England
Album: Robert Plant - Saving GraceSaturday, 20 September 2025
Robert Plant is magnificently well-equipped to shine as a consummate musical survivor: not only has his voice kept its magic, with a range from sensual caress to ecstatic howl, but he’s deeply rooted in timeless music, Scots-Irish and American folk... Read more... |
The Lady from the Sea, Bridge Theatre review - flashes of brillianceFriday, 19 September 2025
Like the lighting that crackles now and again to indicate an abrupt change of scene or mood, Simon Stone's version of The Lady from the Sea is illuminated by the sense of adventure and excitement one has come to expect from this singular artist.... Read more... |
Romans: A Novel, Almeida Theatre review - a uniquely extraordinary workFriday, 19 September 2025
OMG! I mean OMG doubled!! This is amazing! Or is it? Can Alice Birch’s Romans: A Novel at the Almeida Theatre really be the best play on the London stage, or is it not? Can it be both brilliant and exasperating? At one and the same time?... Read more... |
Spinal Tap II: The End Continues review - comedy rock band fails to revive past gloriesMonday, 15 September 2025
That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for Spinal Tap, since it arrives no less than 41 years after its predecessor, This Is Spinal Tap. The latter has become renowned as a... Read more... |
Downton Abbey: The Grand Finale review - an attemptedly elegiac final chapter haunted by its pastSaturday, 13 September 2025
It can be a hostage to fortune to title anything “grand”, and so it proves with the last gasp of Julian Fellowes’s everyday story of posh folk at the turn of the 20th century. The Granthams are facing a lowering of their status, and it’s time to... Read more... |
Cow | Deer, Royal Court review - paradox-rich account of non-human lifeThursday, 11 September 2025
I love irony. Especially beautiful irony. So I’m very excited about the ironic gesture of staging a show with no words at the Royal Court, a venue which boasts of being the country’s premier new writing theatre. Billed as “a new experiment in... Read more... |
I Fought the Law, ITVX review - how an 800-year-old law was challenged and changedSaturday, 06 September 2025
ITV continues its passion for docudramas about injustice, which you can’t blame it for after the rip-roaring success of Mr Bates vs the Post Office. The issue in I Fought the Law is, from one angle, of national (even International) importance,... Read more... |
Born with Teeth, Wyndham's Theatre review - electric sparring match between Shakespeare and MarloweWednesday, 03 September 2025
The title refers to a line in Henry VI, Part III: the future Richard III boasts that midwives cried, "Oh Jesus bless us, he is born with teeth", a sign of both his monstrosity and his readiness to snarl and bite.Modern technological analysis... Read more... |
theartsdesk Q&A: Suranne Jones on 'Hostage', power pants and politicsFriday, 29 August 2025
If she decided to run for election, Suranne Jones would probably stand a good chance of winning. The Chadderton-born actress and producer has been a driving figure in British television ever since she became known for playing Karen McDonald on... Read more... |
King & Conqueror, BBC One review - not many kicks in 1066Thursday, 28 August 2025
In this strangely dreary recreation of 11th century history, it’s not just grim oop north, it’s grim everywhere. King & Conqueror purports to be the story of how the Norman monarch William (the titular Conqueror) and England’s King Harold found... Read more... |
Juniper Blood, Donmar Warehouse review - where ideas and ideals rule the roostThursday, 28 August 2025
Playwright Mike Bartlett is, like many writers, a chronicler of both contemporary manners and of the state of the nation. In his latest domestic drama, which premieres at the Donmar Warehouse, he examines our anxieties about food, farming and the... Read more... |
Hostage, Netflix review - entente not-too-cordialeSunday, 24 August 2025
Conceived and written by Matt Charman, whose CV includes an Oscar nomination for his work on Steven Spielberg’s film Bridge of Spies, Hostage is a rather puzzling mix of political thriller and domestic drama which can never decide whether it’s... Read more... |
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