Janáček
Classical music/Opera direct to home: 3 - Two JenůfasWednesday, 25 March 2020
We're learning fast what works and what doesn't with online arts offerings in a time of coronavirus. A distinguished young pianist I know rightly pointed out to me yesterday that however good the artists sharing their talents with us from their... Read more... |
London Symphony Orchestra and Chorus, Ono, Barbican review - feet on the ground, eyes to the skiesMonday, 21 October 2019
We have John Eliot Gardiner to thank for an unconventional diptych of Czech masterpieces in the London Symphony Orchestra's current season. He had to withdraw from last night's concert - he conducts Dvořák's Cello Concerto and Suk's "Asrael"... Read more... |
Katya Kabanova, Royal Opera review - inner torment incarnateTuesday, 05 February 2019
Backstories, we're told, are a crucial part of stage visionary Richard Jones's rehearsal process. Janáček, or rather Russian playwright Ostrovsky on whose The Storm the composer based Katya Kabanova, gives several of his hemmed-in characters... Read more... |
Katya Kabanova, Opera North review – a grim taleMonday, 04 February 2019
A sad tale’s best for winter, and Opera North have returned to Janáček’s lyrical taken on a classic Russian drama of domestic abuse, guilt and suicide for this ingredient of their current season. Director Tim Albery and designer Hildegard Bechtler... Read more... |
Thomas Adès, Wigmore Hall review - playful and erratic JanáčekTuesday, 11 December 2018
Janáček has been an abiding passion for Thomas Adès. As both composer and performer, Adès revels in the whimsical and the absurd, and he finds both in Janáček’s piano works. This recital presented the complete surviving piano music of Janáček (... Read more... |
theartsdesk in Brno: Czech 100th feted through Janáček and SmetanaSaturday, 08 December 2018
Five of Leoš Janáček's 10 operas are staples of the worldwide repertoire. Two I'd never seen on stage, so the slice I chose of the19-day festival devoted to all of them for the second time in the history of Brno, the cultured Moravian capital... Read more... |
Classical CDs Weekly: Beethoven, Cage, JanáčekSaturday, 17 November 2018
Beethoven: Symphonies 2 and 7 Wiener Symphoniker/Philippe Jordan (WS/Sony)Philippe Jordan’s cheery face adorns this third volume of Beethoven symphonies from Vienna’s other orchestra, setting the tone fairly well. These are overwhelmingly... Read more... |
Borodin Quartet, LPO, Jurowski, RFH review - mixed results in oddball CzechfestThursday, 08 November 2018
How many times have you heard live in concert a concerto for string quartet and instrumental ensemble? In my case, three, all of the occasions performances of John Adams's Beethoven-based giant scherzo Absolute Jest. Two more got added to the list... Read more... |
First Person Plural: the Calidore String Quartet on music for their torn nationSaturday, 03 November 2018
Classical musicians spend much of their lives inhabiting the realms of the past. To effectively practise and perform the music of Bach, Brahms, Beethoven and countless others, performers must combine research and personal intuition to time travel... Read more... |
Hallé, Gardner, Bridgewater Hall, Manchester review – drama and humanityMonday, 15 October 2018
Edward Gardner was back amongst friends when he opened the Hallé’s Thursday series concerts. This was the place where he made his mark, as the Manchester orchestra’s first ever assistant conductor (and Youth Orchestra music director), and he’s been... Read more... |
Edinburgh Festival 2018 review: Zimerman, LSO, Rattle - fizzing chemistrySaturday, 11 August 2018
It was Simon Rattle’s first visit to the Edinburgh International Festival for – well, really quite a few years. And the first of his two concerts with the London Symphony Orchestra drew, perhaps predictably, a capacity crowd in the Usher Hall, for... Read more... |
From the House of the Dead, Royal Opera review - Janáček's prison oddity prompts hot tearsThursday, 08 March 2018
A political prisoner is brutally initiated into the life of a state penitentiary, and leaves it little over 90 minutes later. Four inmates reveal their brutal past histories with elliptical strangeness - each would need an episode of something like... Read more... |
