mon 01/09/2025

Holland

Horizon: The Nine Months That Made You, BBC Two

This was the sort of science programme that an interested non-science person like me finds immensely irritating. It began with a series of statements which were, in fact, meaningless overstatements. Not only this, but these overblown statements...

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Who Do You Think You Are? - June Brown, BBC One

Your typical consumer of Who Do You Think You Are? on BBC One would almost certainly have been disappointed by last night's first instalment of the eighth series. There were no tears from June Brown, EastEnders' Dot Cotton, for a start. That is as...

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Marcel van Eeden, Sprueth Magers London

An article in this week's New Yorker bemoans the death of drawing in art. Why has the emphasis on craft, Adam Gopnik writes, been replaced by concept? He has evidently not seen the fantastic noirish drawings of Marcel van Eeden at Sprueth Magers in...

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BBC Symphony Orchestra, Renes, Spitalfields Music

Everyone in the BBCSO is a potential soloist. I know this because the course I run at the City Literary Institute linked to the orchestra has welcomed principals, duos, two string quartets and three viola foursomes (proving that department the most...

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Dutch National Ballet, Hans Van Manen, Sadler's Wells

From fission to fusion: Hans Van Manen's deft, intricate 'Concertante'

In a world crying out for even below-mediocre ballet choreographers (Benjamin Millepied, anyone?), the Dutch old master Hans Van Manen is an extraordinarily well-kept secret. Why a man of such superb balletic accomplishment, theatrical instincts...

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London Sinfonietta, Atherton, Queen Elizabeth Hall

The most interesting thing about Louis Andriessen's musical snapshot of the famous eroticist Anaïs Nin - being given its UK premiere at the Queen Elizabeth Hall last night - was that the scene on the chaise longue in which Nin (Cristina...

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Antonioni Project, Barbican Theatre

Putting the mic into Michelangelo Antonioni: Marieke Heebink as Lidia and Hans Kesting as Giovanni

Back in the early 1960s, anyone with half a curious cultural brain in their heads would take themselves off to small fleapit cinemas like The Academy or the Classic in Oxford Street (now defunct). There you could catch the latest European art...

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Interview: Anton Corbijn on making The American

George Clooney as Jack in 'The American'; 'More brutal than Bond'

Joy Division brought Anton Corbijn to England in 1979 and, nearly 30 years later, made him a cinema director. The sleeve of the band’s album Unknown Pleasures fascinated him so deeply he felt compelled to leave Holland for the country where such...

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Moombahton, Boombahchero and 21st-century genre meltdown

A suitably confusing image for a confusing sound

Some days I feel like I've woken up on the other side of some wormhole in the spacetime continuum, and the world is a subtly but definitely different place to yesterday. So it was last week when I got a slightly drunken email from a music...

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On Their Toes!, Birmingham Royal Ballet, Birmingham Hippodrome

Dusty Button and César Morales in 'Grosse Fuge': the choreographer Hans van Manen does basic instincts in ballet better than anyone alive

Hans van Manen does basic instincts in ballet better than anyone alive. The Dutch choreographer, nearly 78 and far too little exposed in Britain, is a near-contemporary of Kenneth MacMillan, another specialist in sexual relations, but where...

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After Life, Barbican

"We need to inform you officially. Mr Walter, you died yesterday. I’m sorry for your loss." It comes as no great surprise to learn that Michel van der Aa’s opera After Life is based on a Japanese film. The Borgesian hyper-real scenario, the no-place...

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Hans Teeuwen, Soho Theatre

Hans Teeuwen offers a disjointed joy ride round his warped subconscious

“You pay money I be funny?” There are times in stand-up when it seems the wrong kind of transaction has taken place. A comedian brings a warped vision of the world to a paying public. He – and the weirder ones are always a he – parade neurosis,...

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