sun 18/11/2018

piano

Kolesnikov, BBCSO, Brabbins, Barbican review - rethought masterpiece, stolid rarity

Forget the latest International Tchaikovsky Competition winner (I almost have; only a dim memory of Dmitry Masleev's playing the notes in the obligatory First Piano Concerto, and nothing else, remains from an Istanbul performance). Had Pavel...

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Federico Colli, Wigmore Hall review – poised on the edge of the possible

The Italian pianist Federico Colli, 30, best known so far as winner of the 2012 Leeds International Piano Competition, last night arrived for his Wigmore Hall debut sporting an emerald-green cravat, but the sonic colours he magicked out of the piano...

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Two-Piano Marathon, Kings Place review - dazzling duos, deep waters

You get a lot of notes for your money in a two-piano recital - especially when seven pianists share the honours for two and a half hours' worth of playing time. Well, they did call it a marathon, crowning the London Piano Festival so shiningly...

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Anderson & Roe, RLPO, Tali, Philharmonic Hall, Liverpool review - measured fire

There must be something of a beauty parade going on in Liverpool now that Vasily Petrenko has called time on his tenure at Philharmonic Hall.  After all, someone will need to step into his shoes from 2021 after he departs for the Royal...

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Bach: The Well-Tempered Clavier - Book 2, Hewitt, Wigmore Hall review – high drama in 24 short acts

Bach specialists like to explain that the second book of preludes and fugues in The Well-Tempered Clavier, composed around 1740 and thus almost two decades after the first, draws on more of the fancy and daring “modern” music of its time than its...

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Katya Apekisheva, Charles Owen, Kings Place review - one plus one equals a hundred

We could probably spend all day pondering what makes a great musical partnership. Is it long experience, special sensitivity, a shared sense of humour? We’d get nowhere, though because there is, genuinely, something about it that can't be explained...

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Uchida, Connolly, Skelton, LPO, Jurowski, RFH review – songs of farewell

Not all composers require the finger of mortality pointing at them to develop what becomes a late style. Charges of detachment and even indifference have been levelled at the B flat major Piano Concerto K595 which Mozart completed early in the year...

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Classical CDs Weekly: Ivanovs, Shi-An Costello, Sean Shibe

 Jãnis Ivanovs: Symphony No. 5; Juris Karlsons: Music for Symphony Orchestra 1945 Latvian National Symphony Orchestra/Andris Poga (Skani)Jãnis Ivanovs’ promising conducting career was kyboshed by the outbreak of war and the Soviet invasion of...

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CD: Prince - Piano and a Microphone 1983

Knowing a deceased artist's archives are available for re-release is a double-edged sword. Will there be a shoddy flood of any and every old bit of tat a la Jimi Hendrix? Will there be half-arsed, half-finished and even fake songs bodged together by...

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CD: Kandace Springs - Indigo

Back in 2014, Kandace Springs was the upcoming star of modern soul, mentored by Prince: she closed his 30th anniversary Purple Rain concert. Then, with her first album Soul Eyes, she was heralded as an important jazz vocalist. The release talks of...

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theartsdesk at the Suoni dal Golfo Festival - romantics shine in the Bay of Poets

If only Liszt had started at the end of his Byron-inspired opera Sardanapalo. The mass immolation of Assyrian concubines might have been something to compare with the end of Wagner's Götterdämmerung. Instead he only sketched out the first act,...

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CD: Waxahatchee - Great Thunder EP

Hot on the heels of her celebrated 2017 album Out in the Storm, Katie Crutchfield shares an EP of a very different nature. The Waxahatchee sound is stripped down to its most bare and essential; much of Great Thunder is simply Crutchfield sat at a...

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