England
Adam Sweeting
Despite a 47-year history which has taken them from pomp to pop and established them as a top-selling global institution, there's still a lingering sense that Genesis don't think they've been taken seriously enough. This was detectable in Phil Collins's comment included here that "we're just popular and there's nothing wrong with that... I won't take the credit and I won't take the blame."This "it's not my fault, guv" approach seemed curiously defensive in the light of their colossal string of successful albums and hit singles. Genesis have been one of a bare handful of major bands who Read more ...
Marina Vaizey
Julian Fellowes, now the Conservative peer Lord Fellowes, left behind the fictional world of Gosford Park and Downton Abbey to give us this sumptuous tour of Blenheim Palace. Nor were its surroundings neglected as vista after vista showed us Blenheim’s lavishly landscaped gardens, fountains and columned monument to John Churchill, 1st Duke of Marlborough, victorious over Louis XIV. It was his military prowess that led to wealth and Blenheim itself, gifted by the grateful nation and thus an early example of government subsidy.But this was more than a gushing visit to yet another stately home. Read more ...
Marina Vaizey
This revelatory exhibition goes in search of the revolutionary magnificence which infused Constable’s compelling landscapes through an unusual prism. The narrative spine is clear. It follows Constable’s intense work playing upon as profound a knowledge of the Old Masters as was possible at the time, and reconciling it with, as he phrased it, the greatness of nature from which all originality must spring. We see nothing, he said, until we fully understand it. Beyond looking to the acute observation of his own eye, Constable read energetically, too – treatises from Leonardo to Read more ...
Adam Sweeting
As unavoidable as death and taxes, as inevitable as the rotation of the seasons, Downton Abbey has created the illusion of time-hallowed permanence in a mere four years. It is often asked how long Julian Fellowes can keep up his script-writing heroics (if it was an American show he'd be marshalling a writing team of dozens), but this opener to series five was so playfully deft and thunderously enjoyable that you'd have to conclude that Downton has become Fellowes's personal fountain of youth.The trick is to embrace change while remaining solidly rooted in Downton's dynastic saga. What Read more ...
Adam Sweeting
If you only ever listened to opera from recordings, you might overlook the fact that it's as much theatre as it is music. In the opera house on the night, it's all well and good for the orchestra to play the score and the singers to sing their parts, but on top of that you have to allow for costume changes, move the scenery, adjust the lighting and make sure you get all the right people on and off stage at the appropriate moments. It's what makes opera the living, breathing, sometimes splendidly chaotic spectacle it is.It was a strange sensation, then, to spend some time in the orchestra pit Read more ...
Adam Sweeting
We call it the First World War, but in Western Europe at least, most of the scrutiny is confined to what happened to Britain, France and Germany (with a side order of Russia) from 1914-18. The writer and presenter of this two-part series, David Olusoga, seized the opportunity to emphasise the full global scope of the conflict by throwing fascinating light on the contributions made by troops from the French and British colonies, uncomprehendingly transported from India and Africa to the mud, blood and horror of the Western Front.Beginning with the revelation that the first shot fired by the Read more ...
David Nice
Despairing in the depths of the Second World War, Richard Strauss turned to Mozart’s string quintets as well as the complete works of Goethe for evidence that German culture still existed. Vaughan Williams might well have done the same for his native art during the so-called Great War in homaging the music of Thomas Tallis. In fact his great Fantasia was first performed in 1910, not long after Mahler completed his Ninth Symphony – again, not as a premonition of the cataclysm to come but in this instance as a personal, embattled late chapter reflecting on a life he knew was coming to an end. Read more ...
David Nice
A monstrous celebration prefaced by thunderous organ chords is always going to be more the Albert Hall’s kind of thing than a comic opera viewed through the wrong end of the telescope. So Strauss’s Festival Prelude kicked off a first half of 150th birthday celebrations in more appropriate style than last week’s Der Rosenkavalier. Unfortunately what it ushered in worked less well up to the interval; but then there was Elgar’s Second Symphony to redeem all with heart and soul, the best possible visiting card for a golden-age Royal Liverpool Philharmonic Orchestra under Vasily Petrenko.You could Read more ...
Adam Sweeting
The RAF's renowned aerobatics team found itself at the centre of a political mini-storm last week when it was asked to use only blue and white smoke trails (but not red) at the Commonwealth Games opening ceremony in Glasgow. The MoD briskly quashed the request, prompting dark rumours about an anti-separationist conspiracy in Whitehall. However, I can't imagine the pilots themselves even noticed, so ferociously do they have to concentrate on their day jobs.This documentary followed the Arrows during the six months of training leading up to this year's air display season, which happens to be Read more ...
Kimon Daltas
Sir Roger Norrington, 80 this year, produced a masterful St John Passion in the first of his two appearances at this year’s Proms, built around his excellent Swiss chamber orchestra and the Zürcher Sing-Akademie.Predictably, one of the main highlights was tenor James Gilchrist (pictured below). He hasn’t become a one-man Evangelist industry by chance: the ringing tone, faultless diction and projection are his stock-in-trade, but the magic lies in the subtlety of his delivery and master storyteller’s engagement with the text. The distaste when Jesus is struck by the officers; the shivers of Read more ...
Adam Sweeting
Supposedly, The Mill [*] was Channel 4's highest-rating drama of 2013, and the viewers' reward is this second series. However, the secret of the success of this dour, dimly lit series is hard to fathom. Its attempt to convert the history of working-class protest during the Industrial Revolution into a plausible interplay of character is as teeth-gnashingly literal-minded as it was first time round.Often, writer John Fay hardly seemed to bother with the "drama" part at all, as his screenplay lapsed into indigestible lumps of didacticism. This opening episode was a sustained campaign against Read more ...
David Nice
“Some might say we’re getting too old for this sort of thing,” declares Martin Jarvis’s Jack Worthing, going off Wlldean piste. Well, we did wonder whether the reunion of Jarvis with Nigel Havers’s Algernon after 32 years might not be some sort of vanity Earnest. But you can trust director Lucy Bailey to make sense not only of “the boys” but also their mature objects of desire, not to mention a Lady Bracknell (Siân Phillips, flawless, pictured below) who at an astonishing 81 is past having a daughter of marriageable age.It’s a more radical twist now than getting a man to play Lady B (though Read more ...