Manchester
matilda.battersby
If Noel Gallagher’s High Flying Birds tells us anything it is that Noel got all the songwriting genes in the Gallagher family. Compare its melodies to those by Liam and his Beady Eye chums, and you will sigh in relief at a reminder of why you were an Oasis fan in the first place. But I’m afraid that’s pretty much all it does. It reminds us that Liam’s talent for lilting harmonies is prodigious, but seems to deviate little further from the path trodden (so brilliantly) 15 years ago by Oasis’s best albums (What’s the Story) Morning Glory and Be Here Now.Going it alone has given Noel greater Read more ...
philip radcliffe
The objective: Beethoven’s symphonies. All of them. In numerical order, one after the other. Not only that, but a “powerful” work written in the last century to go with each one. That is Sir Mark Elder’s self-imposed mission for his 12th season with the Hallé. He has described it as the orchestra’s “first Beethoven cycle of the 21st century”. Is that a veiled promise of others to come? Perhaps in another 50 years, which is when the Hallé last tackled the cycle.Not that Elder will conduct all the symphonies. He is directing five, but vacating the rostrum for Markus Stenz, now in his third Read more ...
philip radcliffe
The only time I saw Ginger Rogers in the flesh was by chance in a book store on New York’s Fifth Avenue. She was doing a book signing (Ginger: My Story – a good read) and was well past her dancing years, but she still had a certain allure. And somehow, looking at this legend, the years rolled back and I could visualise her again dancing with Fred Astaire in the best of their 10 musicals together, Top Hat, the hit 1935 RKO movie. It took just over two months to make and grossed more than $3 million. “They’re dancing cheek to cheek again!” blazed the publicity poster at the time.Summer Read more ...
philip radcliffe
After producing an overwhelming performance of Mahler’s colossal Second Symphony, rewarded by a 10-minute standing ovation from a packed house, the new chief conductor of the BBC Philharmonic could not be accused of easing himself into the job. One might have thought that Juanjo Mena (pronounced Huanho Mayna, being Basque) might have started off with a splash of Spanish colour, with Rodrigo and De Falla, which must be in his blood. But no, although that will come in his next concert.Clearly, he has chosen to put down a strong marker straightaway – the Resurrection. Mind you, he isn’t new to Read more ...
Veronica Lee
How could you not immediately warm to a new comedy series that has almost as its first line, “Maybe you should tuck your cock away while I make us a nice cup of tea”? And so begins Fresh Meat, set in a shared freshers' student house in Manchester (the line's speaker had just come across a chap wearing a jumper but no trousers), a sort of The Inbetweeners and Skins grown up a couple of years with a Peep Show aesthetic.That aesthetic is due to Fresh Meat being the latest from Peep Show creators Sam Bain and Jesse Armstrong, who readily admit they are long past their own experiences of Read more ...
philip radcliffe
This is not exactly Edward II the musical. There’s no singing, but music plays a leading role. It is the food of love of the sort that dared not speak its name – and there is excess of it for my taste. The idiom is jazz of the edgy sort fashionable in Paris in the 1950s, reflecting pretty boy Piers Gaveston’s exile there, where he has been banished by Edward I for getting too close to his wayward son.Director Toby Frow chooses to move Marlowe’s play nearly 650 years on to the 1950s, notable amongst other things for the newsworthiness of homosexual causes célèbres, as the timeline diagram in Read more ...
Kieron Tyler
Between 1996 and the earliest years of the 21st century, the Manchester-based duo Lamb defined a moody, ambient, dance-influenced pop – the trip-hop/chill-out nexus. "Górecki", their 1997 chart single, will always be their most well-known moment. Lamb played what was announced back then as their final live show in 2004. But Andy Barlow and Lou Rhodes reunited for a slew of festival dates in 2009. Both had been working solo, and 5 is the first recorded evidence of their second life.Rhodes’s voice is smokier than before, fuller, more rounded and less likely to dance around the melody line. A Read more ...
David Nice
It was partly as penance for having missed the previous evening's Czech festival that I arena-prommed for last night's Moravian finale, to be happily strafed by the nine extra trumpets of Janáček's Sinfonietta. I hadn't quite expected to be so on the edge of my first-half seat in wonder at the little miracles of Sibelius's Op 66 Scènes historiques, genius personality more apparent in the first two chords than in all but the last minute or so of Havergal Brian's two-hour Gothic Symphony (but let's not go there again). In between, Sir Mark Elder's conducting didn't always keep his Mancunians on Read more ...
philip radcliffe
The Hallé Orchestra, enlarged for the occasion with harps, anvils, horns and such, was in its place on the platform. Sir Mark Elder made his entrance like a surgeon about to embark on a complex and energy-draining heart bypass operation. And the lights went out. On purpose. A spotlight picked up a man in a white shirt with long hair mounting the platform and making his way to a small table, chair and reading lamp mid-stage. It was Richard Wagner – in the form of actor Roger Allam. Pure melodrama.Allam started to mutter, speak, declaim in that rich booming voice of his, articulating the Read more ...
philip radcliffe
The creative seed, once planted, can take a long time to germinate and come into bloom – in this case 37 years. For Victoria Wood, 1974 was a seminal year – she turned 21, she won New Faces and she saw a Thames TV documentary about the Manchester Children’s Choir who famously sang Purcell’s "Nymphs and Shepherds" with the Halle under Sir Hamilton Harty in the Free Trade Hall. That recording, featuring 250 children from 50 Manchester schools, was in 1929 and the resulting 78rpm Columbia record became an unexpected hit, selling a million copies. The documentary which left such an impression on Read more ...
Adam Sweeting
The Americans have form when it comes to creating superior remakes of British TV shows. Life on Mars with Michael Imperioli? You gotta love it. The Office without Ricky Gervais? We are eternally in their debt.
Now they've taken Paul Abbott's Shameless in for a full engine re-bore and respray, with Abbott himself on board as writer and executive producer. The formaggio grandissimo of the Stateside version, though, is John Wells, of ER and The West Wing fame, and it's the rather imperial-looking John Wells Productions logo that you see at the conclusion of each programme.
It's bound to take a Read more ...
bruce.dessau
The Meltdown Festival's tribute to Tony Wilson was a lot like the charismatic post-punk legend himself: funny, eccentric, obscure, populist; all over the place but never dull. Wilson died in August 2007 and this event was a reminder of his reputation as one of music's most fascinating post-punk provocateurs, giving the world Joy Division, Happy Mondays and more. It was also a reminder of his reputation, as poet Mike Garry put it, as a "knobhead". As someone who appeared on regional news programmes quoting Wordsworth while hang-gliding, Wilson could be spectacularly uncool.Proceedings, hosted Read more ...