sat 15/06/2019

New York

The Kindergarten Teacher review - obsession, talent and the power of poetry

Lisa, the kindergarten teacher in question (a mesmerising Maggie Gyllenhaal), is taking evening classes in poetry. Twenty years of teaching and raising her three kids, now monosyllabic, mean teens, have left her desperate for culture and a creative...

Read more...

Follies, National Theatre review - the Sondheim spectacular returns, better than ever

This is a golden age of London Sondheim revivals, with Marianne Elliott’s thrilling Company still playing in the West End, and Dominic Cooke’s Follies getting a hugely welcome second run at the National – both testament to a director’s...

Read more...

Jesus Hopped the 'A' Train, Young Vic review - shards of power amidst much that is overwrought

An entirely electric leading performance from the fast-rising Ukweli Roach is the reason for being for revisiting Jesus Hopped the 'A' Train, back in London for the first major production since the late Philip Seymour Hoffman brought his acclaimed...

Read more...

All About Eve, Noel Coward Theatre review - less a bumpy night than an erratically arresting one

Women spend a lot of time gazing at themselves in the mirror in the Belgian auteur director Ivo van Hove's latest stage-to-screen deconstruction, All About Eve, which is based on one of the most-beloved of all films about the theatre: the 1950 Oscar...

Read more...

The Price, Wyndham's Theatre review - David Suchet stands supreme

There’s a rather sublime equilibrium to Arthur Miller’s 1968 play between the overwhelmingly heavy weight of history and a sheer life force that somehow functions, against all odds, as its counterbalance. But in purely dramatic terms the scales of...

Read more...

Can You Ever Forgive Me? review - no page unturned in a comedy about literary forgery

What is it with all these new films based on biographies? Vice, Green Book, The Mule, Stan & Ollie, Colette… and that’s before we even get to the royal romps queening up our screens. At least Can You Ever Forgive Me? brings a lifestory...

Read more...

Cost of Living, Hampstead Theatre review - tough but tender

The Off Broadway production of Cost of Living two years ago brought Martyna Majok the 2018 Pulitzer Prize for Drama, the height of acclaim of which most new writers – Majok, with four plays behind her, has yet to turn 35 – can only dream. High...

Read more...

Blu-ray: De Niro & De Palma - The Early Films

If we think of Robert De Niro and Brian De Palma, we likely think of The Untouchables from 1987 with the great actor in his career pomp, chewing up the scenery in a memorable cameo as Al Capone. However, the pair had history. They made three films...

Read more...

theartsdesk Q&A: Composer Michel Legrand

“I want to be a man without any past,” said Michel Legrand, who has died at the age of 86. He had perhaps the longest past in showbiz. Orchestrator, pianist, conductor, composer of countless soundtracks, who else has collaborated as widely - with...

Read more...

Bang on a Can All-Stars, Kings Place review - a kaleidoscope of vibrant sound and vision

Julia Wolfe, Caroline Shaw, Anna Þorvaldsdóttir: three names on quite a list I reeled off earlier this week when someone asked me why the compositions of Rebecca Saunders, in the news for winning the €250,000 Ernst von Siemens Music Prize, make me...

Read more...

Monsters and Men review - an impressive debut

This well-crafted addition to the films inspired by the Black Lives Matter movement is subtler and less commercial than last year’s The Hate U Give but covers similar terrain. Writer-director Reinaldo Marcus Green sets Monsters and Men in...

Read more...

Life Itself review - epically vapid

When life gives you lemons, make lemonade: that bromide is about the only one absent from the astonishingly bad Life Itself, which in actuality might require a stiff drink to make it through the film intact. Folding together an interconnected set of...

Read more...
Subscribe to New York