fri 20/07/2018

piano

theartsdesk at the East Neuk Festival 2018 - Bach as bedrock

There is a tide in the best-planned festivals that comes in and out almost imperceptibly, bringing with it changes as the days move on. Put it down to the kind of perfect planning that discards any one rigid theme, and to forging long-term links...

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theartsdesk in Orkney: St Magnus Festival 2018 - choral music to the fore

With – unusually – no visiting orchestra at this year’s St Magnus International Festival in far-flung Orkney (the fall-out from delayed funding confirmations, we’re assured), there was a danger that the annual midsummer event might have felt a...

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Classical CDs Weekly: Olivia De Prato, Kärt Ruubel, Third Coast Percussion

 Streya: New works for solo violin and violin with electronics Olivia De Prato (violin) (New Focus Recordings)Combining acoustic instruments with electronics is a dark art, and tantalisingly few details about the process are revealed in the...

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Imogen Cooper, Wigmore Hall review – Viennese schools refreshed

In the right hands, the music of the various Viennese Schools can still sound almost startlingly original. Imogen Cooper’s are very much the right hands, containing a rare, refined artistry that only continues to grow with the years. In her Wigmore...

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theartsdesk at Leipzig's Blüthner Piano Factory - a perfect family business

Have you ever wondered why the Steinway grand piano is invariably the instrument of choice in every hall you visit, great or small? Why do the halls in question not offer a choice between two or three pianos of different manufacture, as so many did...

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Ryuichi Sakamoto: 'Ideally I'm recording all the time, 24 hours a day' - interview

Ryuichi Sakamoto has conquered underground and mainstream with seeming ease over four decades, never dropping off in the quality of his releases. Indeed his most recent projects, following his return to public life after treatment for throat cancer...

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Chopin's Piano, Tiberghien, Kildea, Brighton Festival review - mumbled words, magical music

First the good news: Cédric Tiberghien, master of tone colour, lucidity and expressive intent, playing the 24 Chopin Preludes plus the Bach C major and the C minor Nocturne in the red-gold dragons' den of the Royal Pavilion's Music Room. Then the...

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CD: Arctic Monkeys - Tranquility Base Hotel + Casino

Arctic Monkeys are the great British guitar band of the 21st century so far. Only now they’re not. For the last couple of albums, Sheffield’s ever-smart rock four-piece have pushed their innate indie guitar sound further and further into 21st pop...

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The Boy, The Piano and The Beach, Brighton Festival review - dubious dancing but perfect puppetry

This Brighton Festival opener is a perfect fit for day one, coming shortly after the Children's Parade and coasting on the gorgeous, beachy day outside the Brighthelm Centre. I have come from said beach, armed with my own Boy. He's 3. His opinion...

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Classical CDs Weekly: Beethoven, Méhul, Mozart, Schubert

 Beethoven: Symphony No 3, Méhul: Symphony No 1 Solistes Européens Luxembourg/Christoph König (Rubicon)Étienne-Nicolas Méhul was one of revolutionary France’s key musicans. He was commissioned by Napoleon to write his Chant national du 14...

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Picks of Brighton Festival 2018 by writer-director Neil Bartlett

Director, playwright and novelist Neil Bartlett has been making theatre and causing trouble since the 1980s. He made his name with a series of controversial stark naked performances staged in clubs and warehouses, then went on to...

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Nikolai Lugansky / Pavel Kolesnikov, Wigmore Hall review - lucidity and depth from two master pianists

Reaching for philosophical terms seems appropriate enough for two deep thinkers among Russian pianists (strictly speaking, Kolesnikov is Siberian-born, London-based). In what Kant defined as the phenomenal world, the tangible circumstances, there...

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