tue 03/06/2025

indie

Alan Sparhawk, EartH Theatre review - an absorbing game of two halves from the former Low mainstay

For the first half-hour of this show – on the day before the release of his new album Alan Sparhawk With Trampled by Turtles – Alan Sparhawk moves ceaselessly. Whirling, arms sweeping like the sails of a windmill, gliding across the stage. He sings...

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theartsdesk on Vinyl 90: Small Faces, ESKA, Luvcat, Dope Lemon, Celia Cruz, Monolake and more

VINYL OF THE MONTHEmily Saunders Moon Shifts Oceans (The Mix Sounds)It’s de rigeur nowadays, if you love music, to love Joni Mitchell. She is, of course, a great soul, but her music never connected here. That said, I have a favourite Joni Mitchell...

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Album: Sports Team - Boys These Days

How do you solve a problem like Sports Team? Taking them at face value, they’re a living metaphor for the slow music biz relegation of the working class in favour of the privileged, a bunch of snarky ex-Cambridge University students who make smug...

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Album: Stereolab - Instant Holograms on Metal Film

Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points – French, German and Brazilian psychedelia, Radiophonic Workshop sound effects, 1960s library music – which...

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The Great Escape Festival 2025, Brighton review - a feast of music from across the world

Photographer Finetime and I have our first pints outside Dalton’s, a bar on Brighton seafront, at almost exactly midday. They are Beavertown Neck Oil IPA at 4.3%. The sun is out, glinting off the sea. Feels like the calm before the storm.Quarter of...

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Album: Robert Forster - Strawberries

“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however, necessarily say what Forster actually sees. These vignettes about encounters between characters come across as...

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The Great Escape Festival 2025, Brighton review - a dip into Thursday

As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on Spotify”, it’s also a great time for those who relish gigs by new talent from all over the world. For three...

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Supergrass, Barrowland, Glasgow review - nostalgia played with youthful energy

It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old dancefloor, and during the encore a pair of excitable, bouncing teenagers turned around and started bellowing...

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Album: Mark Pritchard & Thom Yorke - Tall Tales

I’ve got an admission: I never really got Radiohead, in no small part because of Thom Yorke’s singing. I appreciate his technical abilities and songwriting, and that a lot of people find his anguish cathartic, but the more he goes for it the more I...

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Shack, Union Chapel review - the surprise return of the Liverpool legends does not run to plan

After kicking off with the psychedelia-tinged “Sgt. Major,” they keep coming. A string of songs as Sixties-influenced as they are edgy and propulsive. The tempo may not be speedy but there is always forward motion, even in a song where different...

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Album: Arcade Fire - Pink Elephant

20 years on from their first appearance on record, the seventh long-player from Canadian indie-art-rock behemoths Arcade Fire comes off the back of four consecutive UK album chart-toppers.Also lurking in the background are the 2022 sexual misconduct...

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Album: Lael Neale - Altogether Stranger

Over its crisp 32 minutes and nine songs, Altogether Stranger embraces electropop, lo-fi terrain and gothic solo contemplation. By deconstructing modern R&B, the upbeat “Come on” is as close as it gets to pop’s mainstream. The unifying factors...

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