Norway
Kieron Tyler
Music from Norway can have moods and textures that aren’t found elsewhere. Templates are thrown away and boundaries between genres are non-existent, bringing a thrilling unpredictability. Huntsville, a three-piece with roots in improv music, jazz and folk, take a repetition rooted in Krautrock and imbue it with the organic feel of Americana – they’ve previously collaborated with members of Wilco. The opening cut of third album For Flowers, Cars and Merry Wars, the almost-19-minute title track, journeys into inner space and compresses time. Once over, the ride seems as though it’s barely begun Read more ...
Kieron Tyler
On the Jutland coast, Aarhus is Denmark’s second largest city after capital Copenhagen. Its attractive continental atmosphere is amplified by the presence of this week’s temporary population, which includes visitors from Britain, Estonia, France, Germany, Luxembourg, the US and the other Nordic countries. They’re here for SPOT, Denmark’s annual festival showcasing homegrown music. It’s a good moment as electro-popper Oh Land is making significant waves in the States. Bands like Efterklang, The Ravonettes and the seminal Mew are embedded in the international musical landscape. Of course, Read more ...
Matt Wolf
Dropped trousers, audience participation and an onstage skiffle band fronted by a singer/songwriter boasting specs by way of Buddy Holly: what has become of the National Theatre's Lyttelton auditorium? Well, let's just say that for the entire first act of One Man, Two Guvnors, it's got to be easily the giddiest theatrical address in town. And when the momentum flags, as it does somewhat after the interval, not to worry. By that point, Richard Bean's Goldoni rewrite has generated enough goodwill that you all but float home.That is, if you even feel like leaving, given a show so full of high Read more ...
aleks.sierz
Today’s Britons are a minor miracle of globalised taste. Typically, we are amazingly eclectic: we eat curry and sushi, read Swedish novels or South American magic realists, dress like Italians, drive German cars, listen to world music. Our houses are full of Scandinavian design. Our favourite films are as likely to be made in China or Afghanistan as in Hollywood. So, watching the British premiere of a new play by Norwegian Jon Fosse directed by French theatre legend Patrice Chéreau, one is compelled to ask: why are we so suspicious of foreign drama?One reason must be aesthetics: we are so Read more ...
Kieron Tyler
Viscera, the new album by Norway’s Jenny Hval, is a striking, often disturbing, surreal examination of how the body can take control, winning out over thought. Hval enfolds her explicit, literature-inspired lyrics in music that suddenly shifts from the impressionistic to the surging. Her voice can be disquietingly detached, narrating, as she puts it, “a partly uncomfortable listen”.Jenny Hval was a highlight of February’s by:Larm festival. Live in Oslo, the interplay between her, Håvard Volden and Kyrre Lastad – both of whom have backgrounds in improvisational music – brought to mind Lorca- Read more ...
joe.muggs
While rumours of the album's demise may well have been premature, the digital age certainly does present increasing challenges when it comes to getting punters to keep and treasure music. Of course, really it all went wrong with the CD: those irritating plastic cases with hinges and catches guaranteed to snap off and get hoovered up, the booklets you have to squint to read, the discs that slide under car seats or behind radiators. Even “deluxe collectors' editions” were never going to be all that glorious compared to a big slab of vinyl or two and a lavish gatefold record sleeve. MP3s might Read more ...
David Nice
We’re talking in Berlin for two reasons: Andrew Litton has just renewed his contract with the Bergen Philharmonic – he’ll see out at least 12 years as the Norwegian orchestra’s principal conductor – and they’ve now reached the holiest of holies on their European tour, the Philharmonie. The long-term relationship is rare enough, given the musical chairs of today’s higher-paid international conductors, though not unique. Yet it seems to me that what they have together probably is - and I can say, hand on heart, that the Bergen/Litton Berlin concert knocked spots off the one time I heard the Read more ...
Kieron Tyler
Pål Moddi Knutsen is from Senja, an island off north Norway’s west coast. Inside the Arctic Circle, it’s so far north as to be all but adjacent to the borders with Sweden and Finland. Due east, Murmansk is less than half the distance of Oslo. It’s no surprise that Moddi’s debut album evokes solitude, the endless light, the unbroken night and the contemplation that has to come with the territory.Accordion is his lead instrument. He also plays acoustic guitar. Floriography was produced in Reykjavik by Valgeir Sigurðssun, who has filled out the sound with gentle strings, pattering percussion, Read more ...
Peter Culshaw
Kinoteka, the adventurous Polish film festival, opened last night with a gala screening at the Curzon Renoir of veteran director Jerzy Skolimowski’s Essential Killing, a film that has provoked some vicious responses. The Observer said it was “deeply silly”, one usually fairly reliable film blogger (Shades of Caruso) was “murderously angry at having my time wasted in such a careless manner. It has no allegorical dimension, no coherent metaphorical throughline, no momentum, no narrative point, no political message, no aesthetic merit… no energy, no wit or dread or suspense or cathartic Read more ...
Kieron Tyler
Oslo’s annual by:Larm festival celebrates Nordic music. Over the three days, just under 180 acts play Norway's capital: 142 are Norwegian, 15 are Swedish, with single figures each for Iceland, Denmark, Finland and even Greenland. Time presses, and hard choices have to be made about what to see. This year, by:Larm also hosted the inaugural Nordic Music Prize, awarded to Iceland’s Jõnsi, for his recent album Go. Overjoyed, but overwhelmed, in reaction he said little more than, “Thank you so much, I’m really bad at this.”HRH the Crown Prince Haakon Magnus of Norway presented the award. Quoting Read more ...
Thomas H. Green
There is a certain kind of Northern European songcraft that's difficult for we genre-crazed music journo sorts to categorise. The active components are a musical stew of late-night cabaret blues, oddball jazz-classical instrumentation, a smidgeon of Jacques Brel flavour, surreal lyricism and a quavering soprano female voice. At the forefront of this most miniscule of micro-genres would be Lonely Drifter Karen and Clare and the Reasons (although the latter hails from New York). Whatever we might call it, it's the polar opposite of rock'n'roll, it's often beautiful, and we can now add Read more ...
Kieron Tyler
Clichés about the frozen North aside, music from the Nordic countries is often described as redolent of glacial landscapes or icy wastelands. But the music of percussionist Terje Isungset goes further – his instruments are carved from Norwegian ice. Pulled up from the depths, his ice is 600 years old, crystal clear with no imperfections. Ice Music is literally that: music played on ice. Patting bars, hitting blocks and blowing through his ice trumpet, Isungset reflects Norway’s environment like no one else. We may have recently reported on music made by ice-cream vans, but this was music Read more ...