fri 22/03/2019

piano

Fellner, LSO, Haitink, Barbican review - the master at 90

So this is how Bruckner's Fourth Symphony should go. It's taken a master conductor just past his 90th birthday and an orchestra on top form to teach me. No doubt Claudio Abbado and Brucknermeister Gunter Wand could have done so, too, but I never...

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A Previn treasury

In a way, he was a second Bernstein. Only 11 years Lenny's junior, and living to the much riper age of 89 – his 90th birthday would have been on 6 April – André Previn was a film composer and arranger at the start of his 70-plus-year career, a jazz...

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Trifonov, LSO, Rattle, Barbican review - Russian style with French chic (and cheek)

The arc of Daniil Trifonov’s reputation has soared and then, to some ears, stalled in a familiar modern way. Russian Wunderkind pianist bags a sackful of competition trophies (Rubinstein, Tchaikovsky prizes; Gramophone Awards). Early recitals and...

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Grosvenor, Doric String Quartet, Milton Court review – a night to remember

Imagine for a moment that you are at, say, the Derby. It’s pretty good. But then in flies Pegasus, the mythical winged horse. What happens?We need to talk about these rare moments of almost inexplicable magic in concerts, because unless I’m...

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Uchida, Mahler Chamber Orchestra, RFH review - togetherness in light and shade

When a pianist directs from the keyboard, the result can be a sedate affair: a matter of minimalist time-keeping while the soloist shows his or her fancy moves. Not so with Dame Mitsuko Uchida and her long-term partners, the Mahler Chamber Orchestra...

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Lupu, Philharmonia, Järvi, RFH review - concerto magical in parts, symphony stupendous

Pianists most often cite Radu Lupu alongside Martha Argerich and Grigory Sokolov as the greatest. So it was hardly surprising to see so many top musicians in a packed audience, buzzing with expectation for the 73-year-old Romanian's most recent UK...

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Kempf, Devin, St Petersburg Philharmonic, Sinaisky, Symphony Hall, Birmingham review - aglow but not alight

In the fourth performance of their UK tour, with Vassily Sinaisky replacing an indisposed Yuri Temirkanov, the St Petersburg Philharmonic gave a warm and rousing performance at Symphony Hall, Birmingham. Prokofiev’s First Symphony – written in "...

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Classical CDs Weekly: Adventures in Sound, Tora Augestad, Ashley Fripp

 Adventures In Sound (él records)Dipping in and out of this highly desirable box set recalls 1950s sci-fi visions of the future, looking forward to a time when we'd all be driving flying cars and living under a benevolent one-world government....

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Classical CDs Weekly: Couperin, Dutilleux, Rossini

 Couperin: Les Nations Réunies & autres sonades La Simphonie du Marais/Hugo Reyne (Musiques à la Chabotterie)François Couperin was one of the baroque era’s greatest keyboard composers. Did he write any orchestral music? Er, no. Though...

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Classical CDs Weekly: Mia Brentano, Wim Henderickx, Saint-Saëns

 Mia Brentano’s Hidden Sea – 20 Songs for 2 Pianos Benyamin Nuss & Max Nyberg (pianos) (Mons Records)Hiddensee is a car-free German island in the Baltic Sea. It's mentioned as one possible inspiration for the pieces on this beguiling disc;...

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Fibonacci Sequence, Conway Hall review - characterful chamber music for winds

Most classical concert reviews focus on prominent orchestras and opera companies at major venues. But beyond the likes of the Barbican and the Royal Opera House, there are whole strata of musical life where smaller scale ensembles and amateur choirs...

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theartsdesk Q&A: concert pianist Lucy Parham

"The opportunities in standard concert formats are fewer than they were. You have to be versatile and look at different ways to bring this rich canvas of music to your audience," says pianist Lucy Parham. Over the past decade and a half, she has...

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