sat 28/06/2025

Nazis

1945 review - Hungarian holocaust drama

Ferenc Török is firmly aiming at the festival and art house circuit with his slow-paced recreation of one summer day in rural Hungary. A steam train stops at a rural siding, two Orthodox Jewish men descend and with minimal speech, oversee the...

Read more...

DVD/Blu-ray: The Producers

Few things divide opinion as much as comedy, and we’ve all had the experience of sitting through a film stony-faced while all around collapse with mirth. What tickles you? Erudite Wildean wordplay, or the simple joys of watching a fat bloke fall...

Read more...

DVD/Blu-ray: It Happened Here

Kevin Brownlow and Andrew Mollo’s It Happened Here surely deserves the acclaim often accorded it as “the most ambitious amateur film ever made”, and the rich supporting extras on this BFI dual-format release make clear why. Best of all is a 65-...

Read more...

Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mind

Not far into Aftermath, Tate Britain’s new exhibition looking at how the experience of World War One shaped artists working in its wake, hangs a group of photographs by Pierre Anthony-Thouret depicting the damage inflicted on Reims. Heavy censorship...

Read more...

Effigies of Wickedness, Gate Theatre review - this sleek cabaret conceals desolation behind a smile

The show’s subtitle – “Songs banned by the Nazis” – is a catchy one, and somewhere under the confetti, the stilettos, the extravagant nudity, the sequins and even shinier repartee that are wrapped around Effigies of Wickedness like a mink coat on...

Read more...

Life and Fate / Uncle Vanya, Maly Drama Theatre, Theatre Royal Haymarket review - the greatest ensemble?

Towards the end of the Maly Drama Theatre of St Petersburg's Life and Fate, a long scene in director Lev Dodin's daring if necessarily selective adaptation of Vasily Grossman's epic novel brings many of the actors together after a sequence of...

Read more...

Absolute Hell, National Theatre review - high gloss show saves over-rated classic

Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend goes like this: Absolute Hell was originally titled The Pink Room, and first staged in 1952 at the Lyric Hammersmith, where it got a critical mauling....

Read more...

Agnès Poirier: Left Bank review - Paris in war and peace

There are too many awestruck cultural histories of Paris to even begin to count. The Anglophone world has always been justly dazzled by its own cohorts of Paris-based writers and artists, as well as by the seemingly effortless superiority of...

Read more...

Angry, Southwark Playhouse review – wondrously roaring Ridleyland

Monologues are very much the flavour of the start of this theatrical year. At the Royal Court, we have Carey Mulligan in Dennis Kelly’s brilliant Girls & Boys, coming hot on the tottering heels of Anoushka Warden’s My Mum’s a Twat, while at the...

Read more...

DVD: The King's Choice

It’s fascinating to compare this Norwegian film, which despite being Oscar-nominated (it made the Best Foreign Film shortlist of nine, but not the final five) has slipped out without a cinema release in the UK, with Darkest Hour. Set over a crucial...

Read more...

Robert Harris: Munich review - reselling Hitler

Robert Harris’s first book about Hitler told the story of the hoax diaries which seduced Rupert Murdoch and Hugh Trevor-Roper. After Selling Hitler (1986) came Fatherland (1992), another fake story about the Führer. In that alternative history the...

Read more...

'The kaleidoscope of an entire lifetime of memories'

When director Bruce Guthrie first gave me the script for Man to Man by Manfred Karge, I was immediately mesmerised by the language, each of the 27 scenes leapt off the page. Some are a few short sentences, other pages long; every one a...

Read more...
Subscribe to Nazis