New York
theartsdesk
The morning after the day before has dawned. If you're not inclined to join the shopping queues, theartsdesk is happy to suggest alternatives. Our writers recommend all sorts of cultural things you could get up to in the next week.See Wicked. This smart, feisty show is not just for teenage girls (though heaven knows they’ll thank you for taking them) but will tweak at the imagination and tickle the funny bone of anyone who’s ever contemplated the back-story of The Wizard of Oz. Stephen Schwartz’s zingy score is one of the best to have come out of Broadway in the last decade and you really Read more ...
joe.muggs
Tim Lawrence is an author and academic, whose musical studies have led him from the dance scene of the 1990s to researching New York's disco scene – his Love Saves the Day was the first and remains the definitive history of the music, history and politics of disco – and then to the singular figure of Arthur Russell. A cellist, singer, songwriter, producer, composer and electronic artist, Russell existed both within and without disco and many other scenes in a period of cultural ferment in New York when many of the sounds that form the fabric of popular culture were being first created.Russell Read more ...
joe.muggs
Arthur Russell, 5 April 1991.
Linked to Joe Muggs' interview with Tim Lawrence on theartsdesk, this is extracted from the introduction of Hold On To Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992. Arthur Russell hailed from the Midwest, yet felt at home in downtown New York. Outwardly normal to those who observed his checkered shirt and acne-scarred face, he trod the maze-like streets that ran from the battered tenements of the East Village to the abandoned piers on the West Side Highway for hours at a time, and on a daily basis.The labyrinthine infrastructure and contrasting neighborhoods of lower Read more ...
Markie Robson-Scott
An urban convalescence: the exhibition space at Poets House
What do you do when, on a bright December day in New York City, you have a sudden urge to read Tennyson’s "Ring out, wild bells, to the wild sky?" You could get Google to flash up the eight stanzas, or if you’re feeling romantically old-school, you could go to Poets House (no apostrophe - "Some things must never be possessed but shared," said a founder and two-time poet laureate, the late Stanley Kunitz, who died at the age of 100 in 2006) and look it up.The new Poets House (entrance, pictured right) is a sumptuous space on River Terrace in Battery Park City, beside the Hudson River. It’s Read more ...
sheila.johnston
The Melancholy Death of Oyster Boy and other stories (1998), pen and ink, watercolour on paper
To accompany our review of the spectacular and extensive exhibition dedicated to Tim Burton at the Museum of Modern Art, New York, we present a tiny selection of the 700-plus works on display there until 26 April 2010. Click on any of the images below to open the full view. The entrance to the MOMA exhibition (photograph: Michael Locasiano) The Green Man (1996-1998), oil and acrylic on canvas Creature Series (1992), acrylic on canvas Picasso Woman (1980-1990), pen and ink and watercolour on paper The Nightmare Before Christmas: Sally (1993), Polaroid Ramone (1980-1990), pen and ink, marker Read more ...
Graham Fuller
Outwardly the Morgan Library & Museum is a citadel of sedateness - inside it may be the locus of turbulence. Thirteen years ago I walked around one of the rooms with the actress Charlotte Gainsbourg, on whom I was writing a profile. She was then starring in Franco Zeffirelli’s Jane Eyre, and it made sense for us to look at the Morgan’s exhibition of Brontë juvenilia together. She seemed vaguely haunted by the show; I know I was. It was the sight of the tiny writing, the tiny gloves (Charlotte’s), and the locks of thin blondish Brontë hair - close enough to touch - under the glass cabinets Read more ...
Ismene Brown
THE choreographer George Balanchine died on April 30, 1983, aged 79, of Creutzfeldt-Jacob disease, a rare, if nowadays notorious, condition only discovered at his autopsy. What had been recognised long before his death, though, was that this man was one of the very greatest geniuses of the 20th century, a figure to be reckoned alongside Pablo Picasso in art and Igor Stravinsky in music.What he did for ballet was nothing less than complete reinvention, applying his mind energetically for almost 60 years to turning the conventional art he had learned in St Petersburg at the Mariinsky Theatre Read more ...