wed 12/02/2025

LSO

London Symphony Orchestra, Gardiner, Barbican Hall

Just a few weeks ago, John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique delivered what was unquestionably one of the year’s finest concerts – performing Beethoven’s Fourth and Seventh Symphonies with more wit, swagger and verve...

Read more...

Mutter, London Symphony Orchestra, Gergiev, Barbican Hall

Praise be, or slava if you prefer, to Valery Gergiev for honouring new Russian music alongside his hallmark interpretations - ever evolving or dangerously volatile according to taste – of Prokofiev, Shostakovich and Stravinsky. Last LSO season...

Read more...

Davies, London Symphony Orchestra, Zhang, Barbican Hall

Highly finished literary tales of doomed nixies, like Hans Christian Andersen's The Little Mermaid, seem to have prompted reams of bad art but plenty of mellifluous music. Not even all of that is on the same level. Viennese late-Romantic Zemlinsky's...

Read more...

Jeanne d'Arc au Bûcher, London Symphony Orchestra, Alsop, Barbican Hall

Honegger's gaudy 1935 meditation on the life of Joan of Arc - which we witnessed in concert last night at the Barbican - is an untidy flea market of meretricious musical ideas. The work's only value lies in it being able to make one understand why...

Read more...

The music man who kept them dogies rollin'

On Thursday the London Symphony Orchestra plays a night of epic movie music by the man who gave America’s cowboy heroes their most stirring tunes. Dimitri Tiomkin was one of Hollywood’s film-score giants, John Wayne’s choice as composer for The...

Read more...

Britten War Requiem, London Symphony Orchestra, Noseda, Barbican Hall

Nearly 50 years have passed since Britten’s War Requiem premiered at the consecration of the reconstructed Coventry Cathedral in May 1962. The intervening years have seen British military campaigns in the Falklands, Iraq, Afghanistan and Libya, and...

Read more...

BBC Proms: Missa Solemnis, London Symphony Orchestra, Davis

While revered and respected, Beethoven’s Missa Solemnis has never inspired audiences with the same affection as Bach’s B minor Mass, Haydn’s Nelson Mass, or even Mozart’s Coronation or C minor settings. Perhaps it’s the austerity, the monumentality...

Read more...

DVD: The Music Lovers

There are many ways to get to the truth. One of the best ways is to ignore the truth. That seems to be the mantra of Ken Russell's colourfully mendacious portrait of the composer Pyotr Ilyich Tchaikovsky, The Music Lovers, receiving its long-awaited...

Read more...

Classical CDs Weekly: Beethoven, Dvořák, Strauss

Emmanuel Krivine's Beethoven: 'You’re convinced that what you're hearing is the only way this music should ever sound'

This week we’ve a brilliant, budget-priced box of Beethoven symphonies played on authentic instruments. It’ll remind you of how much fun there is to be had with this most iconic of composers. A historical recording of a famous cellist reappears, but...

Read more...

Pires, London Symphony Orchestra, Haitink, Barbican Hall

Pires and Haitink: Two artists with a deep rapport and a pellucid touch in Mozart

It was Groundhog Day. Murray Perahia, due to play the Schumann Piano Concerto last night under Bernard Haitink, was indisposed and at the last minute Maria João Pires rushed in with Mozart 27. Just the same happened in 2006, strangely enough, with...

Read more...

Gabriel Prokofiev: Nonclassical Directions, LSO St Luke's

Gabriel Prokofiev: Creativity, risk-taking and just a few teething problems

In a week in which the nation has debated the relevance of classical music, it was left to the LSO’s Eclectica concert series to have the final word. Incorporating world and electronic music alongside traditional chamber works and contemporary...

Read more...

Classical CDs Weekly: Debussy, Grainger, Lully

Christophe Rousset: His studio recording of 'Bellérophon' 'succeeds on every level'

This week we review Bellérophon, a rare Baroque opera from Lully which was exhumed by Christophe Rousset and performed for the first time last year, Debussy recorded live from the Barbican, and we answer the key question: how much is too much Percy...

Read more...
Subscribe to LSO