wed 22/09/2021

film directors

Brighton Festival 2020 launches with Guest Director Lemn Sissay

This morning the largest annual, curated multi-arts festival in England launched and announced its programme of events. With Guest Director, British and Ethiopian poet-playwright-broadcaster Lemn Sissay, MBE, at the helm, Brighton Festival 2020 is...

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Filmmaker Agnieszka Holland: 'Without journalism, democracy will not survive'

Agnieszka Holland is one of Europe's leading filmmakers. Growing up in Poland under Soviet rule, her films have often tackled the continent's complex history, including the Academy Award-nominated Europa, Europa, In Darkness and Angry Harvest. In...

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Richard Jewell review - a portrait of duty and dignity in this true-life tale

Since Play Misty For Me in 1971, Clint Eastwood has been tearing up the American myth with a body of muscular, often melancholic work. He continues this theme with Richard Jewell, the story of a security guard falsely accused of the 1996 Atalanta...

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The Grudge review - non-stop shocks wear out their welcome

The 18-year-old Japanese horror hit Ju-On (The Grudge) was remade once before, as – yes – The Grudge (2004), with Sarah Michelle Gellar. Now it's re-rebooted in this stylishly photographed but fatally crass incarnation directed by Nicolas Pesce, who...

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Blu-ray: A Fistful of Dynamite

A Fistful of Dynamite and Once Upon a Time in America are Sergio Leone’s films with the most explicit political underpinning. Indeed, given recent events, A Fistful of Dynamite is a thoroughly pertinent film, asking how we might achieve social...

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Pink Wall review - scattered scenes from a tortuous relationship

What Jenna (Tatiana Maslany, star of Orphan Black), likes doing is wrangling and coordinating, not creating – she hates that - which makes for a refreshing change in a heroine. Her new boyfriend Leon (Jay Duplass, pictured below, of the Duplass...

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Motherless Brooklyn review – tic tec

Edward Norton has wanted to adapt Motherless Brooklyn since Jonathan Lethem’s acclaimed novel was first published 20 years ago. His film (as producer, writer, director and star) is an obvious labour of love, an evocative, entertaining, old-fashioned...

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The Party's Just Beginning review - a formidable debut

For an actor, there are few bigger risks than writing and directing your own film. Securing funding is pretty easy if you’re a household name, like Karen Gillan is, but that doesn’t mean your script is any good or your vision holds water. At their...

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'Shakespeare is mistakenly considered something for the elite': director Claire McCarthy on 'Ophelia'

Ophelia is one of Shakespeare's most enduring characters in both literature and art, and yet her part in Hamlet is limited to few lines and fewer motivations. Based on Lisa Klein's novel, the new film Ophelia challenges this interpretation. Daisy...

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Blu-ray: Fuller at Fox

This new Eureka! boxset of 4K and 2K restorations provides ample evidence as to why Samuel Fuller was venerated by such a wide range of film-makers, including Godard, Wenders, Scorsese and Tarantino. Often characterised as a purveyor of pulp...

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Chantal Ackerman: My Mother Laughs review - too umbilically linked?

My Mother Laughs was first published in Chantal Ackerman’s native French in 2013. This year it has been translated into English for the first time, twice. Silver Press’ elegant version is framed by a foreword by the poet, Eileen Myles (who also has...

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DVD/Blu-ray: The Chant of Jimmie Blacksmith

Fred Schepisi’s The Chant of Jimmie Blacksmith (1978) was the Australian New Wave film that most rigorously confronted the cataclysmic effect of British and Irish colonisation on the country’s Aboriginal people. It helped pave the way for such 21st...

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