Paris
Alex George: The Paris Hours review - captivating yet frustratingSunday, 03 May 2020
A century on, the années folles of Paris between the wars do not cease to excite readers and writers of all varieties. Alex George’s latest novel, The Paris Hours, draws on the myriad charms the interwar period has to offer, condensing them into a... Read more... |
Rebuilding Notre-Dame: Inside the Great Cathedral Rescue, BBC Four review - a race against timeThursday, 16 April 2020
One year on the world is drastically altered, but footage of Notre Dame’s stricken spire collapsing in flames is no less shocking. That this event, endlessly replayed, has not paled against the new reality of daily death tolls is testament to the... Read more... |
Flowers for Mrs Harris, Chichester Festival Theatre online review - a warmly open-hearted weepieMonday, 13 April 2020
18 months or so after it opened in Chichester, Flowers for Mrs Harris launches a sequence of streamed productions from the West Sussex venue just in time to allow a new British musical to join the ever-swelling ranks of theatrical offerings online.... Read more... |
Charpentier Christmas settings, Solomon's Knot, St John's Smith Square review - pastoral shadesTuesday, 10 December 2019
There is no mention of Marc-Antoine Charpentier in David Cairns's comprehensive Berlioz biography. It seems extraordinary that the master of the most intimate and moving of musical Christmas stories, L'enfance du Christ, knew nothing of the next... Read more... |
Svetlana Zakharova, Modanse, London Coliseum review - impeccably chic but soul-lessThursday, 05 December 2019
What price a pair of seats at the ballet? If you’re talking the latest starry Russian import then, with a few perks thrown in, you might not see much change from £800. And yet the size of the first-night crowd queuing for Modanse, a double bill... Read more... |
Orphée, English National Opera review – through a screen darklySaturday, 16 November 2019
Like almost everything that it touches these days, English National Opera’s autumn season of shows rooted in the Orpheus myth has enjoyed a fairly mixed reception. The company’s programme of visits to the Underworld concludes with another high-risk... Read more... |
Spiral, Series 7, BBC Four review - hard-hitting return of our favourite French cop showSunday, 20 October 2019
And welcome back to our favourite French cop show – perhaps our favourite cop show from anywhere, in fact – which has raced into its seventh series (on BBC Four) with some typically grimy storylines about death and lowlife in a very de-romanticised... Read more... |
Non-Fiction - adultery spices up digitisation dramaFriday, 18 October 2019
It isn’t provable whether adultery is more accepted in French bourgeois life than in that of other countries, but French films often suggest it’s nothing to get in a lather about. Olivier Assayas’s Non-Fiction, in which three of the four main... Read more... |
Manon, Royal Opera House review - splendid start to the seasonThursday, 03 October 2019
The Royal Ballet’s choice of season opener could be dismissed as safe and predictable. But as the glorious naturalistic detail of 1830s Paris unfolds in Kenneth MacMillan’s 1974 retelling, you see the reasoning. It’s only a year since the Royal... Read more... |
Classical CDs Weekly: Albert Roussel, Roy Budd, PropellorSaturday, 07 September 2019
Albert Roussel Edition (Erato)Be grateful that Albert Roussel became a composer at all. Born in 1869 and orphaned at a young age, he was a talented pianist who joined the French navy as a teenager. Music was an enjoyable distraction during his... Read more... |
The Son, Duke of York's Theatre review - a piercing drama of depressionTuesday, 03 September 2019
A tale of teenage depression and its family resonances, Florian Zeller’s The Son has a devastating simplicity. It’s the final part of a loose trilogy, following on from the playwright’s The Father and The Mother, but the new play eschews the... Read more... |
CD: Caravan Palace - ChronologicFriday, 30 August 2019
Parisian outfit Caravan Palace have now had a career that’s lasted over a decade. They’ve not busted the British charts open (although they have had hit albums in France), but they’ve long been festival favourites with multi-millions of YouTube... Read more... |
