Palestine
David Nice
A great creative partnership like the one between composer John Adams and director Peter Sellars can endure the occasional wobble. In his peerless autobiography Hallelujah Junction Adams is frank about the information overload in Sellars’ premiere production of the millennial opera-oratorio woven around the birth of Christ, El Niño. His semi-staging of its companion piece The Gospel According to the Other Mary seen at the Barbican last year was, on the other hand, so pure, focused and perfect within Sellars’ usual semaphoring bounds, that I feared the full works might unleash excess again. Read more ...
Katie Colombus
Like its title, this film is surprisingly open in its capacity for possibility. It's ironic that this blossoming branch – When I Saw You – is set in the stilted habitat of a refugee camp in Jordan. It’s a sweet film that gets to the heart of the Palestinian conflict, cinematically as well as through its characters.The year is 1967, the Six-day war has just happened and 11-year-old Tarek (Mahmoud Asfa, pictured below) is fast realising his stay in Harir with his mother Ghaydaa (Ruba Blal), as they wait for his father, could be much longer than he initially anticipated. In what should be a Read more ...
Lisa-Marie Ferla
In the current political climate, it would have been grotesquely inappropriate to conclude even the most fictionalised account of the Israeli-Palestinian conflict with any kind of neat resolution. But even if Hugo Blick’s absorbing thriller had ever dealt in such things, the carefully orchestrated dual-location bloodbath at the climax of its penultimate episode was all the hint one needed that a happy ending was never on the cards.Moral ambiguity makes for more interesting drama, of course, but by its ending The Honourable Woman had turned traditional notions of “good” and “bad” on their head Read more ...