indie
Barney Harsent
It’s always hard to choose one album to spotlight come the annual Best Ofs, and 2022 has given us an extraordinary embarrassment of riches to choose from – the bountiful bastard…January brought with it a small but perfectly formed under-the-radar gem in Bed Wetter’s A Life in the Day. A deeply personal piece, it saw producer Geoff Kirkwood removing his Man Power mask and letting us in to his world of gorgeous, atmospheric sound sculptures.Andy Bell’s Flicker followed. A double album of wide-eyed eclecticism, Bell’s second solo outing felt simultaneously new and nostalgic. It was, without Read more ...
Thomas H. Green
Welcome to the final theartsdesk on Vinyl of 2022 which is topped off by two Vinyl of the Months, one there for seasonal jollies and the other for musical adventurousness. As ever, the rest runs the gamut from reissues of albums from decades ago to the most contemporary, cutting edge music around. Dive in!CHRISTMAS VINYL OF THE MONTHVarious The Muppet Christmas Carol (Walt Disney)Is there a more Christmassy object than a picture disc of the soundtrack to The Muppet Christmas Carol? There may be but this will do us very well. Coincidentally, theartsdesk on Vinyl’s festive film-show this year Read more ...
Thomas H. Green
Actually, Spotify tells me the album I’ve streamed most this year is Motordrome, the third album by Danish pop star MØ. When I reviewed it back in January I was underwhelmed by its doleful moodiness, but, showing how wrong a quick couple of listens can be, something about its vaguely remorseful, indie-tinged, girl-pop melancholy grabbed me deeper than I’d realised and kept drawing me back.Some years, my Album of the Year is clear and obvious. It’s the one that stands head-and-shoulders above the rest, listened to with giddy addiction. 2022 has not been such a year. In all honesty, my Album of Read more ...
Thomas H. Green
It’s Friday night and I’ve finally arrived at 43-year-old French music festival institution Trans Musicales. Due to some dreadful nonsense, it’s taken a 12-hour train journey, two baguettes, one short Stephen King novel, six large beers, a tumbler of Bourbon, and one shuttlebus to place me at the Parc Expo, a series of giant airport hangars that house the majority of musical activity (although there’s a smattering of earlier events in Rennes itself).The music runs from 9.00 pm-ish through to shortly before dawn and Trans Musicales is renowned for ensuring that the nearly 60,000 attendees are Read more ...
Tom Carr
We Were Promised Jetpacks is a band name that seems off the cuff at first glance. This could be said for the Scottish indie-rock darlings' latest effort, an EP that reworks some of their record from last year, Enjoy the View – as remixed material may hold lukewarm appeal.But A Complete One-Eighty gave Jetpacks the chance to revisit their first album as a three-piece and push some of the songs in directions they couldn’t previously envision. Though far from a household name, Jetpacks’ sound is unmistakable: soaring guitar chords and leads, thundering drums, full basslines, and Adam Thompson’s Read more ...
Cheri Amour
In 2016’s abrasive album opener, "Dead Weight", frontwoman Mish Barber-Way laments over multiple miscarriages as her biological clock ticks away like a malevolent metronome.How much has changed in the last six years, then, and none more so than for Barber-Way. The track in question was taken from the band’s last official release, Paradise. A record that saw Deap Vally’s Lindsey Troy step up as a touring bass player and the Vancouver trio – completed by drummer Anne-Marie Vassiliou and guitarist Kenneth William – unintentionally entering into a hiatus.They had every intention of Read more ...
India Lewis
Arriving to the second night of two shows in the same venue, you would expect it to be a little quieter. But Wet Leg’s second outing at the O2 in Kentish Town was anything but – their burgeoning reputation (they are supporting Harry Styles next year) ensuring an excellent and enthusiastic turnout. The crowd was mixed, but with more than a smattering of the bald(ing) 6 Music dads that are now standard fare for any emergent alternative pop acts. There were two warm-up bands, described by one of the two frontwomen of Wet Leg with glee as the chance to organise their own mini festival Read more ...
Kieron Tyler
Choosing packs a punch – the effect of which lingers. What’s captured by these 11 songs comes across as unfiltered, disconcertingly direct. And what it is that’s captured appears to be an account of someone getting to grips with how their lifestyle has had negative impacts.Much of the London-based singer-songwriter Sophie Jamieson’s debut album is – openly – about how alcohol was a friend which became an enemy. Jamieson has said the choice had to be made between whether to abandon it or surrender herself to its spell. Choosing’s opening track “Addition” is an account of a drunken night. “Long Read more ...
Thomas H. Green
There’s been a quiet storm of critical approval building around Weyes Blood. American singer Natalie Mering has been releasing music for over a decade but, during the last two or three years a tailwind of positive verbiage has blown her faster forward. Her last album, Titanic Rising, the first of a loose trilogy, of which this is the second part, made low level inroads to commercial success on both sides of the Atlantic. And in the Darkness, Hearts Aglow, a fine balance of delicate singer-songwriter fare and something more baroque, has the potential to go further.Imagine the strident, indie- Read more ...
Thomas H. Green
The chorus to Working Men’s Club’s song “Money is Mine” usually runs, “Endless depression, it’s time/Suicide is yours when the money is mine.” Presented as the penultimate song of their set, frontman Syd Minksy-Sargeant distils this. Grim-faced, his hand twisting about under his tee-shirt as if suffering from an untenable itch, he spits “endless depression” and “suicide” into the mic on a jarring loop, backed up every inch by harsh, dark, techno-adjacent battering. It’s a moment that sums the night up.Appearing a couple of years ago from rural Yorkshire, Working Men’s Club are a contradiction Read more ...
Thomas H. Green
Even the jolliest number on Micah P Hinson’s new album, a banjo-pickin’, wistful campfire jig entitled “Waking on Eggshells”, has him singing, “Give me a knife, I’ll show you my vein”, alongside offers to “blow out your brain” with various firearms, and proclamations he “must be going insane”.If the listener is after jollity, best look elsewhere then, but those searching for world-weary Americana could do worse than settle down, lonely and broken, with these 10 tracks from the Texas-raised singer.Hinson has released numerous albums since he appeared 20 years ago. He has a penchant for Read more ...
Thomas H. Green
There’s a disconnect between Australian singer-songwriter Courtney Barnett on record and in concert. On record, especially on her latest album, her dryly-stated, touching emotional lyricism is to the fore, but in the live arena you’re as likely to be presented with a scorching rock goddess, playing with her fingers and no plectrum. Her grunge assault on 2013 single “History Eraser”, for instance, has proper garage heft, initially coming on like a Cobain firestorm then settling to something akin to fellow left-handed axe hero Jimi Hendrix. She doesn’t talk much between songs, but she sure Read more ...