thomas H. Green
While the 36 records reviewed below run the gamut of Wreckless Eric to Democratic Republic of the Congo Afro-electronica, this month there’s also a special, one-off section for modern classical. This is due to an ear-pleasing haul of releases reaching theartsdesk on Vinyl lately. Modern classical, often computer-treated, is on the rise, recalling the long ago days when tweedy collectors would have chests of classical to dig into on Sunday afternoons, place on weighty old stereos, and sit quietly, eyes closed, contemplating the eternal verities (well, I knew one older gent who did that, back Read more ...
Thomas H. Green
For some of us Blur were an irritant during the 1990s rather than one of the decade’s premier bands. However, once Gorillaz arrived it was impossible to ignore Damon Albarn’s outrageous talent any longer. His golden touch ensured his cartoon group with artist Jamie Hewlett straddled not only multi-million-selling global success, but awed critical kudos. 2010’s The Fall album did not fare so well, but seemed to be a different kind of project, more experimental, cobbled together by Albarn on tour in the States, then fired out without extra polish. Their fifth album, though, seven years later, Read more ...
Kieron Tyler
The extent to which Gargoyle counts as a Mark Lanegan or Mark Lanegan Band album is debateable. The entire musical backings for six of its ten tracks were created in Tunbridge Wells by former Lanegan support band member Rob Marshall and made their way across the Atlantic via the internet. In Los Angeles, Lanegan then wrote lyrics and melody lines, and sang to what he had received. The other four tracks were recorded in California in a more traditional way with PJ Harvey/Queens of the Stone Age/Them Crooked Vultures associate Alain Johannes.Nonetheless, despite its curious birthing process, Read more ...
Javi Fedrick
Fujiya & Miyagi are greater than the sum of their parts. Singer David Best recently explaned that he "sees it as an album rather than a compilation", but Fujiya & Miyagi’s sixth album is, essentially, a collection of three EPs, combining 2016’s EP1 and EP2 with three sparkling new tracks.Despite all the songs being written, recorded and released at different points over the last year, the album is pleasingly coherent. As with all Fujiya & Miyagi’s work, bleeps, pulses, and closed hi-hats provide the building blocks for the music, yet Best has ventured that this album is “more Read more ...
Kieron Tyler
Un Voyage Á Travers Dans Le Paysage Électronique Français, the French subtitle, goes further. French Touch is the first exhibition to celebrate and dig into France’s electronic music heritage: exploring the lineage which laid the ground for the world-wide success of Daft Punk.French Touch traces electronic music back from now to when the Futurist musician Luigi Russolo performed in Paris in 1914 – his home-country Italy had not received him warmly – and on through Maurice Martenot, Edgard Varèse, Pierre Schaeffer, Pierre Henry, Jean-Jacques Perrey (pictured below right in 1997), Jean-Michel Read more ...
Joe Muggs
There is no band of the Eighties generation who've remained both as big, and as great, as Depeche Mode. Duran Duran? Lightweights. U2? Sunk into self-parody a long time ago. But the boys from Basildon are something else: they've come through all the pressures of fame, addiction, ageing and the rest with their mojo very much intact, sounding like themselves but still writing fresh songs and hitting new emotional spots. They are also clearly still willing to experiment sonically, as signalled by the drafting-in of James Ford of techno duo Simian Mobile Disco as producer for their 14th album.All Read more ...
Kieron Tyler
The equipment pictured above is the Powertran 1024, one of the first digital sequencers to hit the market. According to the May 1981 issue of Electronics Today International magazine, which unveiled it to the public, the British-invented “1024 composer is a machine which will repeatedly cause a synthesiser to play a pre-determined series of notes either as short sequence or a large compositions of 1024 notes: i.e. several minutes long.” The article was headlined “Treat your synth to this sequencer/composer.”One musician who swiftly treated his synthesiser to the Powertran 1024 was Bernard Read more ...
Thomas H. Green
Jean-Michel Jarre sometimes doesn’t receive the credit due to him from electronic music buffs. Whereas Kraftwerk, Tangerine Dream and Vangelis are held up as ground-breaking innovators of the 1970s, Jarre’s breakthrough 1976 hit "Oxygene IV" is not attributed the same kudos. Perhaps this is because it’s so ridiculously, almost irritatingly catchy. More likely it’s because it propelled its parent album, Oxygene, to multi-million-selling success, making an opulent global star of its creator.Those who reject Jarre are doing him a disservice. It’s true that from the Eighties onwards his music Read more ...
Lisa-Marie Ferla
Johnny Lynch – the artist otherwise known as Pictish Trail – is one of the country’s most intriguing musicians. In 2010, he upped sticks and moved into a caravan on the remote island of Eigg, ensuring every appraisal of his work evermore would refer to him as a “hermit” or a “recluse”. And yet, despite the geographical challenges, Lynch somehow remains the life and soul of any party he cares to put his name to: festival curator (they come to him); label boss (releasing music into the world on the back of postcards, with coordinates rather than catalogue numbers); purveyor of the finest space- Read more ...
Joe Muggs
In the early 2000s, a club called Trash in London, run by DJ Erol Alkan, introduced a wave of indie teenagers to the joys of electronic music, giving them a way into club culture that was all theirs and not beholden to the superstar DJs of the acid house generation. A generation of bands would form directly or indirectly influenced by it – and by the end of the decade, there was a mini wave of bands like Friendly Fires, Late Of The Pier and Wild Beasts, who integrated electronic sound into a rock band format, and brought a bit of disco glitter and androgyny to their image to boot.It felt like Read more ...
Thomas H. Green
Right now we’re at the heart of the silly season. In mid-August no-one releases albums (it’s the same in January). Here at Disc of the Day we’re screaming for something decent to review. But, no, microscopic bands choose to hold their albums back and go head to head with the big names during the pre-Christmas release splurge of September and October. The fact is, as autumn arrives, no-one will cover Blobus & His Black Metal Armada over Britney, Bastille, Ed Sheeran, Haim, Frank Ocean, and the rest. We all like a bit of Blobus, sure, but we have a remit to review what people are interested Read more ...
Kieron Tyler
Familiar words pepper the lead item on the 9am radio news: "Brexit", "Theresa May", "Boris Johnson". Yet the bulletin is delivered in the first language of the 49,000-population Faroe Islands. The self-governing region of Denmark may be a remote cluster of 18 North Atlantic islands, but the Britain-watching contagion has spread to a place which has never been a member of the EU. Denmark is. The Faroes aren't.The Faroes do it their way. How much so is apparent at the annual G! Festival, hosted by Syðrugøta. At the west end of the Gøtuvik fjord, the village of 416 looks classically Nordic and Read more ...