England
Wonderland, Hampstead Theatre online review - a major play about the minersWednesday, 08 April 2020
The talk is of an “economy in ruin [with] unemployment through the roof”: a précis of Britain in lockdown? In fact, this is one of the many eerily apposite remarks to be found in Wonderland, the Beth Steel drama set in the early 1980s that marks the... Read more... |
Four Kids and It review – a family friendly yarn that needs more magicThursday, 02 April 2020
With over one hundred books to her name and several hugely popular TV spin-offs, including the Tracy Beaker adventures, Jacqueline Wilson takes a no-nonsense approach to children’s fiction that reflects the realities of jigsaw families, mental and... Read more... |
Feel Good, Channel 4 and Netflix review - a fresh, bingeable comedy that digs deep but feels mildThursday, 19 March 2020
“I am not intense.” That declaration arrives early in Feel Good, the new Channel 4 and Netflix romantic comedy fronted by comedian Mae Martin, who plays a fictionalised version of herself. Over Mae’s shoulder, we see a literal trash fire. She’s lit... Read more... |
Belgravia, ITV review - when the toffs and the nouveaux riches collidedMonday, 16 March 2020
The prolific Lord Fellowes returns with this six-part adaptation of his own novel (for ITV), a niftily-wrought yarn (originally issued in online instalments) about the old aristocracy and the rise of new money in the early 19th Century. Some are... Read more... |
The Test: A New Era for Australia's Team, Amazon Prime review - how ball-tampering scandal forced a cricket revolutionSaturday, 14 March 2020
It was in March 2018 that Australia’s cricketers were caught ball-tampering during a Test match in Cape Town. The resulting public outcry and sanctions against the guilty players and assorted backroom staff shook the Australian game to the core.... Read more... |
Love, Love, Love, Lyric Hammersmith review - a stinging revivalFriday, 13 March 2020
The Beatles lyric that gives Mike Bartlett’s terrific play its title dates to 1967, which also happens to be the year in which the first of Bartlett’s three acts is set. What follows are two further scenes in the evolving relationship between... Read more... |
Military Wives review - the surprising true story of the women who rocked the chartsThursday, 05 March 2020
There’s a lot of plucky British charm to Military Wives, from Peter Cattaneo, the director who won the nation's heart with his debut film The Full Monty over two decades ago. His latest offering, starring Kristen Scott Thomas and... Read more... |
First Person: Hassan Abdulrazzak on the real-life drama behind American deportation to the UKWednesday, 26 February 2020
You are at a party having a good time when someone gives you a glass of champagne. You take one and then another and soon the party is over. You get in the car to go home and are driving along when you see a police car in the rearview mirror: how... Read more... |
Imagining Ireland, Barbican review - raising women's voicesMonday, 24 February 2020
Recent politics surround the EU and nationhood, fantasies of Irish Sea bridges and trading borders more porous than limestone have revived the granular rub between Eire and Britain, and the Celtic Tiger cool of the Nineties is a history module these... Read more... |
A Number, Bridge Theatre review - a dream team dazzles anewFriday, 21 February 2020
There are any number of ways to perform A Number, Caryl Churchill’s bleak and beautiful play about a father and three of who knows how many of his genetically cloned sons. Since it first opened at the Royal Court in 2002, this hourlong two-hander... Read more... |
Classic Albums: Tears for Fears, Songs From The Big Chair, BBC Four review - anatomy of an anthemSaturday, 15 February 2020
Roland Orzabal, co-founder and lead guitarist of Tears for Fears, laughs to himself often during this documentary — the latest in the BBC’s often-excellent, always-forensic Classic Albums series. “I agree, I agree, it sounds great,” says Orzabal. He... Read more... |
Albion, Almeida Theatre review - more rewarding and resonant than everThursday, 06 February 2020
It's not been three years since Albion premiered at the Almeida Theatre, since which time Brexit has happened and, not without coincidence, Mike Bartlett's time-specific play is beginning to look like one for the ages. Set amongst a... Read more... |
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