Hollywood
Helen Hawkins
This five-parter by Rebecca Miller is essential viewing for any Martin Scorsese fan – and for anybody who wants to understand the process of movie-making, full stop. Miller has interviewed all the key figures from the director’s life, not just film luminaries but his family, his childhood friends, an ex-wife, the priest who inspired him.With no trace of sycophancy (her husband of 30 years is Scorsese collaborator Daniel Day-Lewis, who contributes astute insights to the mix), Miller moves through the phases of his career chronologically, with a keen eye for using exactly the right footage to Read more ...
Nick Hasted
Armageddon is here again, as Kathryn Bigelow’s first film in eight years examines the minutes before a nuclear missile hits Chicago from multiple perspectives, finding no hope anywhere.Captain Olivia Walker (Rebecca Ferguson) is our first witness, clocking on as normal in the White House Situation Room, where a missile launch at a febrile international moment is at first logged as inconsequential. When it sickeningly dips from orbit towards the US, Ferguson’s patrician cool exudes the comforting professionalism you’d wish for at the potential end of the world, till she calls her husband and Read more ...
Helen Hawkins
Hot on the heels of Goodnight, Oscar comes another fictional meeting of real entertainment giants in Los Angeles, this time over a decade earlier. Michael McKeever’s The Code is a period piece, but one with a resonating message for today’s equivalents of the Hayes Code and the House Un-American Activities Committee. It’s 1950, on the eve of the opening of a sword-and-sandals number starring Victor Mature as Samson, who, when not waving at Hedy Lamarr’s Delilah, will apparently be seen wrestling a taxidermied lion. At least, that’s the on-dit in Hollywood, gleefully relayed by one of its Read more ...
Nick Hasted
Marvel goes back to its origins, gulping the fresh air of Stan Lee and Jack Kirby’s first hit comic The Fantastic Four in 1961. Ignoring recent flop film versions, it revels in a self-contained, space-age world as yet uncluttered with other costumed characters, and heroes who aren’t brooding vigilantes but human beacons of light.We’re on an alternate Earth (isn’t every story?), in a retro-futurist dream of New York in ‘64, four years after scientist Reed Richards (Pedro Pascal, pictured below) flew a pioneering space mission with his pilot friend Ben Grimm (Ebon Moss-Bachrach), wife Sue Storm Read more ...
Nick Hasted
A three-century-spanning countdown rapidly ticks to a version of now, and a beaten Superman (David Corenswet) ploughing into Arctic snow. His super-whistle fetches Superdog Krypto to excavate him like a favourite bone, and drag him to crystalline sanctuary the Fortress of Solitude. James Gunn’s vision for this fourth modern cinema Supes and DC Universe launch embraces the character’s simplicity and silliness as Zack Snyder constitutionally couldn’t. But by leaving the familiar origin largely implicit in a tale set three years into Superman’s adventures, the DCU’s hoped for new dawn Read more ...
graham.rickson
Eureka’s second volume of Laurel and Hardy shorts catches the pair in 1928 on the cusp of their successful transition to the sound era, two of the 10 films originally released with synchronised sound effects and music.This works especially well in We Faw Down, though having another actor dub Stan’s laugh is disconcerting. Otherwise, it’s hysterically funny, much of the material reworked five years later in Sons of the Desert, the boys digging themselves into an ever-deeper hole while lying to their improbably glamorous wives about where they spent the previous evening.There’s some dispute Read more ...
Markie Robson-Scott
“I knew I wanted all the effects practical and made for real. The movie is about flesh and bones, about women’s bodies.”Coralie Fargeat, writer, editor, producer and director of The Substance, is discussing the “visceral journey” and extraordinary make-up effects in her body-horror genre movie, which won an Oscar for best make-up and hairstyling. It was also nominated in several other categories, and Demi Moore, as ageing Jane Fonda-esque TV fitness star Elisabeth Sparkle, won a Golden Globe award for best actress.A featurette, The Making of the Substance, is one of the extras in this MUBI Read more ...
Justine Elias
The typical Jason Statham movie character – muscular, resourceful, drily humorous – could probably carve an army into mincemeat using a few odds and ends nicked from the local Hobbycraft. In A Working Man, Statham’s second collaboration with writer-director David Ayer (The Beekeeper), the star defends the helpless with pickaxes and sledgehammers. And then he gets really violent.This time, Statham (Killer Elite, Ocean’s Eleven) portrays Levon (rhymes with “heaven”) Cade, an ex-SAS operator making a meagre living as a construction manager. Though the film’s graphic-novelish opening credits ( Read more ...
Matt Wolf
Amid these troubling times, can we not all live in the world of the 2025 Oscars' runaway success story, an ever-smiling Sean Baker? That thought increasingly crossed my mind as the 97th Academy Awards crawled towards its close, a promise early on from host Conan O'Brien not to "waste time" abandoned more or less as soon as it had been spoken.But even as one wondered about a peculiarly timed James Bond tribute – in far from cheering news, the rights to 007 were recently purchased by Amazon – or any number of lame comedy sequences (a poorly dressed Adam Sandler fleeing the auditorium Read more ...
Saskia Baron
In space no one can hear you scream, but they usually can in a cinema. Wednesday night’s gala launch of Alien: Romulus was awash with the gussied-up cast and writer-director Fede Álvarez, alongside assorted Olympians and influencers walking the red carpet.A more enthusiastic audience would have been hard to find, but apart from an auditorium-wide laugh at the reprise of a beloved line from Aliens, there weren’t a lot of gasps, and there were no screams at all. Touted as a return to the original film’s grunge aesthetic and practical effects, Alien: Romulus set itself up for comparison and Read more ...
Nick Hasted
Viggo Mortensen has parlayed film stardom into the life of a hard-working, bohemian-minded gentleman scholar. His Lord of the Rings fees financed Perceval Press, which publishes books of poetry, photography and anthropology by himself and others, and Mortensen’s extensive discography as a musician.The company is named after a favourite knight in the legend of King Arthur, and there is something honourably chivalric in Mortensen’s life and work, filtered through socially open-minded acceptance of the modern world. His hard-riding, brooding Aragorn in the Lord of the Rings trilogy (2001-03) Read more ...
Adam Sweeting
Maybe California-born Matthew Modine caught the movie bug courtesy of his father Mark, who used to manage drive-in theatres, but after bagging his first film role in John Sayles’s Baby It’s You (1983) he never looked back. Blessed with a gift of employability that must make many of his fellow-actors green with envy, Modine has been clocking up a stream of memorable performances for 40 years on both the small and big screens.The title role in Alan Parker’s Birdy (1984), where he played opposite a fledgling Nicolas Cage, signalled the shape of things to come. His performance as Private “Joker” Read more ...