Germany
Pina 3D/ Giselle 3DTuesday, 19 April 2011
Pina Bausch decided: “Words can’t do more than just evoke things - that’s where dance comes in.” Well, up to a point, Lord Copper. Only if they’re bad words and good dance - bad writhing instead of, say, Shakespeare’s words isn’t much of a swap. But... Read more... |
Fidelio, Opera North, Leeds Grand TheatreThursday, 14 April 2011
Unpleasant feelings of confinement and claustrophobia hit you when the curtain rises after Beethoven’s disconcertingly jolly overture; one small room is visible on stage, framed by black curtains. The sun shines oppressively through the barred... Read more... |
Deutsche Börse Photography Prize 2011, Ambika P3Thursday, 07 April 2011
You hardly expect to turn out for an exhibition of cutting-edge photography because of what the images are of. You go for the style, for the technique, for what’s being said about the medium and the, er, beauty. Yet at least one of the nominees for... Read more... |
Remembrance Day, Royal Court TheatreWednesday, 23 March 2011
The political background is vital to the play, so pay attention: during the Second World War, the small Baltic state of Latvia was threatened by its two big neighbours, Nazi Germany and Soviet Russia. In fact, when these countries signed the Molotov... Read more... |
Anselm Kiefer, White Cube HoxtonMonday, 21 March 2011
The sea: the depths from which all life emerged, and a force of destruction. Anselm Kiefer contemplates its sublime beauty and terror in a new exhibition of 24 panoramic photographs, ranged three-deep on two facing walls. Each grey and grainy ... Read more... |
Christopher and His Kind, BBC TwoSaturday, 19 March 2011
Is there a televisual instruction manual for Nazi-era dramas? Cabaret singers with heavily kohled eyes, champagne from unmatched glasses in a shabby-chic apartment, smoke-filled gay bars in cellars with muscled trade, Stormtroopers marching in... Read more... |
DVD: The Sinking of the LaconiaFriday, 11 March 2011
Alan Bleasdale, along with Dennis Potter one of the truly original voices of British television drama, has spent the past decade in silence. His brand of epic narrative, his penchant for letting his characters talk and talk, went out of fashion... Read more... |
Goldberg Variations, Fretwork, St George's BristolSaturday, 05 March 2011
There are few more beautiful sounds on this planet than a consort of viols well played. Like a quiet conversation overheard from across the room, it combines intimacy and secrecy, together with a kind of conspiratorial subtlety of feeling –... Read more... |
I Don't Believe in Outer Space, The Forsythe Company, Sadler's WellsTuesday, 22 February 2011
An audience favourite has a USP that fills the house as long as they maintain the suspense - with William Forsythe, it’s the quality Diaghilev prized: unpredictability. When he set out in Germany in the 1980s he evolved an extreme classical ballet.... Read more... |
theartsdesk in Berlin: The 61st BerlinaleSaturday, 19 February 2011
Another 400 films, another rush for seats, another biting wind from Vladivostock: the 61st Berlin Film Festival - the Berlinale - has packed ’em in in the centre of town at Potsdamer Platz (mainly) over the last 10 days and hoped to light up the... Read more... |
CD: Zwischenwelt - Paranormale AktivitatSunday, 13 February 2011
The Detroit electro-techno duo of James Stinson and Gerald Donald aka Drexciya never gave away their secrets easily. Almost completely anonymous and never photographed during their 10-year existence – which ended with Stinson's 2002 death after a... Read more... |
Douglas Gordon: K.364Friday, 11 February 2011
After writing about a recent survey of French artist Philippe Parreno at the Serpentine Gallery last year, I found myself wondering about his collaboration with the Scottish artist Douglas Gordon. In 2006 the two artists made the acclaimed film... Read more... |
