family relationships
Y Tŵr, MTW, Sherman Theatre, CardiffSaturday, 20 May 2017![]() Until yesterday my only experience of the Welsh language in the opera house was a few isolated passages in Iain Bell’s In Parenthesis last year and the surtitles WNO routinely put up alongside the English in the Millennium Centre. Now Guto Puw, a 46... Read more... |
Heal the Living review - 'lots of emotion, not enough life'Thursday, 27 April 2017![]() Three teenage boys meet at dawn. One of them, blonde and beautiful Simon (Gabin Verdet), jumps out of his girlfriend’s window and rides his bike through the dark Lyon streets to meet the others in their van. They drive almost silently to the beach,... Read more... |
Unforgettable review - forgettable filmFriday, 21 April 2017![]() Within seconds – literally seconds – of Unforgettable it becomes apparent that this is the kind of film that in the late Eighties and Nineties used to be referred to as “straight to video”, a label that covered a plethora of trashy, sexist, by-the-... Read more... |
The Winter's Tale, Barbican review - Cheek by Jowl's latest wavers in toneMonday, 10 April 2017![]() This is a well-travelled Winter’s Tale. Declan Donnellan has long been a director who's as much at home abroad as he is in the UK, and with co-production support here coming pronouncedly from Europe (there's American backing, too), Cheek by Jowl... Read more... |
A Quiet Passion, review - 'Cynthia Nixon is an indrawn Emily Dickinson'Friday, 07 April 2017![]() Is there something about the recessive life of Emily Dickinson that defies dramatisation? I'm beginning to think so after A Quiet Passion. The Terence Davies film may attempt a more authentic take on the unrelievedly bleak, and also great, 19th-... Read more... |
The Goat, or Who Is Sylvia?, Theatre Royal Haymarket review - 'Damian Lewis devastates'Thursday, 06 April 2017![]() Asked in an interview if there remained any taboos in the theatre, Edward Albee answered, “Yes. I don’t think you should be allowed to bore an intelligent, responsive, sober audience”. An experienced interviewee, he pokes mischievous fun at a... Read more... |
Consent, National Theatre, review - thrilling revenge dramaWednesday, 05 April 2017![]() Rape is such a serious social issue that it’s hardly surprising that several recent plays have tackled it. I’m thinking of Gary Owen’s Violence and Son, James Fritz’s Four Minutes Twelve Seconds and Evan Placey’s Consensual. All of these discuss,... Read more... |
Graduation review - 'Cannes winner is a bleak Romanian masterpiece'Thursday, 30 March 2017![]() A decade ago Romanian director Cristian Mungiu took the Palme d’Or at Cannes for 4 Months, 3 Weeks and 2 Days, a gruelling abortion drama set in the dying days of the Ceauşescu dictatorship. The cold intensity of that film made it a key work in... Read more... |
Sunday Book: Yrsa Sigurdardóttir - The LegacySunday, 19 March 2017![]() Anyone who's followed Yrsa's earlier novels, many of them featuring down-to-earth attorney Thora Gudmundsdóttir as heroine, will value her superb evocation of very distinct and haunting parts of Iceland - the Snæfellsnes Peninsula, Heimaey island,... Read more... |
I'm Gonna Pray for You So Hard, Finborough TheatreThursday, 09 March 2017![]() In I’m Gonna Pray for You So Hard, Halley Feiffer has written a right curmudgeon of a central role. David is a successful playwright, a Pulitzer Prize-winner who has no difficulty slotting himself directly into the great American drama tradition. He... Read more... |
Trespass Against UsThursday, 02 March 2017![]() The Cutlers are Pa Larkin's Darling Buds of May clan gone feral, rampaging across the Cotswolds. With Brendan Gleeson as patriarch Colby and Michael Fassbender as the troubled heir to his travellers’ caravan throne, the tone is country miles from... Read more... |
It’s Only the End of the WorldSaturday, 25 February 2017![]() French-Canadian director Xavier Dolan leaves the time and place of It’s Only the End of the World (Juste la fin du monde) deliberately unclear: “Somewhere, a while ago already” is the only clue offered by its opening titles. An adaptation of the... Read more... |
