thu 12/12/2024

London

Shifters, Duke of York's Theatre review - star-crossed lovers shine in intelligent rom-com

Pete Waterman, responsible (some might prefer the word guilty) for more than 100 Top 40 hits, said that a pop song is the hardest thing to write. Boy meets girl; boy loses girl; boy gets girl back – all wrapped up in three minutes. Benedict Lombe’s...

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Album: Jon Hopkins - Ritual

Jon Hopkins is on a journey, and we’re fortunate that he feels he can share the trip with us. His latest offering takes the listener beyond the paths opened up in Singularity (2018) and Music for Psychedelic Therapy (2021).There's a coherence in the...

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Edinburgh Fringe 2024 reviews: REVENGE: After the Levoyah / Puddles and Amazons

REVENGE: After the Levoyah, Summerhall ★★★★★ The Jews have had enough. After decades – centuries, in fact – of suspicion, name-calling, finger-pointing and violent persecution, they can’t even leave their Gants Hill or Barkingside flats, where...

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The Fabulist, Charing Cross Theatre review - fine singing cannot rescue an incoherent production

On opening night, there’s always a little tension in the air. Tech rehearsals and previews can only go so far – this is the moment when an audience, some wielding pens like scalpels, sit in judgement. Having attended thousands on the critics’ side...

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Peanut Butter & Blueberries, Kiln Theatre review - rom-com in a time of Islamophobia

At one point, in John Fowles’s 1977 novel The Magus, the guru character in the story compares sexuality before and after the 1960s. He says that although “young people can lend your bodies now, play with them, give them as we could not”, there is...

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Death of England: Michael / Death of England: Delroy, Soho Place review - thrilling portraits, brilliantly performed, of rebels without a cause

Two boys in east London, one Black, one white, grow up together, play pranks at school, then decades later have a tempestuous falling out. That’s the main narrative arc of these twin plays, but it accounts for none of their extraordinary richness...

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Prom 32, Gillam, BBCNOW, Venditti review - belated debuts and a dancing delight

This Prom by the BBC National Orchestra of Wales and Nil Venditti featured a first half of Welsh composers, including the belated Proms debut of Karl Jenkins at the age of 80. It’s a sign of how Proms programming has evolved over the last 30 years...

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Prom 26, Feldmann, BBC Philharmonic, Bihlmaier review - two warhorses and a femmage

This was my first Prom of the season – always an exciting moment, even in my fourth decade as an attendee. I was hearing the BBC Philharmonic under its newly appointed Principal Guest Conductor, the excellent Anja Bihlmaier, in a programme of two...

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Fiddler on the Roof, Regent's Park Open Air Theatre review - dazzling gem of a production marks its diamond anniversary

If I were a rich man, I'd be inclined to put together a touring production of Fiddler on the Roof and send it around the world, a week here, a week there, to educate and entertain. But, like Tevye, I also have to sell a little milk to put...

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Frankie Goes To Bollywood, Southbank Centre review - lots of lights, but a dull show

In the 1960s, Cilla Black was rescued from hat check duties at The Cavern and made a star. In the 1980s, Rick Astley was whisked away from tea-making at the Stock-Aitken-Waterman studios to launch, 30 years later. a billion RickRolls. In the 2020s,...

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BBC Proms 2024 Preview: theartsdesk recommends…

So maybe there’s a bigger quota of popular Proms, leading Stephen Walsh to lambast what he sees as "junk" to avoid. It surely doesn’t matter. Among the 89 concerts, some of them beyond the Royal Albert Hall, the mix of old and new, middle-of-the-...

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Album: Lava La Rue - Starface

Two of the biggest trends in 21st century pop culture today have been “poptimism” – broadly, the idea that pop as such is as serious and worthy of analysis as any other artform – and a kind of everything-everywhere-all-at-once telescoping of past...

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