horror
emma.simmonds
Things go bump in the night in James Wan's chilling latest, based on a supposedly true story. The Conjuring is an event horror movie, benefitting from a sizeable marketing budget and the distribution of a major studio (Warner Bros); appropriately enough it simply screams to be seen. And those looking for a touch of class to elevate their frights will find it heartening to hear that there's a leading role for Oscar nominee Vera Farmiga.Lili Taylor and Ron Livingston play Carolyn and Roger Perron, the parents of five “spirited” girls. The year is 1971 and the family have moved into an old, Read more ...
Kieron Tyler
It could so easily have been The Walking Dead, where the living endlessly battle an ever-increasing tide of returnees from the beyond. The resurrected in the contemplative Returned weren’t zombies, but actual living people with a desire to pick up where they left off and reintegrate themselves into day-to-day life. Unfortunately for them, and for those they became reacquainted with, it couldn’t go smoothly. The first series of The Returned ended with the formerly deceased seemingly returning to where they came from, even bringing a couple of the living with them.The unnamed French mountain Read more ...
Simon Munk
Gaming's equivalent of Cormac McCarthy's The Road – here we see a post-apocalyptic zombie invasion not as an excuse for all-out gory action, but downbeat introspection, gentle character interaction and moral tests in the face of true, human horror.The Last Of Us is an absolute must-play game, that doesn't entirely hit every note, but at least aims far higher than most videogames not just in terms of narrative ambition and grown-up storytelling, but also visual and action realism.The story is of hardened survivor Joel, who ends up grudgingly entrusted with the care of teen Ellie. She was born Read more ...
emma.simmonds
Byzantium is a vampire flick which in look and tone seems fashioned to resemble Tomas Alfredson's magnificently humane (if that's the right expression when speaking of the undead) Let the Right One In. Wonderfully, unlike most pictures of its ilk, the focus is almost entirely on the fairer sex, with its bloodsucking protagonists, played by Gemma Arterton and Saoirse Ronan, out to prove the female of the species more deadly than the male. It's the latest film from Irish director Neil Jordan, best known for The Crying Game and - more appositely here - Interview with the Vampire, with a Read more ...
Simon Munk
Man is, of course, the worst monster of all in this bleak, post-apocalyptic first-person shooter based on the best-selling "Metro" novels of Russian author Dmitry Glukhovsky. In Metro: Last Light, the last few of mankind are bunkered down in the old Moscow Metro stations, while the surface is only briefly navigable with a gasmask, and populated mostly by irradiated mutant creatures.If this was a Hollywood treatment of post-apocalypse woe, humanity would unite in the face of such horrors. Here, the survivors have splintered into factions based on past ideologies – busy tearing each other to Read more ...
Simon Munk
It has to have been the trailer, there's really no other explanation. Before the original Dead Island came out, there was a trailer. And not just a trailer, but the trailer – probably the most finely-crafted, greatest piece of teaser content ever created for film, TV or games. It's the only possible reason why Dead Island sold as well as it did... and unfortunately, there isn't a similarly brilliant trailer for its sequel, Riptide.The original trailer (see it here) used some beautifully heart-tugging music and a time-running-backwards schtick to pick apart a holidaying family's descent into Read more ...
Nick Hasted
Down in the cellar where the monsters were in Sam Raimi’s 1982 debut The Evil Dead, you glimpsed a poster for Wes Craven’s 1977 film The Hills Have Eyes, ripped symbolically in half. The bar for gruelling low-budget horror, Raimi was saying, had just been raised.In employing another debutante, Uruguayan Fede Alvarez, to remake The Evil Dead, Raimi, these days the unlikely Hollywood insider behind the Spiderman trilogy and Oz the Great and Powerful, invites him to raise the stakes again.The original’s fireproof premise is kept: five friends spend the weekend in an isolated cabin in the woods ( Read more ...
Kieron Tyler
If you go down to the woods today, it’s possible a Huldra might be encountered. A Norwegian wood, that is. She goes by other names across Scandinavia, but this be-tailed woman is to be avoided. Men lured into her lair are never seen again. Thale turns the legend on its head and tells the tale of Thale, a Huldra who’s been captured by a man and imprisoned in his basement. The story of the Siren-like Huldra is one that’s ripe for a film treatment, especially after Norway’s Troll Hunter became an international hit. Unfortunately, Thale is somewhat undercooked.Thale’s just-over-70 minutes opens Read more ...
Lisa-Marie Ferla
Among the artists Aly Spaltro, the 23-year-old who makes music as Lady Lamb the Beekeeper, calls to mind is Laura Marling. The whispery vocals of the youthful English folk singer may not seem like the most obvious reference point for Spaltro’s guttural, animalistic howl but bear with me: like Marling’s, Spaltro’s vocals are heavy with a wisdom far beyond her years and, much like Marling’s, the subject matter of Spaltro’s songs is often deeply horrific.Ripely Pine is a debut album four years in the making, but has lost none of its rawness for that. It opens in contemplative mode; Spaltro part- Read more ...
Nick Hasted
When Cesar (Luis Tosar) sees Clara (Marta Etura) leave for work in the mornings, he wants to wipe the smile from her face. And as the barely noticed caretaker of her Barcelona apartment building, he’s in the perfect position to do so. Cesar is a strange monster for this psychological thriller from Jaume Balaguero, director of the visceral hit [REC] horror films: a misanthrope so incapable of happiness, he feels others’ laughter like a stab. His hospitalised, mute mother is the silent confessor who weeps horrified tears at his plans. Otherwise, we’re his only, appalled witnesses.His innocent Read more ...
Matt Wolf
You don't have to be highly impressionable to get a shriek or two out of Mama, but it would help, and I suppose there are filmgoers who may never look at walls in quite the same way again. Elegantly shot and boasting Oscar hopeful Jessica Chastain in Joan Jett-like form as an imperilled hipster, the movie goes heavy on portentous sound effects and creepy-crawlies. What it lacks pretty much entirely is common sense. On the other hand, who submits to such genre pictures for logic? The whole point of director Andy Muschietti's movie is to trot out a time-honoured arsenal of horror film Read more ...
Simon Munk
The gnashing teeth emerging from a slathering black mouth ‑ HR Giger and Ridley Scott's Alien design remains one of the most horrific creations of cinema: an iconic image of vagina dentata body horror and a genetically modified unstoppable bogeyman for a modern age. The film was no one-off, however.James Cameron's Aliens sequel successfully replaced the horror tropes with incredibly tense and visceral action, while more recently Prometheus added epic scale. Even in games, Aliens Vs. Predator (in 2000) delivered a brilliant sense of enclosed fear. Given the series' heritage and mixture of Read more ...