electropop
theartsdesk
Blur: 21Bruce DessauThe recent closure of Word magazine has been seen by some as linked to the demise of "Fifty Quid Man". Who can afford such a wallet-frightening splurge these days on the kind of music the monthly's writers wrote so eloquently about? Well, have a chat with your friendly bank manager because this lavish tribute to the winners of the Britpop long game retails at £134.99 and is just about worth it. Every stage of Blur’s career is here – apart from, annoyingly, one their recent new tracks, "The Puritan" – charting the band's evolution from pre-Madchester incarnation Seymour to Read more ...
theartsdesk
The Searchers: Hearts in Their EyesKieron TylerAlthough second to The Beatles as Liverpool’s most consistent Sixties chart presence, The Searchers have never previously been given the box set treatment. Like the Fabs, they were innovative and influential. They presaged folk rock, and without them there would have been no Byrds and maybe even no Tom Petty. The subtitle, celebrating 50 years of harmony & jangle, says it well. The four CDS and 121 tracks take the story from 1963, before they signed with Pye Records, to the present day via their Seventies new wave-inclined recordings for Sire Read more ...
Kieron Tyler
The moment you reach “I Call This Home”, the third track of Saint Saviour's debut album, it’s obvious this is an album to stick with. A pulsing rhythm beds guitars that reverberate like vintage Cure. The voice is quavering, anguished. Then it opens up. Suddenly driving and tense, the dramatic, shimmering song sounds like an anthem in waiting – albeit one with a maverick sensibility akin to that of Fever Ray, Goldfrapp and Marc Almond. It fits that Saint Saviour has played live with Hurts.Saint Saviour is Becky Jones. Formerly with the electropop outfit The RGBs, she then sang with and fronted Read more ...
joe.muggs
Though he first came to public attention via the Los Angeles-based Brainfeeder psychedelic electronic hip hop collective led by Flying Lotus, 25-year-old producer Lorn comes from “the middle of nowhere in Illinois”, and it's easy to see in his music a less sunny disposition than many of his comrades. Most of the Brainfeeder crew have a loose-limbed funkiness to their sound and an accumulation of sonic detail that speaks of heat and humdity. But while Lorn shares their aesthetic of complex rhythms that slip off the grid, there's something chilly and chilling about his industrial-sounding Read more ...
Thomas H. Green
It has occasionally worked against Hot Chip that their first single – or, at least, the first to make any impact – was “Over and Over”. This 2006 song is such a perfect pop nugget, brutally reducing the appeal of club culture to a snappy yet celebratory couplet, that later work seemed wet in its shadow. Not that you’d know it from the music media adulation that attends the band. Consisting of five smart, geeky-looking blokes from London, they were quickly taken up by that same city’s taste arbiters, their clever electronic pop appealing to those observing the dance floor rather than on it.In Read more ...
Thomas H. Green
A few years ago the ultimate in post-modern bollocks appeared – Guilty Pleasures, a club night built around the notion that tepid crap from yesteryear is brilliant. So let’s go dig Toto, Go West, Andrew Gold, Dr Hook, any old toe jam. Of course, there’s no reason why anyone shouldn’t dance around to anything, and it’s refreshing, now and then, to give the po-faced Punk Year Zero thing a kick-in, but actively celebrating drivel is another matter. "Dreadlock Holiday" is not a guilty pleasure, it’s just shite. Move on.That aside, all music lovers have actual guilty pleasures, records we know are Read more ...
Thomas H. Green
Gary Numan (born Gary Webb, 1958) was born in Hammersmith and raised in the western outskirts of London, the son of a bus driver. By the latter half of the Seventies he was fronting punk band Tubeway Army but his fortunes changed dramatically when he added synthesizers to the formula and became, with the album Replicas and songs such as “Down in the Park” and “Are ‘Friends’ Electric?”, one of electro-pop’s great innovators. His coldly catchy music, sci-fi imagery, adenoidal voice and air of robotic isolation was hugely influential. He sealed his repute with the globally successful single “ Read more ...
Adam Sweeting
Being pigeonholed as "disco" became the kiss of death for many of the genre's lesser lights, but a select handful were able to transcend its limitations. Chic and the Bee Gees managed it, and so did Donna Summer, disco's so-called "First Lady of Love" whose career stretched over four decades. Having hooked up with Giorgio Moroder to help define the hypnotic, hedonistic message of disco, Summer was subsequently able to embrace pop, rock and gospel music. Her powerful, soulful voice lent conviction wherever her musical explorations led her.Her background and upbringing had left her equipped to Read more ...
Thomas H. Green
Kooky ladies are very much of the moment, an ongoing moment, actually - the last couple of years, to be precise - but they seem to be with us to stay which is surely a good thing, especially in the playground. Better them than unreconstructed pole-dancing, as promulgated by the Pussycat Dolls et al. Then there’s Gaga, of course, who’s a lot of both. Now the kook generation, from Ellie Goulding to Paloma Faith, have to decide (once they've steered clear of wannabe-Mariah X Factor tedium) what ratio of gay club 3am hard house stomp to inject into their cod-Kate Bush freakery.Marina Diamandis Read more ...
Thomas H. Green
Santigold – Philadelphia singer Santi White - does not neatly fit into any stereotype of the modern female pop star. In fashion photographer Jason Schmidt’s multiple cover images she is both an Amazonian warrior guard and a waistcoat clad masculine business overlord, and on record she adopts many more personas, but none of them are submissive or porno-chic sexual. Instead, Santigold makes stomping proud, shout-pop, chanty anthems that sit midway between early Eighties chart-toppers and utterly modern post-R&B US dance, of the Beyoncé ilk.With a production team that includes DJs such Boyz Read more ...
Kieron Tyler
Two things are certain with music coming from the north: there will be some wonderful surprises and some of it will sound like nothing else on earth. It’s even more enticing when the two merge. Making the peculiar accessible is a uniquely Scandinavian knack. There are more than a few examples of that – the creation of new micro-genres – in this round-up of current and new releases, but some straightforward albums are equally striking. First, however, we head for the offbeat end of the spectrum.After my first encounter with Denmark’s Sleep Party People, I remarked they were “a peculiar Read more ...
theartsdesk
The Human League: Dare (Deluxe Edition)Thomas H GreenLast year, when I interviewed The Human League for theartsdesk, singer Susan Sulley said of Leonard Cohen, “He’s got a personality voice. It’s not a voice that’s going to pass the auditions on The X Factor but you wouldn’t mistake him for anyone else on the radio.”You would never mistake The Human League for anyone else either, a unique band born of Sheffield, punk and a love of Kraftwerk. It’s hard to credit that their hugest song, “Don’t You Want Me”, and its massively successful parent album Dare, were put together with little Read more ...