thu 19/09/2019

indie

Muse, 02 review - bombastic Brit-rock with a sci-fi theme

For a band mostly known as a brilliantly ludicrous cocktail of other’s people’s sound-styles, the Simulation Theory tour is proof that Muse have become musical legends in their own right.Yes, their progressive rock is the combined conglomeration...

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Edwyn Collins, Concorde 2, Brighton review - enjoyable evening of tight guitar pop

In March of this year Edwyn Collins released his ninth studio album, Badbea, his fourth since two life-altering cerebral haemorrhages derailed him in 2005. It’s a vivacious collection that runs the gamut of what guitar pop can be, from acoustic...

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What Girls Are Made Of, Soho Theatre review - euphoric gig-theatre

It’s now Edinburgh Fringe transfer season in London, but here’s one they made earlier: Cora Bissett’s Fringe First-winning autobiographical play from the 2018 Festival about her time in 1990s indie band Darlingheart. Though the broad shape of this...

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CD: Metronomy - Metronomy Forever

According to Metronomy maestro Joseph Mount, his first attempt of album number six was a much snappier affair. But it wasn’t until he broke from his self-imposed immediacy that it started connecting with him. In its final form, Metronomy Forever...

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Reissue CDs Weekly: Tunnelvision - Watching the Hydroplanes

A ghostly voice pronounces “there’s no need to make the sepulchre white.” Following this declaration, what sounds like an ocarina wails mournfully over spindly guitar, a sonorous bass guitar and circular, heartbeat drumming. Tunnelvision’s “Whitened...

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theartsdesk on Vinyl 52: Yardbirds, Fad Gadget, Spoon, Cate le Bon, Cabaret Voltaire and more

Welcome to the latest edition of theartsdesk on Vinyl, the monthly online musical resource that knows no genre boundaries as it treks through every release on plastic that it can find. This time round we’ve everything from death metal to obscure...

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CD: Ezra Furman - Twelve Nudes

“This is our punk record,” says Ezra Furman of Twelve Nudes in its PR bumpf. In practice, the punk slant is manifested through distorted guitars, hell-for-leather tempi and howling vocals. The edgiest moment is the 55-second “Blown”, a close...

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Edinburgh International Festival 2019: JARV IS review - Britpop legend still delivers

”Cunts Are Still”. Well, that got your attention, didn’t it? Not my words, merely the title of one of JARV IS’s new tracks. In case you didn’t get it, JARV IS is a play on words and the name of given to Pulp frontman and founder Jarvis Cocker’s...

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Eels, Hammersmith Apollo review – dark, swampy and endlessly entertertaining

"Would you mind if I jammed on my new... castanets?" We’re halfway through Eels’ triumphant set at Hammersmith's Eventim Apollo and this is the kind of question we’ve come to expect from frontman Mark Oliver Everett, AKA "E". Expect the unexpected,...

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CD: Sleater-Kinney - The Center Won't Hold

This album’s title began as a reaction to fractiousness under Trump, but gained more intimate meaning when drummer Janet Weiss quit Sleater-Kinney shortly before release. With production by St Vincent’s Annie Clark pushing these knotty indie-rock...

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The Hold Steady - Thrashing Thru the Passion

At recent live shows, Hold Steady frontman Craig Finn has taken to describing the band’s current lineup as the best it’s ever been. Boosted to a six-piece by the return of Franz Nicolay on keyboards, the Hold Steady of the band’s latter-day London...

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theartsdesk in Oslo: Øya Festival 2019 review

The timing seemed odd. Sigrid is internationally successful. She’s Norway’s highest-profile musical ambassador since a-ha. Yet instead of headlining at 2019’s Øya Festival, she hits the stage at 6.45. Has she been demoted in favour of Tame Impala,...

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