London
graham.rickson
Orson Welles was commissioned by ITV in 1955 to make a 26-part series of travelogues. Always in search of money to fund his independent projects, he was initially enthused by the plan - though predictably he didn’t see it through. Only six episodes were broadcast – none of which stray out of Welles’ favourite European destinations.They’re full of artifice; sequences are repeated, and stock footage is used liberally. Welles is frequently seen posing with his handheld camera, though it’s obviously not his film that we’re watching. Some of the interview sequences seem stilted – largely because Read more ...
Gavin Dixon
Andris Nelsons and the Boston Symphony Orchestra have made the Shostakovich Tenth their calling card. Their recent recording of the work on Deutsche Grammophon has received universal acclaim, and now they're making their first European tour together, performing the symphony in London, Salzburg, Lucerne and Paris. It’s a great choice, a work that plays to all their strengths, conductor and orchestra alike. But this varied programme also demonstrated other facets of this versatile and increasingly distinctive partnership.How refreshing to hear Haydn performed by a symphony orchestra, bold and Read more ...
Matt Wolf
London property prices could well plummet, not to mention James Franco's ever-wayward career, if enough people see Good People, a staggeringly inept London-set gorefest that casts James Franco as an expat London property developer and Kate Hudson as his schoolteacher-wife who likes buying major appliances for friends as gifts. But since Danish director Henrik Ruben Genz's English-language feature film debut is likely to sink without a trace, the reputations of all involved should suffer scant permanent damage, and there may even be those who take solace in the news that Hollywood hunks Read more ...
Peter Quantrill
Sir John Eliot Gardiner has made great play for years with the idea that Beethoven’s Fifth is a revolutionary symphony in not only musical but political terms. Accordingly the first bars were a call to arms, taking no heed of a restless Proms audience, or the Albert Hall’s generous acoustic, ploughing into and then through the argument with the joyful fury of a class war demo breaking police lines.Niceties of intonation and ensemble counted for less in such a febrile atmosphere, but a week on from the Aurora Orchestra’s Beethoven "Pastoral", I wonder if there’s a trend re-emerging for playing Read more ...
Peter Quantrill
What would you expect of an ensemble performance played from memory? That the odd lapse, entirely understandable over the span of a 40-minute symphony, would be more than offset, perhaps, by gains in intimacy and flexibility as the players could look around and phrase together, respond to a conductor’s nudge and turn on a sixpence.In the event, the Aurora Orchestra’s performance of Beethoven’s “Pastoral” Symphony didn’t turn out like that. It was fast, loud, not quite together and not very well in tune. The tempi weren’t problematic in themselves, close to the composer’s metronome marks and Read more ...
Adam Sweeting
Axed by the BBC at the end of 2013 after its second series, ostensibly because of poor viewing figures, Ripper Street found a new home on Amazon Prime, where the third series began streaming in November last year. With a fourth and fifth series already commissioned by Amazon, the BBC is making up for lost time by airing Series Three. Perhaps the Top Gear bunch will be back on the Beeb yet.Happily, the change of address has done Ripper Street no harm at all, and this powerful opener centred on a train robbery gone wrong in London's East End. Masked hijackers set out to steal a Read more ...
Marina Vaizey
London, 1905. For the Stephen siblings, setting up an independent household in Bloomsbury freed them – especially the sisters, Vanessa and Virginia – from Victorian familial conventions. It resulted in a heady mix of creative endeavour and endless conversation, especially about sex. As some wit commented, the Bloomsbury set was to be found living in squares, loving in triangles and talking in circles.Introducing this delicate dramatisation of a complex web of relationships among friends and family we first met the predictably outraged Aunt Mary (Eleanor Bron) who worried about the delicate Read more ...
Bernard Hughes
After four years, 55 cities in 22 countries and an award-winning recording, Leif Ove Andsnes’s Beethoven journey came to an end last night in an emotionally charged evening at the Royal Albert Hall. And in a delightful light-hearted moment after all the serious music making was done, Andsnes finished the concert vigorously playing the tambourine in an orchestral encore.The highlight of the evening was, perhaps unexpectedly, the Second Piano Concerto, which ended the first half. Much revised and meddled with by Beethoven over nearly 15 years, this is the sunniest of the concertos. It was Read more ...
Adam Sweeting
Though perhaps not quite the "long strange trip" once hymned by the Grateful Dead, Leif Ove Andsnes's Beethoven Journey has been a marathon undertaking. It has spanned four years, during which the Norwegian pianist and the Mahler Chamber Orchestra have toured the world, performing all five of Beethoven's piano concertos with Andsnes conducting from the keyboard. This week, they bring their trek to a close by performing the concertos, plus Beethoven's Choral Fantasy, at the Proms, opening on Thursday (23 July) and continuing on Friday and Sunday. Along the way, pianist and orchestra have Read more ...
Gavin Dixon
So it begins. Thousands of expectant audience members in a sweltering Albert Hall – heave ho! – riotous applause for the leader as he tunes the orchestra. A few more visits and all this will seem normal again, but it’s a culture shock to be thrown straight back in on the first night.The First Night of the Proms has to tick many boxes, as does the Last Night, and in both cases the result is usually a very long evening. The season’s themes were presented – anniversary celebrations for Nielsen and Sibelius, as well as a focus on Mozart piano concertos – and we were also treated to a new work and Read more ...
Adam Sweeting
Adapted in two parts by Sadie Jones from her own 2008 novel, The Outcast (**) is a morbid tale of emotional sterility and many kinds of self-harm. Leaving his troubled childhood for an even worse young-adulthood, our "hero", Lewis Aldridge, carves a great gash down his forearm with a cut-throat razor. However, he's only the most extreme case in a whole gallery of weirdos.The story opened in England just after World War Two. Period cars and trucks and Blitz bomb damage had all been dutifully marshalled, and the officers' club where Elizabeth Aldridge (Hattie Morahan) reunited with husband Read more ...
bella.todd
If you’ve read any of the glowing reviews for the current revival of Caryl Churchill’s cloning play A Number, you’ll know all about the extraordinary set. Produced at the Nuffield in Southampton last year and transferred to the Young Vic this week, the intense production places father-and-son performers John and Lex Shrapnel inside a mirrored box where their every move is reflected infinitely. The audience is split into four around its edges, and watches the action through one-way glass. In between scenes, the mirror effect is reversed and the audience sees itself reflected. How the hell do Read more ...