indie
Lisa-Marie Ferla
The first thing you’ll notice about Sharon Van Etten’s Are We There is how crystal-clear and clean it sounds. “Afraid of Nothing”, the album’s opening track, fizzes with hope and expectation like the long tail of a firework from its giddy opening lines: “you told me the day that you showed me your face we’d be in trouble for a long time - I can’t wait”. Listen to it on headphones, though, and the component parts of that giddiness will stun you: the interplay between simple piano chords and guitar; the soaring strings that fill the chorus line with anticipation; the booming bass drum you can Read more ...
Kieron Tyler
Oasis: Definitely Maybe“His onstage presence is supernatural, a good looking boy exuding primal sexual allure while standing stock still, hands behind his back, all effort going into his big chested, raw throated pure and essential singing.” The beyond-hyperbolic liner notes to Deluxe Box Set edition of the 20th-anniversy reissue of Definitely Maybe, the first Oasis album, read like a parody. Liam Gallagher may be many things. But supernatural?Elsewhere, they gush that “the holy grail of British pop music is surely a bunch of longhaired boys with guitars playing swaggering, melodic rock Read more ...
Kieron Tyler
Declaring that your new album can help conquer insomnia seems, initially, self-defeating. If it induces such a calmness that potential listeners drift off to sleep, then there’s the potential it may never be heard in full. Yet this is what lies behind Matt Berry’s fifth album. It was written and recorded at his home studio in the small hours while he was suffering from insomnia. He wanted to create a music which would still his mind so set to devising his own therapeutic soundtrack. Music for Insomniacs is the result.Music for Insomniacs is neither the expected single drone or blandly Read more ...
Kieron Tyler
At last night’s Eurovision Song Contest, host country Denmark submitted “Cliché Love Song”, a weedy Bruno Mars-a-like designed to ensure they did not win for a second year running. It came ninth. While understandable that Danish national broadcaster DR would try to duck the expense of staging the extravaganza in Copenhagen again in 2015, they could have displayed some imagination by choosing an entrant that was certainly not a winner but had some worth. Instead of Basim wth his paper-thin “Cliché Love Song”, Aalborg’s Get Your Gun would have made a grand choice to showcase Denmark in fine Read more ...
Kieron Tyler
Josef K: The Only Fun in TownJosef K seem like one that got away. Their fellow Postcard Records’ bands Aztec Camera and Orange Juice had high-profile afterlives with, respectively, the careers of their songwriters and front men Roddy Frame and Edwin Collins. After his band split, Josef K’s Paul Haig went on to have a string of fantastic, accessible releases – including collaborations with New Order – but none clicked with the mainstream. His old outfit’s legacy is though heard less directly through Franz Ferdinand, whose agitated forward-thrust derives directly from Josek K. It’s also Read more ...
Kieron Tyler
Although the trademark aqueous shimmer is still recognisable on Life Among the Savages, the sound of San Francisco’s Papercuts has changed since 2011’s Fading Parade. On his fifth album as Papercuts, Jason Quever has kept arrangements more sparse than ever yet everything has a distance. His world appears to be one of permanent dusk, when melancholy is inescapable. Life Among the Savages is the sound of outside looking in.The song titles lay it out: “Still Knocking at the Door”, “New Body”, “Staring at the Bright Lights”, “Afterlife Blues”, “Tourist”. Quever’s sense of isolation brings to this Read more ...
Kieron Tyler
Two potential obstacles need navigating while considering Frank. First, despite what it initially seems, this is not an account of the life and times of Frank Sidebottom, the giant-headed character created by maverick musician Chris Sievey. Second, the attitude towards mental health issues exhibited by those close to Frank in the film makes for awkward viewing. Beyond these health warnings, the presence of Michael Fassbender and Maggie Gyllenhaal in this eccentric, touching film makes it more than a curiosity.As Frank, despite being masked by the disconcerting, big-eyed, blank-faced papier- Read more ...
Lisa-Marie Ferla
That Nikki Nack, the third album from tUnE-yArDs, sounds as if it could share the name with some brightly-coloured superhero from a nursery rhyme seems appropriate, because that’s always been how I’ve pictured Merrill Garbus. It’s a persona that she has seemed happy to play up to this time around, in the colourful publicity shots and Pee-wee’s Playhouse-inspired videos that have preceded this release, but it’s also one that’s a perfect fit: an eclectic and experimental creator of songs (“songwriter” seems a touch simplistic a way to describe the way that she loops beats, whoops and ukelele), Read more ...
Kieron Tyler
Krai – Край – is employed in Russia to label tracts of land separating regions or marking borders. These liminal places each have their own name, defined limits and character, and have inspired the second solo album by the Brooklyn-based Olga Bell. An exotic musical travelogue through the nine Krais, Krai the album is delivered entirely in Russian.The music shifts from minimally arranged pieces drawing from Troika to melodies which could suit the balalaika. Orthodox religious chanting sits alongside Cossack melodies and the drumming of the Arctic-region Chuchki. There’s electronics, Read more ...
Lisa-Marie Ferla
Erika M Anderson’s dystopian follow-up to 2011’s critically acclaimed Past Life Martyred Saints was always going to be prescient, but in the end even she was taken by surprise. “Facebook just bought the company that makes … the VR headset I am wearing on the cover of The Future’s Void,” she wrote on her blog a week or so back, by way of introduction to “3Jane”, the single that is the album’s "lyrical centrepiece". “People ask me about themes of paranoia on the record but obviously I am not the only one with dystopian dreams of our plugged-in future.”If it seems hardly any time at all since we Read more ...
Kieron Tyler
“Art, real art, is a denial of the status quo. A tradition that values the role of the individual.” Speaking in Estonia’s capital for the opening of Tallinn Music Week, the Baltic country’s President Toomas Hendrik Ilves is referring to what’s just over his shoulder. Freedom is on his mind.Estonia shares a border with Russia, and Tallinn is just 1000km from Ukraine’s capital Kiev. Taken together, Estonia, Latvia and Belarus share an unbroken border with their former Soviet master. On the Black Sea, Ukraine is on the southern seaboard of that border, and on the Baltic, Estonia is on the Read more ...
Lisa-Marie Ferla
By the time I reached “Coming Home” - the second track on Kaiser Chiefs’ fifth album, and the band’s "comeback" single - I was predicting not a riot exactly, but certainly a few snide comments below re: my knowledge of the Leeds lads’ back catalogue. While not wholly unpleasant, its drivetime radio-friendly smoothness seemed an odd choice for a band best known for anthemic, stadium-filling indie swagger - particularly as it was always going to be seen as something of a mission statement for their first album without chief songwriter and drummer Nick Hodgson.But then Education, Education, Read more ...