indie
Kieron Tyler
The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s Everything Harmony, is stuffed with references. “Sweet Vibration” is rooted in The Left Banke’s “She May Call You up Tonight.” “In the Eyes of the Girl” draws from The Beach Boys’s “Girls on the Beach.” Album opener “My Golden Years” nods to second album Big Star. Todd Rundgren looms large over the album’s title track.Brian and Michael D’Addario’s bold fifth album needs, though, to have more going for it than good taste and evidence for a cool record collection to make Read more ...
Thomas H. Green
Justice are a couple of super-suave rock star analogues. Leathers and aviators, yes, but with a very Parisian insouciance. Their music is the same. It has a rocker-friendly je-ne-sais-quoi, but air-brushed with the glitzy sci-fi futurism one might expect from a couple of guys whose origins lie in design. Their new album, their fourth and first in a leisurely eight years, retains their usual slightly-gnarly-but-smartly-turned-out vibe, but reaches towards new and entertaining musical directions.Justice blew up with Noughties monster remix “We Are Your Friends”, then rode the proto-EDM wave, Read more ...
Kieron Tyler
Three years ago, the release of Till Another Time 1988-1996 generated a thumbs up. A compilation of recordings by the Baltimore and/or New York-based Linda Smith it was, according to this column, “stunning” and “significant.” Until this point, knowledge of Smith had “largely been the province of the do-it-yourself world of music.”Now, two Linda Smith albums are reissued. Nothing Else Matters originally came out on CD-only in 1995. I So Liked Spring was its follow-up, appearing on cassette in 1996. Nothing Else Matters had been preceded by four cassette-only albums which remain un-reissued. Read more ...
Thomas H. Green
Record Store Day is tomorrow! At theartsdesk on Vinyl we’ve been sent a selection of exclusive RSD goodies. Check out the reviews, then check out your local record shop! See you amongst it.THEARTSDESK ON VINYL’S CHOICE CUT OF RECORD STORE DAY APRIL 2024The Near Jazz Experience featuring Mike Garson Character Actor EP (Sartorial)It’s been a while since we heard from this unit. The NJE, as they're mostly known, consist of sax’n’brass player Terry Edwards, who’s played on a billion tunes you love (from PJ Harvey to Hot Chip to Tom Waits), Mark Bedford, who’s Bedders from Madness, and Simon Read more ...
Kieron Tyler
Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about death, or the death of love, about loss, about anxiety.” Suede’s Brett Anderson, on board for this endeavour, notes “I've always found dark material more inspiring than upbeat songs. Upbeat songs always make me depressed somehow. I've always liked those songs that deal with the murkier sides of life.”The resultant 12-track album also features Nadine Shah (on two tracks) and Gwenno (on one track). Sebastian Rochford and Adrian Utley are in there too. The songs Read more ...
Tom Carr
For the past almost two years, Maggie Rogers has taken an unexpectedly special place in my heart and musical tastes. Upon reviewing her previous album, Surrender, because of the difference in style and sound to my usual tastes I was caught completely off guard.Combined with just as unforeseen changes in my personal life, Surrender was an unfounded delight that chimed completely at that point in time. Now it’s not just an album, but a time capsule of those summer months of 2022.Fast forward, and Rogers has provided another tapestry of sounds steeped in texture and personal depth with third Read more ...
Kieron Tyler
“Betsy,” a voice shouts from the audience as the encore begins. The request for “Betsy on the Roof,” from Julia Holter’s 2015 Have You in my Wilderness album, is met – it was already in the set list – but only after “Les Jeux to You” is performed. That originally appeared on 2018’s Aviary.This show is the Los Angeles-based Holter’s first song-focused outing in London since 2019. There was an accompaniment to the film The Passion of Joan of Arc in 2022, but this more traditional date follows the recent release of her sixth solo studio album Something in the Room She Moves. It’s one of a few Read more ...
Joe Muggs
At 24, Bradfordian Nia Archives has already clearly marked out her musical territory.While many of her Gen Z contemporaries have embraced the rave, jungle and drum’n’bass sounds of the early-mid 1990s, she’s done it more wholeheartedly than most: particularly rebuilding the rolling breakbeats and deep bass of jungle as a kind of British urban folk music, collaborating with older generations (original junglists DJ Die and Randall of Watch The Ride), and demonstrating how her natural Caribbean-influenced Yorkshire vocal articulation fits perfectly into that. Crucially, though, having shown Read more ...
Thomas H. Green
The joy of The Hives on record is encapsulated by their 2012 micro-song “Come On”. Despite being one-minute long and consisting solely of the title phrase, it fizzes with righteous, effervescent buzzsaw euphoria. They open their encore with it, showcasing with ease that, whatever the pleasures of their studio output, live in concert is where The Hives truly explode.Clad in regulation black’n’white suits covered in zigzags, they first appear to Chopin’s funeral march and dive straight into “Bogus Operandi” from their most recent album, last year’s The Death of Randy Fitzsimmons, from which Read more ...
Tim Cumming
Carl Barat and Peter Doherty are "the Glimmer Twins" of their own wayward trajectory through the worlds of rock and roll, stardom, drugs, distraction and destruction.The noughties indie stars, releasing their first album in a decade, are perhaps as near as their generation will get to the steady state of the Mick-n-Keef equation. But it pulls you up to realise that, more than 20 years after they went in to a studio together, this is only their fourth album as a band.Recorded, in part, at their Albion Rooms hotel on Margate’s Eastern Esplanade, its 11 new tunes display Read more ...
Kieron Tyler
“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced on her 2007 and 2010 albums Cherlokalate and The Fallen By Watch Bird. Not that her new album is rooted in past ventures, more that it appears she has taken a step back to consider what she has done, and has found this reflection comfortable.And there is a lot to ponder. Weaver, who thrives on embracing new musical and wider cultural discoveries, has her own résumé to contemplate. Her first solo album was issued in 2002. Just before this, there was her Read more ...
Kieron Tyler
Hey Panda is unlike any previous High Llamas album. While the characteristic traces of late Sixties and early Seventies Beach Boys, Van Dyke Parks and Steely Dan are here, they have become melded with a sensibility lead-Llama Sean O’Hagan has absorbed from multifaceted US hip hop producer J Dilla – whose approach to rhythm and song structure rewrote standard linear templates.In the promotional material for the first High Llamas album – the title comes from a panda seen on TikTok during the coronavirus pandemic – in eight years, O’Hagan is quoted saying “when I heard J Dilla in the early 2000s Read more ...