Mozart
Prom 21, BBC Scottish SO, Volkov review - horncalls and mountainscapesTuesday, 31 July 2018
This concert was inspired by the huge scale of the Albert Hall. The three works all evoke spacious vistas, through their expansive textures, echo effects and horn calls. Mozart, Haas and Strauss made for a diverse programme though, the three works... Read more... |
Classical CDs Weekly: Berio, Maderna, Mozart, Matthew GeeSaturday, 14 July 2018
Mozart: Piano Concertos nos 12 and 13, Double Concerto in Eb Marie-Pierre Langlamet and Joan Rafaelle Kim (harps), Varian Fry Quartet (Indésens)Mozart himself adapted three of his piano concertos for soloist and string quartet. Here, two of them are... Read more... |
Idomeneo, Buxton Festival review - revolution in the headMonday, 09 July 2018
The audience at the Buxton International Festival has a way of cutting to the essence of a production. “They’ll have a job getting all that cutlery out of the sand” commented one of my neighbours after the end of Act One, where in Stephen... Read more... |
La finta semplice, Classical Opera, QEH review - consummate musicianship stokes early MozartThursday, 07 June 2018
You can always be sure of impeccable casting and spirited playing as Ian Page takes his Classical Opera through Mozart year by year. Just don't expect more than the glimmer of genius to come in 1768, though. It doesn't matter in those admirable... Read more... |
Capriccio, Garsington Opera review - a classy evening with words and musicMonday, 04 June 2018
Like the comedies of Mozart – the genius the artistic milieu depicted in Capriccio seems to be waiting for, if its original 1770s setting is observed – the more conversational operas of Richard Strauss depend far more than one often realises on... Read more... |
Così fan tutte, Opera Holland Park review - the pain behind the prettinessSaturday, 02 June 2018
A proper production of Così fan tutte should make you feel as if the script for a barrel-scraping Carry On film has been hi-jacked by Shakespeare and Chekhov – working as a team. The story is so silly (even nasty), the music so sublime. When, in... Read more... |
Die Zauberflöte, Garsington Opera review - visually stimulating, conceptually confusingFriday, 01 June 2018
Something is afoot at Garsington this season. Walking past the lake you might just catch sight of three strange figures in the distance – white-clad pawns engaged in a solemn game of human chess. Continue towards the auditorium and, somewhere among... Read more... |
Classical CDs Weekly: Borgström, Shostakovich, Tchaikovsky, Alec Frank-GemmillSaturday, 28 April 2018
Borgström: Violin Concerto, Shostakovich: Violin Concerto No. 1 Eldbjørg Hemsing (violin), Wiener Symphoniker/Olari Elts (BIS)Hjalmar Borgström sounds like the name of a BBC Four gumshoe, a melancholy detective solving crimes in downtown... Read more... |
The Marriage of Figaro, English Touring Opera review - vanilla Mozart still tastes sweetThursday, 26 April 2018
The Fates did not want theartsdesk to review English Touring Opera’s new production of The Marriage of Figaro. The Beast from the East intervened to prevent a colleague from covering it at the Hackney Empire at the start of its tour in February: now... Read more... |
DVD/Blu-ray: Bergman's The Magic FluteFriday, 20 April 2018
Opera on film's most magical offering, better by some way than Joseph Losey's cinematically tricksy Don Giovanni, at last makes it to Region 2 in this BFI dual-format release. I've watched Ingmar Bergman's sublime response to Mozart many times, and... Read more... |
The Moderate Soprano, Duke of York's Theatre review - love and opera with a flinty edgeSaturday, 14 April 2018
"What could be more serious than married life?" asked Richard Strauss, whose operas became a surprising pillar of Glyndebourne's repertoire some time after the early days dramatised in David Hare's play. "Honour" might have been the answer of... Read more... |
Classical CDs Weekly: Brahms, Handel, MozartSaturday, 07 April 2018
Brahms: Symphonies 1-4 Scottish Chamber Orchestra/Robin Ticciati (Linn)Slimmed-down Brahms is more common than it used to be, and geeks will probably cherish a pioneering set recorded in the 1990s by Sir Charles Mackerras with the Scottish... Read more... |
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