literature
Tom Birchenough
If you were expecting a fusty, formal adaptation of Anthony Trollope – and one of his least known novels, to boot – Lady Anna: All At Sea will come as a breath of fresh air. Colin Blumenau’s production of Craig Baxter’s play, based loosely around the Trollope novel of the same name and commissioned by the Trollope Society to mark the bicentenary of the writer’s birth, speeds through its two-hour-plus run, keeping a nimble crew of seven on its toes and the audience engaged in its ludic conspiracies.The “All At Sea” element, the “interloping” part of the story if you like, refers to Trollope Read more ...
Marianka Swain
Polo played in surplus First World War tanks; zeppelin-shooting as a gentlemanly leisure pursuit; the mighty vessel RMS Tyrannic, proud host of the Grand Ballroom Chariot Race and so safe "that she carries no insurance". These are just some of Canadian satirical writer and artist Bruce McCall’s ingenious retro-futurist creations. Slyly merging meticulous realism and madcap fantasy, they depict – with parodic faux-nostalgia – a world that never quite existed in order to comment on the one that does.The prolific McCall worked on the original National Lampoon and Saturday Night Live before Read more ...
Florence Hallett
From complex machines, whirring busily but with no useful function, to structures that allude to the fundamental building blocks of the universe, Conrad Shawcross (born 1977) uses sculpture to explore the big ideas of philosophy and science. A graduate of the Ruskin School of Drawing and Fine Art and the Slade School of Art, he bacame the youngest living Royal Academician in 2013. This year – punctuated by a series of prestigious public sculptures – has been his busiest yet. Three Perpetual Chords, commissioned to replace the Barbara Hepworth sculpture stolen from Dulwich Park in 2011, was Read more ...
Tom Birchenough
Helen Edmundson’s The Heresy of Love may be set in 17th century Mexico and follow the conflict between strict religion and personal development, but its theme of a woman denied her voice by a surrounding male hierarchy retains real contemporary relevance. First staged at the RSC three years ago, the dramatic strengths of the work shine through in this new Globe production, which reminds us most of all of Edmundson’s confident craft and limberness of language.Her subject is the life of Sister Juana Inés de la Cruz (Naomi Frederick, excellent), one of the first major writers of the Spanish- Read more ...
fisun.guner
Quentin Blake, illustrator, cartoonist and children’s author, has, to date, illustrated over 300 books. He is most famously associated with Roald Dahl, but he’s worked with a number of children’s writers, most recently David Walliams, illustrating the actor's debut novel The Boy in the Dress. He is a patron of The Big Draw which aims to get people of all ages drawing throughout the UK, and of The Nightingale Project, a charity that puts art into hospitals. Since 2006, he's produced work for several hospitals and mental health centres in London and in France. He has, he says, drawn ever since Read more ...
Nick Hasted
Artists can be selfish bastards. Yoko Ono didn’t pay her babysitters; Bob Dylan has frozen out nearly all his friends; Norman Mailer stabbed his wife, and William Burroughs shot his. Philp (Jason Schwartzman), the young novelist who sociopathically meanders through Alex Ross Perry’s new film, causes no fatalities. Which is where his positive qualities peter out. Whether contemplating his navel to Ph.D level, or harbouring petty grudges and explosive rages which would shame a two-year-old, Philip may be cinema’s most rampantly temperamental artist.Perry had Woody Allen’s Husbands and Wives in Read more ...
Nick Hasted
Margaret Atwood’s Forties childhood was spent knocking around the Canadian backwoods with her forest entomologist, proto-ecologist dad, and it shows. Interviewed alongside her husband Graeme Gibson on the Brighton Festival’s closing night, the international literary prizes, like the gushing reverence with which she’s introduced by Festival director Ali Smith and received by the sell-out crowd, seems to have made little impression. This is a modest, earthy, dryly witty and straight-talking couple, with the self-sufficient air of those familiar with isolated, country living.Atwood’s novels, Read more ...
Hanna Weibye
On my way to the Woolf Works opening last night, I made the mistake of reading The Waves, Virginia Woolf’s most experimental novel. It was a mistake because even the briefest immersion in Woolf’s prose was a thousand times more exhilarating than the 90 minutes of treacly sludge served up by Wayne McGregor and Max Richter in this, the choreographer’s much-hyped first full-length work for the Royal Ballet. It’s not really full-length, though: it’s three self-contained short pieces, each inspired by a novel – Mrs Dalloway, Orlando and The Waves, in that order – with the portentous in- Read more ...
kate.connolly
The Nobel prize-winning writer, playwright and artist Günter Grass was arguably the best-known German-language author of the second half of the 20th century. Kate Connolly met him in May 2010 in Istanbul where, after attending a series of literary events, Grass was forced to stay on for some days as volcanic ash closed European airports.Born in 1927 in the port city of Danzig in what is now Gdansk in Poland, he was among the hundreds of thousands of ethnic German refugees who settled in West Germany in 1945. His literary career started with his debut novel, The Tin Drum (1959), which remains Read more ...
Marina Vaizey
Alice is always with us; the most quoted work of literature, after the Bible and Shakespeare. In fact, Desert Island Discs should probably add Alice to the mandatory Bible and Shakespeare as an automatic inclusion for the survival kit. Now 150 years after the publication of Alice’s Adventures in Wonderland, written by a celibate mathematics don at Christ Church, Oxford, real name Charles Lutwidge Dogdson (pictured, below right), there are translations into countless languages, including that of the Australian aboriginals, who historically did not even have a written language.In the past few Read more ...
Hanna Weibye
The habit among ballet critics of being simultaneously down on John Cranko's 1965 Onegin and up on Kenneth MacMillan's 1974 Manon is a curious one. The two have many similarities, from their basis in novels that became operas (though Prévost's Manon Lescaut antedates Pushkin's verse Eugene Onegin by a century), through their patched-together scores that don't actually use the Massenet/Tchaikovsky operas, to the knotty questions of morality and culpability that attend their titular characters. Perhaps it's because the London public eventually got used enough to MacMillan to decide he was a Read more ...
Tom Birchenough
There’s a wonderful drollery to Guillaume Nicloux’s wry and eccentric comedy The Kidnapping of Michel Houellebecq (L‘Enlèvement de Michel Houellebecq) which is quintessentially Gallic. Three years ago the enfant terrible of French literature disappeared for some days from a book tour, giving rise to rumours as extreme as that he had been kidnapped by Al-Qaida. The truth – though “truth” is a very relative word in this world – as shown in the film is that Houellebecq was vanished to the suburbs of Paris where he was held in circumstances that couldn’t be friendlier.Houellebecq plays gamely Read more ...